Art by Medium: Canvas

Oil on canvas, circa 1986-87

Donald Sultan Born 1951 Herndon Railway, 18 August 1988 Latex and tar on canvas 96 x 96 inches Donald Sultan is an acclaimed American painter known for his large-scale paintings p...

Oil on two joined canvases Signed and dated, l.c. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York C...

Gorgeous oil on canvas by Louis Papp. Amazing color and texture. Please look at all the photos. The piece is incredible and a great size. Unframed the piece measures 54h x 32w and it...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Coin De Ferme Saint Cyprien, 602 Medium: Oil on Canvas, signed and titled verso Size: 26.5 x 22 inches

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Les Lecques Medium: Oil on Canvas, signed Size: 19.25 x 25 inches Frame Size: 20.5 x 26.5 inches

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Coin de Plage a Keremma Medium: Oil on Canvas, signed Size: 26.75 x 19 inches

CLEVE GRAY Three, 1989 Acrylic on canvas 57 x 79 inches

Artist: Mark Kostabi, American (1960 - ) Title: Baltic Angst Year: 1989 Medium: Oil on Canvas, signed and dated l.r. and signed, titled and dated verso Size: 70 in. x 48 in. (177.8 ...

Artist: Mark Kostabi, American (1960 - ) Title: Time Bond Year: 1988 Medium: Acrylic on Canvas, signed verso Size: 84 x 48 in. (213.36 x 121.92 cm)

Artist: Mark Kostabi, American (1960 - ) Title: Balancing the Budget Year: 1988 Medium: Oil on Canvas, signed l.l. and verso Size: 60 x 84 in. (152.4 x 213.36 cm)

Artist: Mark Kostabi, American (1960 - ) Title: Good Ol' Boy Year: 1989 Medium: Acrylic on Canvas, signed l.r. Size: 36 in. x 60 in. (91.44 cm x 152.4 cm)

Artist: Mark Kostabi, American (1960 - ) Title: Ruins Year: 1989 Medium: Oil on canvas, signed verso Size: 62 x 68 inches (157.5 x 172.7 cm)

Artist: Mark Kostabi, American (1960 - ) Title: Hour Dimension Year: 1989 Medium: Acrylic on Canvas, signed and dated Size: 70 x 48 in. (177.8 x 121.92 cm)

Modernist abstract painting of a Ferris Wheel by Walter Nowatka (b.1945). Oil on canvas, circa 1986. Signed lower right, "W.N.". Displayed in a silver leaf modernist frame. Image s...

Artist: Mark Kostabi, American (1960 - ) Title: Simply Irresistible Year: 1989 Medium: Oil on Canvas, signed verso Size: 68 x 72 in. (172.72 x 182.88 cm)

Artist: Mark Kostabi, American (1960 - ) Title: The Pause that Refreshes Year: 1989 Medium: Oil on Canvas, signed verso Size: 72 x 60 in. (182.88 x 152.4 cm)

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler: Visionary seems the right word for describing his vivid, unusual and technically refined painting...

An Oaxacan School oil painting by Maximino Javier from 1983. A whimsical scene of anthropomorphic figures. Framed in stained wood frame, signed in lower left corner. Artist: Maximino Javier, Mexican (1948 - ) Title: Untitled - Bull on Wheels...

An oil painting by Linda Rosenzweig Prince from 1981. A photo-realistic painting of of news stand magazines piles forming a layered landscape. Signed and dated verso, framed in cherr...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Artwork size: 207 x 150 cm. Frame size: 215 x 158 cm. Free shipment worldwide. Signed, titled and dated on the back. Acquired directly from the artist. Vladimir Velickovic was born ...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...