American Impressionist Drawings and Watercolor Paintings

untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Cond...

"Cape Cod Sunset" - Watercolor on Paper Colorful sunset painting by San Francisco and Provincetown artist Robert Morgan (American, 20th C). A house sits on top of a hill lit up in orange and yellow reflecting the colors of the set sky in this impressionist watercolor. Cape Cod, a popular summertime destination, sits on the hook-shaped peninsula of the U.S. state of Massachusetts. Signed by the artist in the lower right corner, "Robert Morgan" Frame size: 17.5"H x 21.75"W Image size: 11.75"H x 17.25"W Info provided on the back by the artist: Robert Morgan "Cape Cod Sunset" Watercolor, 12x18", '99 Presented in a wooden frame with a light gray mat. After graduating from the Kansas City Art Institute and moving to San Francisco, Robert Morgan (American, 20th/21st Century) returned to Provincetown to study watercolor with the late Lee Boynton at the Cape Cod School of Art. He then began taking workshops at the Fine Arts Work Center with Jim Peters, Robert Henry and Gregory Amenoff, among others. He now sells his artworks through the Alden Gallery, opened by film writer and Banner Arts Editor Howard Karren and business partner, Stephen Syta, in 2007. Morgan’s subject matter is largely influenced by Provincetown, mostly consisting of men in relationship to the beach, the town and each other. Education San Francisco State University, MA (Painting), 1984 San Francisco Art Institute, 1974–76 Kansas City Art Institute, BFA, 1972 Publications “A Feeling for Light and Air and the Human Figure,” The Palette Magazine, Issue No. 12 (Dec. 2005/Jan 2006) “ArtSeen,” by Patrick King, Genre, August 1998, pp. 76-77 Awards Gold Award, Painting, Art of California Magazine, 1993 Exhibitions 2017 - Alden Gallery, “Ed Christie, Robert Morgan and Laurence Young: New Work” Alden Gallery, “Wall” Metro Pictures, New York, “Postcards from the Edge 2017” Provincetown Art Association and Museum, Members’ Juried Exhibition (curated by Sarah Johnson, Cahoon Museum of American Art) 2016 - Alden Gallery, “Robert Morgan and Sean McCabe: New Work” Alden Gallery, “Meme” 2015 - Alden Gallery, “Kevin Cyr, Raul Gonzalez...

Mid Century Country Meadow and Hills Landscape Mid Century California Meadow and Hills landscape, watercolor of a pathway through rolling hills by California artist Rene Weaver (Amer...

Woman with child Watercolor on paper, c. 1930 Signed with the estate stamp lower right (see photo) Exhibited: Marbella Gallery, New York Illustrated: Robert Hallowell: An Artist Redi...

Autumnal Country Barn in Watercolor Landscape on Paper A vibrant rural watercolor scene by Lewis Suzuki (American, 1920-2016). Suzuki is considered an important figure in the waterco...

Born in Aberdeen, Scotland, James Jeffrey Grant was the son of an artist. He began painting at an early age and studied in his native city at the G...

West Gouldsboro (Looking Across Mt. Desert Narrows) Watercolor on paper, c. 1945-1955 Unsigned Provenance: Estate of the Artist Condition: Excellent Image/Sheet size: 9 7/8 x 12 1/2 inches Regarding the Maine subject matter of her watercolors, we know that Allen taught art in West Gouldsboro, ME, located near Arcadia National Forest. This watercolor was most probably done in that vicinity. A local Maine newsletter mentions “the artist Greta Allen’s house” as artist residing in West Gouldsboro, Maine in a house formerly owned by James Hill. West Gouldsboro is located just east of the Mt. Desert Narrows, across Frenchman Bay from Mt. Desert Island and Arcadia National Park. Please see attached images for detailed information about the artist's life and time in Maine. Greta Allen, who is sometimes listed under her married name Dietz, was born in Boston in 1881. At the Massachusetts Normal Art School she took elementary lessons from Joseph R. DeCamp, then Frank Benson was her teacher at the School of the Museum of Fine Arts, Boston. Although her work seems to be only in private collections today, Allen exhibited at the Boston Art Club, at the Copley Society...

