Art by Medium: Etching

Drypoint etching on Japanese paper, edited in 1969 Limited edition, numbered as 27/75 in lower left corner.
 Hand-signed by artist in pencil in the lower right corner. Plate size: 3...

Ed Ruscha On the Road (10 sandwiches with bread and salami) (Hand signed and dated by Ed Ruscha), 2010 Letterpress on paper with die-cut photograph tipped in by hand to a blind debos...

Aquatint and etching with decorative embossing printed in colors on white wove paper with an unknown watermark and a deckle edge, 18 1/2 x 15 inches (470 x 380 mm); sheet 27 x 19 1/2...

Robert Cottingham Blues (The Original), 1989 Color aquatint on wove paper Edition 31/45 Pencil signed and numbered 31/45 by Robert Cottingham on the front Framed This is the original...

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

London: Fine Art Trade Guild, c1900. Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...

Etching on paper, within a ruled border. A finely executed etching after Nicolaes Berchem depicting the head of a donkey in profile, rendered with remarkable sensitivity to texture ...

Jean-Baptiste Huet, a French Rococo painter and engraver, is known for his pastoral scenes, animal paintings, and depictions of cherubs. Three Cherubs (sometimes referred to as Les T...

TWO WORKS / Paris: Cadart, 1865. Each an etching printed on one sheet of buff wove paper. Each impression measuring 3 1/2 x 7 inches (88 x 177 mm), full margins. With the Cadart bli...

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...

From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...

Painter is an etching realized by Benoit Louis Prevost in the 19th Century. Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

En Picardie is a black and white etching realized by Joseph François Villevieille (1821-1916) in 1870s. Titled in the lower. Image size: 19cmx16cm. Very Good condition. Signed an...

Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...

Etching on laid paper Signed in plate lower left: Bracquemond Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes...

Sergio Hernández (Mexico, 1957) 'Tatuajes (Ensemble 12 plates)', 2003 engraving on paper Deponte 300 g. 33.5 x 48.5 in. (85 x 123 cm.) Edition of 1

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art ...

Raymond PEYNET Astrology - Zodiac : Sagittarius, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified b...

Salvador Dali Caballero, 1968 Lithograph Hand signed lower right Numbered 53/125 Sheet size: 101 x 81 cm Printer: Christopher Erikson and Joseph Petruzelli at Sienna Stu...

Medium: original etching. This etching from "The Hawthorne Portfolio" was printed in 1884 and illustrates a scene from Nathaniel Hawthorne's novel "The Marble Fawn. Plate size: 5 1/2...

Medium: etching (etched by Philip Gilbert Hamerton after Adriaen van Ostade). This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert ...

This 3‑plate color piece beautifully captures the delicate interplay of raindrops rippling across water surfaces, giving rise to abstract reflections that evoke both movement and tra...

Salvador Dali (1904-1989) - Femme-feuille Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference: M...

Connais-tu le Pays (Primavera) apres J. Rolshoven (Do you Know the Country -Spring) Etching, 1889 Signed "Julius Rolshoven" in pencil...

Platt, Charles Adams (American 1861-1933). BROOKLYN BRIDGE (THE EAST RIVER BRIDGE). Etching, 1888. Signed and dated in the plate. Published by Frederick Stokes and Brother. 6 3/4 x 1...

Artist: Manuel Robbe (French, 1872-1936) Title: Les Sardinieres Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image size: 11 x 15 inches Signature: Signed in pencil b...

This is an 18th century engraved portrait of "Edward Stanley" created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Edward Stanley, 3rd Earl of Derby...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Kollwitz, Kathe. TOD, FRAU UND KIND (DEATH, WOMAN AND CHILD). Knesebeck 108, Klipstein 113. Etching, drypoint, sandpaper, and soft-ground with the imprint of Ziegler's transfer paper...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

untitled (Shoeing the Mule, Charleston, South Carolina) Etching, c. 1930 Signed by the artist in pencil lower right (see photo) Condition: Excellent Image/plate size: 8 x 10 inches S...

