Art by Medium: Canvas

Flore Into Space, 2022 60 x 60 inches each Acrylic on canvas This piece is unique Signed by the artist Unframed Currently on display at Art Angels Los Angeles

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents,...

Still Life is an original Oil on Canvas realized by Felice Carena in 1952. Hand signed and dated. Very good condition. Felice Carena Turin 1879 - Venice 1966 He studies with Giaco...

A painting by Georgia O'Keeffe . "Cottonwood Tree (Near Abiquiu), New Mexico" is a modern art oil on canvas by American female artist Georgia O'Keeffe. Georgia O’Keeffe was among the most influential figures in Modernism, best known for her large-format paintings of natural forms, especially flowers and bones, and for her depictions of New York City skyscrapers and architectural and landscape forms unique to northern New Mexico. Provenance: An American Place, New York Mr. and Mrs. Max Ascoli, New York, 1944 Descended in family Harold Diamond, New York, c. 1975 Gerald Peters...

Abstract modern expressionist painting by American modernist artist, Jules Olitski. This painting features heavy textures formed by multiple layers of paint. Framed in a modern float...

Signed (on stretcher): Stanley Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardsc...

Massimo Caiafa (Naples 23/05/1965) is a contemporary painter who currently lives in Naples. Trained in a family of artists and antique dealers, he lived in New York for many years, e...

Still Life is a beautiful original oil on Canvas realized by Arturo Tosi in 1936. Signed lower right "A. Tosi". Includes a beautiful coeval wooden frame cm...

Falling Man, Black on White Background by Ernest Tino Trova. 52.5" x 52.5" Known for his Falling Man series in abstract figural sculpture, he created ...

Ken Anderson (20th century) was active/lived in United States. Ken Anderson is known for Abstract hanging sculpture. *See included images and video

This portrait from the seminal artist Artis Lane is one of the many unique portraits she has painted of notable people she has known in her long and illustrious career. The subject is Eva Gabor...

This portrait from the seminal artist Artis Lane is one of the many unique portraits she has painted of notable people she has known in her long and illustrious career. The subject is "Baby Jane" Holzer, a member of Andy Warhol superstars and an art collector and film producer in her own right. She appeared in several Andry Warhol...

Signed, Dated, Titled Verso BIO: Daniel Jefferson AKA "Bipolar Holiday" is a self-taught street artist. A native of St. Louis, he grew up in North St. Louis County in the cities of Normandy and Hazelwood. By the age of 3, he was drawing and painting alongside his father and together they shared studios and collaborations into his mid-20s. His father grew up in Tupelo, Mississippi and his mother in St. Louis. Expounding on his family history, Holiday speaks of his Quaker and Native American ancestry - along with his father, who is black, and his mother who is white - as forming his multiracial identity and upbringing. He expresses “not always fitting in,” - being neither “this nor that” - and residing on the margins between the social constructs of race. This emotional state is reflected in his artistic output. He cautions us to see that, while the subject matter of his work is not always a direct depiction of his experience of race, his existence as a person of color propels him and bears directly on his artistic focus and choice of materials, along with the application and gesture in each work. Anger and sadness are part of it – also love, joy, pride and humility. The artist often signs his work with a mark inspired by the ancient Egyptian Eye of Horas – a symbol of power, protection, and health. Throughout his career, Bipolar Holiday has been both a solo practitioner and a collaborator. Tagging as King Dee and later Melo, he worked variously in the St. Louis area from the mid- 1990s to early 2000s. In the 1990s, he painted with the then St. Louis-based graffiti artist Nick Miller and his crew. Choice spots ranged from free standing concrete walls on abandoned property to temporary fencing along construction sites. The artist's compositions contained expressive line and figural elements – human faces, eyes – and the ethereal and allegorical – angel, devil motifs, etc. Later, he moved his artistic focus to a more studio-based form starting in the early 2000s. Holiday had his first show alongside his father’s work at Urbis-Orbis Gallery in downtown St. Louis in 2003. Coming full circle, he occasionally works in a few items of collage or spontaneous marks made by his daughter during her early childhood. Bipolar Holiday has exhibited his work both locally and globally including St. Louis, New York, Grand Rapids and Antwerp. In 2019, he was featured in a four-page spread of JMG Lifestyle Magazine and a large-scale work whet to the Isabis Art Expo in 2019. St. Louis Magazine listed “Bipolar Holiday: Kyoto Girls” when the Walker-Cunningham Fine Art pop-up exhibit was named to the A-List in July 2020. Holiday's work can be found in numerous private and public collections. He lives in St. Louis City...