Seated Male Nude in Charcoal on Paper Figurative piece with a nude male by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The...

This artwork "Man Fishing in a Lake" c.1980, is a gouache on paper by noted Montana artist Shirley Cleary, b.1942. It is signed at the lower right corner by the artist. The artwork (image) size is 7 x 20 inches, framed size is 14.65 x 27.75 inches. Custom framed in a wooden gold frame, with light green matting and gold color spacer. It is in excellent condition, the frame have a very small minor restoration, practically invisible. About the artist: Shirley Cleary was born in St. Louis, Missouri in 1942. She earned her Bachelor of Fine Arts from Washington University in St. Louis in 1964, studied at the University of Valencia in Spain in 1965, and at the Tyler School of Art in Philadelphia in 1966, in Rome in 1967, and received her Masters of Fine Arts in 1968. Shirley Cleary received her BFA Degree from Washington University in St. Louis and her MFA Degree from Tyler School of Art of Temple University in Philadelphia and Rome, Italy. She also studied at the University of Valencia (Spain) and the Corcoran in Washington, DC. She was born in St. Louis, Missouri, has lived in Montana since 1971 and spends part of the winter painting and fishing in New Zealand. Her paintings have been featured in many publications including "American Artist", "Art West", "The Artist's Magazine", "US Art", "Inform Art", "Fly Fisher's Magazine", "Angler's Journal", "Disegnare & Dipingere" and in several issues of "Wildlife Art". She is listed in Samuel's "Contemporary Western Artists", "An Encyclopedia of Women Artists of the American West" and "Who's Who in American Art" (since 1987). Shirley has participated in many invitational and juried exhibitions including a one woman exhibition at the American Museum of Flyfishing in Manchester, Vermont and group exhibitions including "Women Artists of the West" at the Tucson Museum of Art in Arizona; Maryland Waterfowl Festival; Easton Academy of the Arts (Maryland) "the Art of Flyfishing-A Visual History"; Foothills Art Center (Golden, Colorado), "Rivers: The Song of Life", "Stampede Western Invitational Exhibit", (Greeley, Colorado); The Southeast Wildlife Festival in Charleston, South Carolina; "Wild Thing" and "The Artful Angler" and the CM Russell Auction at CM Russell Museum (Great Falls, Montana). Her work is licensed through Wild Wings, Inc., Lake City, Minnesota. Shirley was the winner of the 1990 Oregon Trout Stamp/Print competition and the 1992 Association of Northwest Steelheaders Stamp/ Print. In 1999 she received the "Communication in Conservation Award" from National Trout Unlimited and was the 2001 print...

Seated Female Nude in Charcoal on Paper Figurative piece with a nude woman by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is seated, with her he...

Painting measures 28" x 22" and framed 32" x 25 ½" x 2" Hand-signed "J.E. Costigan N.A." lower left. About this artist: John Costigan was a self-taught painter distinguished by hi...

Painting measures 22" x 28" and framed 26" x 32" x 2" Hand-signed "J.E. Costigan NA 1952" lower left. About this artist: John Costigan was a self-taught painter distinguished by h...

John Cuthbert Hare was an accomplished New England painter born in Brooklyn, New York. He began his artistic journey by studying commercial art at the Pratt Institute in New York Cit...

Seated Nude in Charcoal on Paper Figurative piece with a nude model by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is seated, with one leg bent ...

Fishing Boats Along The Coast Watercolor painting depicting two fishing boats and fishermen along the oceanside by Robert Wayne Daley (American, 1922-1999). Rocks make up a pathway along the beach, while fishermen pull boats along the shore. Blue skies, with the ocean and hilltops making up the near distance. Signed "Robert W Daley...

An unfinished but spirited plein-air composition of what appears to be the Shenandoah or Potomac River valley with the Blue Ridge Mountains in the distance. Watercolor on board with...