Paysage d'Italie is an artwork realized by Corot in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfre...

Medium: etching (after the painting). Etched by Charles Courtry after Constant Troyon. This impression on laid paper was printed by A. Salmon and published in Paris for "L'Art" in 18...

Medium: original etching and drypoint. This impression in sanguine ink on laid paper was printed in 1892 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/2 x 3 inches (115 ...

Alan Shields Untitled mixed media geometric abstraction collage, ca. 1979 Etching and aquatint in colors with collage Pencil signed and numbered 15...

This artwork titled "Black Geese" 1934 is an original color aquatint by noted British artist Winifred Marie Louise Austen, 1876-1964. It is hand signed and titled in pencil by the artist. The image (plate mark) is 9 x 13.75 inches, sheet size is 10.30 x 16.5 inches. Published by Arthur Greatorax LTD, Grafton street, London. It is in excellent condition. About the artist: Born at Ramsgate, Kent on 12 July 1876, Winifred Austen only daughter of Josiah Austin, a Cornish naval surgeon, and his wife Fanny, née Mann. She amended the spelling of her surname from Austin to Austen from the time that she began to exhibit. In 1892 the family moved to Hornsey, London from where Austin attended the London County Council School of Arts and Crafts, studying under Cuthbert Swan, an animal painter. I n 1899 Austen exhibited a picture of a lion at the Royal Academy and in all exhibited more than seventy pictures at the Academy, the last in 1961. She worked in both oils and watercolor but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

A magnificently detailed etching with hand colouring by Luigi Rossini (1790-1857) depicting an ancient Roman tomb on the Via Cassis near Rome. The tomb was long believed to belong to...

Etching on watermarked FJ Head cream laid paper with a deckle edge, 11 1/8 x 8 3/4 inches (283 x 223 mm); sheet 14 3/4 x 11 1/2 inches (374 x 292 mm), full margins. Signed and dated ...

In this bright and colorful contemporary paper sculpture, a fantastical flower form in light orange with dark burgundy, magenta and light brown in the center is composed of hand-colo...

This vintage work by Esteban Chavez illustrates his skills as a master-printer. Plate size dimension is 4.25" x 4" Framed, the work measures 16.5" x 14" Please note, there is a sm...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Peterdi, Gabor. SPAWNING II. J.88. Etching and engraving with five stencilled colors, 1952. Edition of 200. Numbered and signed in pencil. 13 3/8 X 16 3/4 inches (plate), 15 x 19 1/4...

Bathed in the gentle light of a Parisian afternoon, this charming original aquatint by Manuel Robbe captures an idyllic moment of bourgeois leisure in the Parc Monceau, one of the ca...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Naomi Charles Limont (1929-2010). PFSF Building, Philadelphia, ca. 1990. This piece is a restrike of the following Earl Horter image, using the exact plate created by Horter nearly 6...

Pablo PICASSO Carmen, Portrait of a Bull, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catal...

This artwork titled "Sombre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 38.5 x 28 inches, framed size is 48.25 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...

A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...

Julian Trevelyan 1910-1988 Ewes, 1978 etching and aquatint 64.9 x 52.2 cm 25 1/2 x 20 1/2 in with Estate stamp, numbering and title by Mary Fedden, edition of 50 + 5 AP Julian Treve...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with trees on a different grounds with the most trees being in the background. The artwo...

Composition is original etching artwork realized by Enzo Brunori (Perugia, 1924 - Rome, 1993) in 1961. This beautiful black and white etching is hand-signed and dated in pencil on t...

12 Mai 1970 (The King and The Queen) is an artwork realized by Pablo Picasso in 1970. Etching on paper. Date printed on plate. Artist's stamp of signature in the lower right. Hand...

Etching on paper. hand signed and numbered. Edition of 99. Very good condition.

Qui ne se grime pas? (Who does not wear a mask?) Aquatint, roulette, drypoint, acid bite, and scorper, 1923 Signed in the plate loweer left (see photo) Dated in pencil Series: Miser...