Signed, Dated, Titled Verso BIO: Daniel Jefferson AKA "Bipolar Holiday" is a self-taught street artist. A native of St. Louis, he grew up in North St. Louis County in the cities of Normandy and Hazelwood. By the age of 3, he was drawing and painting alongside his father and together they shared studios and collaborations into his mid-20s. His father grew up in Tupelo, Mississippi and his mother in St. Louis. Expounding on his family history, Holiday speaks of his Quaker and Native American ancestry - along with his father, who is black, and his mother who is white - as forming his multiracial identity and upbringing. He expresses “not always fitting in,” - being neither “this nor that” - and residing on the margins between the social constructs of race. This emotional state is reflected in his artistic output. He cautions us to see that, while the subject matter of his work is not always a direct depiction of his experience of race, his existence as a person of color propels him and bears directly on his artistic focus and choice of materials, along with the application and gesture in each work. Anger and sadness are part of it – also love, joy, pride and humility. The artist often signs his work with a mark inspired by the ancient Egyptian Eye of Horas – a symbol of power, protection, and health. Throughout his career, Bipolar Holiday has been both a solo practitioner and a collaborator. Tagging as King Dee and later Melo, he worked variously in the St. Louis area from the mid- 1990s to early 2000s. In the 1990s, he painted with the then St. Louis-based graffiti artist Nick Miller and his crew. Choice spots ranged from free standing concrete walls on abandoned property to temporary fencing along construction sites. The artist's compositions contained expressive line and figural elements – human faces, eyes – and the ethereal and allegorical – angel, devil motifs, etc. Later, he moved his artistic focus to a more studio-based form starting in the early 2000s. Holiday had his first show alongside his father’s work at Urbis-Orbis Gallery in downtown St. Louis in 2003. Coming full circle, he occasionally works in a few items of collage or spontaneous marks made by his daughter during her early childhood. Bipolar Holiday has exhibited his work both locally and globally including St. Louis, New York, Grand Rapids and Antwerp. In 2019, he was featured in a four-page spread of JMG Lifestyle Magazine and a large-scale work whet to the Isabis Art Expo in 2019. St. Louis Magazine listed “Bipolar Holiday: Kyoto Girls” when the Walker-Cunningham Fine Art pop-up exhibit was named to the A-List in July 2020. Holiday's work can be found in numerous private and public collections. He lives in St. Louis City...