Nude Woman from Behind in Charcoal on Paper Nude woman laying down by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is on her side, facing away fr...

"Standing Figure" Nude in Charcoal and Color Pencil on Paper Beautiful modern figure drawing of a nude woman by Bay Area Artist George Wishon (A...

"Seated Figure" Nude in Pastel and Color Pencil on Paper Beautiful modern figure drawing of a nude woman by Bay Area Artist George Wishon (Ameri...

Original watercolor on archival paper of the mountains of Saint Maurice in Switzerland by the well known American artist, Dodge MacKnight. Signed lower left and titled and dated 189...

Preliminary Study for the painting Rose and Gold, 1913 Graphite on paper, 1913 Signed in pencil lower left (see photo) Titlted "Lizzy Young" in pencil upper left (see photo) Lizzy was a modle that Paxton depicts numerous times. The painting that this drawing is related to, is illustrated in Lee & Krause, William McGregor Paxton, 1869-1941, Plate 32, text on page 132. The painting was formerly in the collection of Victor Spark and the Honorable Paul Buchanan. It is currently in a Texas Collection. Provenance: Private Collection, Florida William McGregor Paxton (June 22, 1869 – 1941) was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States. Early life He was born on June 22, 1869, in Baltimore to James and Rose Doherty Paxton. William's father moved the Paxton family and established a catering business in Newton Corner, Massachusetts, in the mid-1870s. Education Paxton attended Cowles Art School on a scholarship he attained at the age of 18. He studied with Dennis Miller Bunker...

Morning Near Arizona, (Desert Landscape) is an original color pencil drawing from 1888 by George Elbert Burr (1859-1939). Portrays a spring/summer landscape with a tree and fauna, cl...

Artist Nestor Fruge (b. 1916) grew up in the small Louisiana town of Bayou Lafourche. His French Quarter scenes are well-known and ubiquitous in New Orlea...

Nude Female Torso in Charcoal on Paper Nude woman laying down by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). Unsigned, but was acquired with a collectio...

Temple of Isis Philae (verso) Dpouoble sided watercolor, 1902 Signed on front lower left: "Henry Bacon" and dated 1902 Note: The Temple of Isis is located on the Island of Philae at ...

Nude Women in Charcoal on Paper (Two Sided) Nude woman laying down by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). On the ...

Portrait of a Man with White Hair and Mustache in Pastel on Cardstock Portrait of a man by Honora Berg (American, 1897-1985). The man is looking directly at the viewer, with a neutral expression. He has white hair and a mustache, and is wearing a brown suit with a red tie. Signed "Honora Berg" in the bottom right corner. Stamp from Miller Fine Art on verso Acquired with a collection of the artist's work. Initialed and numbered "HB 117" on verso Unframed. Board size: 20"H x 15"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Edith Maskey Died Circa 2022 Comfort Artist Image Size: 14.5 x 23.5 Frame Size: 23.75 x 33 Medium: Conte Crayon "Chateau in Eagle Pass" "It is a blessing ...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 13 x 19 Frame Size: 21..25 x 27.25 Medium: Watercolor Dated 2004 "Last Light on Beckworth Mountain" Gunnison National Forest Colorado Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos Markos...

Two Mid Century Rural Landscapes in Watercolor on Paper Two lovely watercolors by Beverly Lyons (American, 20th Century). In the top watercolor, an expansive sky sits above a strip ...

Daniel Garber (American, 1880-1958) Balderstons, c. Early 20th Century Pencil on paper 7 x 9 in. Framed: 12 x 4 x 1/2 in. Titled and initialed lower right: Balderstons, D.G. Proven...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 12 x 18 Frame Size: 21 x 27 Medium: Watercolor Dated 2005 "Maroon Bells" Aspen CO Biography Edward Lee Reichert (1919-2011) E...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 19 x 27 Frame Size: 30.5 x 38.5 Medium: Watercolor Dated 2003 "Lingering Color of Foliage with an Early Dusting of Snow" Aspen CO Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos Markos...