Signed, Dated, Titled Verso BIO: Daniel Jefferson AKA "Bipolar Holiday" is a self-taught street artist. A native of St. Louis, he grew up in North St. Louis County in the cities of Normandy and Hazelwood. By the age of 3, he was drawing and painting alongside his father and together they shared studios and collaborations into his mid-20s. His father grew up in Tupelo, Mississippi and his mother in St. Louis. Expounding on his family history, Holiday speaks of his Quaker and Native American ancestry - along with his father, who is black, and his mother who is white - as forming his multiracial identity and upbringing. He expresses “not always fitting in,” - being neither “this nor that” - and residing on the margins between the social constructs of race. This emotional state is reflected in his artistic output. He cautions us to see that, while the subject matter of his work is not always a direct depiction of his experience of race, his existence as a person of color propels him and bears directly on his artistic focus and choice of materials, along with the application and gesture in each work. Anger and sadness are part of it – also love, joy, pride and humility. The artist often signs his work with a mark inspired by the ancient Egyptian Eye of Horas – a symbol of power, protection, and health. Throughout his career, Bipolar Holiday has been both a solo practitioner and a collaborator. Tagging as King Dee and later Melo, he worked variously in the St. Louis area from the mid- 1990s to early 2000s. In the 1990s, he painted with the then St. Louis-based graffiti artist Nick Miller and his crew. Choice spots ranged from free standing concrete walls on abandoned property to temporary fencing along construction sites. The artist's compositions contained expressive line and figural elements – human faces, eyes – and the ethereal and allegorical – angel, devil motifs, etc. Later, he moved his artistic focus to a more studio-based form starting in the early 2000s. Holiday had his first show alongside his father’s work at Urbis-Orbis Gallery in downtown St. Louis in 2003. Coming full circle, he occasionally works in a few items of collage or spontaneous marks made by his daughter during her early childhood. Bipolar Holiday has exhibited his work both locally and globally including St. Louis, New York, Grand Rapids and Antwerp. In 2019, he was featured in a four-page spread of JMG Lifestyle Magazine and a large-scale work whet to the Isabis Art Expo in 2019. St. Louis Magazine listed “Bipolar Holiday: Kyoto Girls” when the Walker-Cunningham Fine Art pop-up exhibit was named to the A-List in July 2020. Holiday's work can be found in numerous private and public collections. He lives in St. Louis City...

Signed in oil verso

A painting by Diego Rivera. "Portrait of Enriqueta G. Dávila" is a modern portrait, oil on canvas in a palette of whites, browns, purples, and reds by Mexican artist Diego Rivera. Th...

Deux Poires Laurent Marcel Salinas, Egyptian/French (1913–2010) Date: 1998 Oil on Canvas, signed u.l. Size: 8 x 10 in. (20.32 x 25.4 cm) Frame Size: 12 x 14 inches

Pichet aux Citrons Laurent Marcel Salinas Egyptian/French (1913–2010) Date: 1997 Oil on Canvas, signed l.l. Size: 10.5 x 9 in. (26.67 x 22.86 cm)

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market. His love for Italian Renaissance was born in Minsk during his study years. Art, Music and Architecture made Igor Fomin...

Signed and dated (19)38 lower right, verso on old label "Natura Morta". Exhibition: "Pittura e disegni di De Pisis" Galleria di Roma, December 1939, n. 12. Bibliography: C.E. Opp...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market...

Morning smells-morning routine of baking the bread and pastry. Mother with daughter and son. Narkevich deliberately chooses naive art, like the f...

The Epiphany of Ernestine is a part of the diptych 38x57 in (97x146 cm) of size. Can be bought together or separately. This painting is sold with Certificates of Authencity. The Du...

The Whisper of Ernestine is a part of the diptych 38x57 in (97x146 cm) of size. This painting is sold with Certificates of Authencity. The Duality of two contrast beginnings that exist inseparably, but nonetheless creating the One whole thing, man and the woman, ying and yang. This eternal story for conversation and for truth searching. Here we can see two persons, but the real hero is hidden. One story told for two people. This colorful and black and white scene magically connects and divides parts of the Diptych, identifying the heroes of the Painting. Each painting, being fully finished, not only adding to the other one, but continuing it, demonstrating kinetic arts. This dialogue about love is making the spectators following the story and sincerely get emotional for Igor Fomin...

At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market. His love for Italian Renaissance was born in Minsk during his study years. Art, Music and Architecture made Igor Fomin...

Antique American modernist carrousel oil painting by Robert Edwin Maxwell (Born 1929). Oil on board, circa 1955. Signed. Displayed in a period modern frame. Image, 24"L x 18"H.