Original Graphite and Pen Sketch on Paper 12 1/4″ x 15 5/8″ Viewable 26″ x 29 1/2″ Framed Circa 1960’s

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 13.5 x 21.5 Frame Size: 22 x 29.5 Medium: Watercolor Dated 1989 "Springs Flowing" Canyon Lake TX Biography Edward Lee Reicher...

Image dimensions: 7 ¼ x 10 ½ inches Framed dimensions: 16 ½ x 20 inches To produce his murals, Sargent painted monumental canvases in his studios in London and Boston, adhering them...

untitled (polo player on horseback) Chalk on tan paper, c. 1920 Unsigned Provenance: Gift of the artist William McGill (Keller's student) Image size: 4 3/8 x 5 ...

Artist's Self-Portrait in Pastel on Paper Bright yellow and ochre make up this self-portrait in chalk pastels by Michael William Eggleston (American, 20th Century). Unsigned, but acquired with a collection of the artist's work. Mat size: 30"H x 24"W Paper size: 24"H x 18"W Presented in a new soft peachy cream mat with foam core backing. Michael William Eggleston (American, 20th Century) is a San Francisco...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two milkweed pods, bursting forth with cotton. Examples like this show the ability of Spicuzza to draw in a naturalistic style, where most of her work is usually in a highly stylized, graphic mode. The richness and depth of the black charcoal makes for a moody image. 8 x 5 inches, artwork 18 x 14.5 inches, frame Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Untitled Watercolor on paper, c,. 1890 Unsigned Provenance: Estate of the artist Image/Sheet size: 3 1/4 x 4 1/8 inches From Wikipedia "Francis Augustus Lathrop (June 22, 1849 – Oct...

This watercolor by Charles Demetropoulos depicts a classical French Academic-style building which was designed in 1862 by architect William G. Preston as the new home of the Boston Society for Natural History, which had been founded in 1830. In the 1860’s, many of Boston’s cultural institutions relocated here to the Back Bay, the elegant residential district being built on the tidal marshes behind the city. When the museum moved here in 1863, the new building dominated the western edge of the landfill. The classical design reflected its role as a “temple of learning.” The building was later renovated into a women’s retail store known as Bonwit Teller and later became home to Louis Boston...

In this drawing, Sylvia Spicuzza presents the viewer with a scene of two young women relaxing on a dock in a lake. A dinghy floats beside them as other boats traverse the water. This drawing is reminiscent of the work done by her father Francesco, who is better known for landscapes in the Impressionist style. 12 x 9 inches, artwork 18.63 x 15.75 inches, frame Stamped with artist's signature, lower right Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Reflections in the Pond 19th Century Pencil Drawing by Alfred Villiers Farnsworth 19th century drawing in pencil of reflections in a pond ...

"The Lulu" - Harbor Seascape in Watercolor on Paper Serene watercolor titled "The Lulu" by Anne Ormsby (American, 20th century). A small commercial fishing boat, the Lulu, is docked...

Farmhouse in the Foothills - Rural California Landscape in Watercolor on Paper Idyllic country landscape by California artist Alice Duke (American, 1921-2012). Amador County California. A rustic farmhouse sits at the bottom of a sloping hill at dusk. The sky is a misty grey blue, as if the sun has just recently set. Just below the farmhouse, there are a few fields divided by a simple fence. Titled a signed on verso “Amador County Alice Duke” “AC23”. Presented in a vintage frame with a double mat. Frame size: 16.75"H x 20.75"W Image size: 10"H x 14"W Duke, Alice (American, 1921-2012) was an artist from Jackson, California. She was a student of Dorner Schueler. Memberships: Founding member, Gallery 10. Member, Northern California Arts. Member, Society of Western Artist Shows and Awards: 1999 - Gallery 10, Sutter Creek, CA 1986 - (1st Place, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1985 - (Hon. Mention, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1982 - Sunshine Art...