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Abram Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at the beginning of World War II he joined the Foreign Legion. After he was demobilized, he became a mechanic in a garage in Avignon. Although Jewish, he survived the war with a false identity. In 1943, Krol started studying to be an artist, taking courses in sculpture at the city’s School of Fine Art. He also began studying painting and self-described himself as a “Sunday painter.” Krol moved to Paris in 1944. The first exhibition of his work was in 1946 in the Katia Granoff Gallery in Paris. After the war, Krol took up engraving, studying that art form with an engraver he met in Paris. Krol reflected his Hasidic childhood often using Biblical themes in his art works. He said, During all my years of childhood I had read the Bible endlessly. I came back to the Bible because I was on solid ground there. It was part of the assertion of my own truth after a time of complacency. It seemed to me that in painting or engraving there were so many reefs to avoid, so many possibilities of setback, that I had to have all the odds in my favor do what I could—say what I had to say. Krol illustrated over 20 literary works from the late 1940s through the 1960s. He also engraved medals for the Paris mint and painted murals for schools in France. He designed tapestries and painted approximately 200 enamels. Museums and libraries which own Krol’s art works include the Bibliotheque Nationale in Paris; the Victoria and Albert Museum in London; the British Museum; Houghton Library, Harvard; Bodleian Library, Oxford, and the Palace of the Legion of Honor in San Francisco. Krol has had numerous one-man shows throughout Europe, Brazil, and in California. In 1960, Krol was invited to the Venice Biennale. He was awarded the Critics Prize in 1958. He also won the Feneon Prize among other honors. Krol died on October 9, 2001. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder...

Signed and Dated Modern Line Drawing Oil Painting of Nude Man. Louis Stettner (November 7, 1922 – October 13, 2016) was an American photographer of the 20th century whose work included streetscapes, portraits and architectural images of New York and Paris. His work has been highly regarded because of its humanity and capturing the life and reality of the people and streets. Starting in 1947, Stettner photographed the changes in the people, culture, and architecture of both cities. Stettner also spent significant time sculpting and painting, as well as mixing his work and “painting” on some of his photographic images. He continued to photograph New York and Paris up until his death. Louis Stettner was born in Brooklyn, New York, to Austrian immigrant parents where he was one of four children. His father was a cabinet maker, and Louis learned the trade when young, using the money he earned to support his growing love of photography. He decides to be a photographer after seeing photographs by Alfred Stieglitz and Weegee. He was given a box camera as a child, and his love affair with photography began. His family went on trips to Manhattan and visited museums, including the Metropolitan Museum of Art, where his love of art began. At 18, in 1940, Stettner enlisted in the United States army and became a combat photographer in Europe for the Signal Corps. After a brief stint in Europe he was sent to New Guinea, the Philippines, and Japan. Back from the war he joined the Photo League in New York. Through the Photo League’s exhibits, Stettner was further exposed to the work of Weegee, Edward Weston, and Lewis Hine. Stettner visited Paris in 1946 and in 1947 moved there. From 1947 to 1949 he studied at the "Institut des Hautes Études Cinématographiques" in Paris and received a Bachelor of Arts in Photography & Cinema. He went back and forth between New York and Paris for almost two decades and finally settled permanently in Saint-Ouen, near Paris, in 1990. Stettner still frequently returned to New York. Stettner's professional work in Paris began with capturing life in the post-war recovery. He captured the everyday lives of his subjects. In the tradition of the Photo League, he wanted to investigate the bonds that connect people to one another. In 1947 he was asked by the same Photo League to organize an exhibition of French photographers in New York. He gathered the works of some of the greatest photographers of the era, including Robert Doisneau, Brassaï, Edouard Boubat, Izis Bidermanas, and Willy Ronis. The show was a big success and was largely reviewed in the annual issue of U.S. Camera. Stettner had begun a series of regular meetings with Brassaï who was a great mentor and had significant influence on his work. In 1949, Stettner had his first exhibition at the "Salon des Indépendants" at the Bibliothèque Nationale, Paris. In 1951 his work was included in the famous Subjektive Fotografie exhibition in Germany. During the 1950s he free-lanced for Time magazine, Life, Fortune, and Du (Germany). While in Paris he reconnected with Paul Strand, who had also left New York because of the political intolerance of the McCarthy era—Strand had been a founder of the Photo League that would be blacklisted and then banned during those years. In the 1970s Stettner spent more time in New York City, where he taught at Brooklyn College, Queens College, and Cooper Union. In his own social realist work, Stettner focused on documenting the lives of the working class in both Paris and New York. He felt that the cities belong to the people who live there, not to tourists or visitors. His upbringing caused him to take great care in capturing the simple human dignity of the working class. He also captured noteworthy architectural images of both cities, including bridges, buildings, and monuments. Stettner produced well-known silver gelatin prints in fine images, including: Aubervilliers, Brooklyn Promenade...

Pierluca Ferdinando Nando (1912-1987) Italian. "Les Deux Amies" Two Semi Naked Women lying on a Bed, Oil on Canvas, Signed and Extensively Inscribed, canvas measures: 57 x 45 inc...

Signed and dated verso Provenance: Private Collection

Signed and dated 1956 lower left Also signed, titled, dated 1956 and inscribed verso Sand has been incorporated into the pigment

Xavier Bueno (Active Spain/Italy, 1891-1979) "Shelter" Oil on Canvas Signed Upper Left Framed Size: approx. 38 x 30 inches Site Size: approx. 35 x 28 inc...

Bill Claps HUANGSHAN GORGE Huangshan Gorge 47” x 21” mixed media on canvas 47.00 X 21.00 in

Modern abstracted figurative painting of a man walking in a beige suit “Tan Suit IV” painted by William Clutz in 1987 30 x 20 inches in a natural wood floater...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents,...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market. His love for Italian Renaissance was born in Minsk during his study years. Art, Music and Architecture made Igor Fomin...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market. His love for Italian Renaissance was born in Minsk during his study years. Art, Music and Architecture made Igor Fomin...

Title: Portrait with Cigarette Materials : Oil on Canvas Date : 1960's Dimensions : 46 1/2 x 32 in. COA provided In the late 1960's, Daniel Brennan had a day job loading boxcars for Railway Express. During nights, he would go to a coffee house (Lawrence Gallery and Coffee House, at 43rd and Main St., KCMO), to sit and draw before heading home to paint. The gallery owners, Anne and Sidney Lawrence...

Title : Woman in a White Blosue Materials : Oil on Canvas Date : 1960s Dimensions : 29 1/2 x 23 in. In the late 1960's, Daniel Brennan had a day job lo...

Original Oil on Canvas Illustration for Hearst/Cosmopolitan Aug. 1925 "Land Where Men Forget the Past, The Coconut Pearl" Caption: " 'Anyone who's knocked ...

Oil on canvas, circa 1986-87

Signed lower right

Edith Stone Philips (American 1900-1988) "Maelstrom" 1965 Oil on Canvas 30 x 40 inches Signed and Dated Lower Left EDITH STONE PHILIPS, 88 St. Louis Post-Dispatch (MO) - Sunday, Oc...

1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair Harry Lane (1891-1973) "1939 World’s Fair Construction," 30 x 40 inches, Oil on canvas, signed lower...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents,...

Two painting in one is how the Double Entendre Series starts and a hidden message in a message is how it ends. Can you find the message?

Ernest Tino Trova "Figurative Abstract" 1965 Oil on Canvas approx 17 x 12.5 inches Signed and Dated Lower Right Known for his Falling Man series in abstract figural sculpture, he cr...

Artist: Laurent Marcel Salinas, Egyptian/French (1913 - 2010) Title: Vin et Pommes Year: circa 1952 Medium: Oil on Canvas, signed u.r. Size: 18 x 15 in. (45.72 x 38.1 cm)

Signed lower right: "Kainen". Inscribed verso: "J. Kainen/ Eyrie- Dec 1949".

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Modernist abstract painting of a Ferris Wheel by Walter Nowatka (b.1945). Oil on canvas, circa 1986. Signed lower right, "W.N.". Displayed in a silver leaf modernist frame. Image s...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Listed in the Jules Cavailles archives as # L_13_011. Signed and titled verso. Jules Cavailles was a well-known, highly regarded, and versatile French painter. He worked in oils, g...

An original oil painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted (1934-2...

Oil on canvas Signed verso