Expressive watercolor landscape of an abstracted crashing surf swirling into a dreamy sky, punctuated by silhouetted birds in flight by Les (Leslie Luverne) Anderson (American, 1928-...

Spring Landscape with house and figure A preliminary watercolor for a color aquatint, illustrated on line, title unknown Signed lower left in block letters (see photo) Watercolor and...

Original Pen and Ink on Paper Dimensions 12″ x 16″ unframed 26 x 30 Framed Circa 1959.

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Small-scale yet bold multi-colored abstracted figurative landscape of a horse rider in a canyon (a study after Edgar Payne’s works) by Tiffanie Mang (Ameri...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

"Shenandoah Valley" - Rural California Landscape in Watercolor on Paper Idyllic country landscape by California artist Alice M. Duke (American, 1921-2012). Two large brown-red barns sit at the edge of a glassy body of water. They are surrounded by towering dark green trees, which are reflected in the water along with the barns. Titled "Shenandoah Valley"; California Shenandoah Valley AVA is an American Viticultural Area that includes portions of Amador County and El Dorado County, California, United States. It is a sub-region of the Sierra Foothills. titled "shenandoah Valley" and monogrammed AC #25 on mat verso verso. (we have two others with signed labels "Alice Duke" and initialed AC #23 & AC #24 by this artist) Presented in a vintage frame with a double mat. Frame size: 16.75"H x 20.75"W Image size: 10"H x 14"W Duke, Alice (American, 1921-2012 was an artist from Jackson, California. She was a student of Dorner Schueler. A member and exhibitor with the Central Coast Art League. Memberships: Founding member, Gallery 10. Central California Art League Member, Northern California Arts. Member, Society of Western Artist Shows and Awards: 1999 - Gallery 10, Sutter Creek, CA 1986 - (1st Place, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1985 - (Hon. Mention, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1982 - Sunshine Art...

San Jose Hills Watercolor on paper An Americana view of the Hills around San Jose by Robert Sugita (American, b- 1938). A Cupertino artist, Robert went ...

This artwork (California Landscape with House" c.1950 is a watercolor on paper by California artist James March Phillips, 1896-1977. It is signed at the lower right corner by the artist. The artwork size is 14.85 x 11.85 inches, framed size is 24.25 x 20.15 inches. Custom framed in a wood frame, with beige matting. The artwork is in excellent condition, the frame is in very good condition, it have very minor scratches. About the artist: James March Phillips (1913-1981) Born: Fresno, California; Studied: Turner Art Center (San Francisco). James March Phillips studied art in San Francisco. His intructors were Alfred Owles...

This artwork titled " The Blacksmith House" c.1965, is a watercolor on paper by noted American artist Guy Lipscomb, 1917-2009. It is signed at the lower right corner by the artist. The artwork size is 12.5 x 17.25 inches, framed size is 20 x 25 inches. Custom framed in a wooden brown frame, with grey/beige matting and brown fillet. The artwork is in excellent condition, the frame is in very good condition, it has minor scratches About the artist: Guy Fleming Lipscomb, Jr. (April 11, 1917 — December 31, 2009) was a business owner, chemist, civic leader, philanthropist, artist, author, teacher, and star collegiate athlete. In his later years, he became a noted painter working in acrylics and watercolors and was both a member of the Southern Watercolor Society and a Signature Member of the American Watercolor Society. Lipscomb was born in Clemson, South Carolina. He won numerous awards in his lifetime including the Order of the Palmetto presented by Governor Richard Riley and the 1982 Elizabeth O’Neil Verner...

Original Pen and Ink on paper Dimensions 10.5″ x 13″ unframed 24 x 27″ approximate framed Circa 1959

Original Graphite on Paper Dimensions 12.5″ x 8″ Viewable 27″ x 22.5″ Framed. Signed by Artist. Circa 1962.

The colors suggest Efrem’s exposure to fauvism, while the structure evokes post-impressionism. The simplified shapes of the fish - otherwise rendered with some care for detail - can ...