Art by Medium: Fabric

Beautiful poster of Henri Dormoy of 1927 to engage in the Navy " Engage you in the Navy, To make beautiful voyages and to learn a trade ". It is a propaganda poster for the navy whic...

Beautiful poster by Georges Scott for the Ministry of War. Young Frenchmen enlist in the colonial troops. Military - Colony Ministry of War - Africa Madagascar Indochina Nationale

Beautiful poster of 1929 by Edouard Elzingre : Poem and games of the Rhone Geneva. Edouard Elzingre, born on July 2, 1880 in Neuchâtel and died on July 4, 1966 in Geneva, is a Swiss ...

Portrait of a calm resting baby by a Japanese/American San Jose, California artist circa 1920's in the style of Mary DeNeale Morgan (Carmel, 1868 - 1948). Presented in a rustic woode...

Genevieve, F, Samsel (1898-1991), 1920's - 1930's illustration Oil, painting of a village street scene with horse and wagon in church 24 x 30 unframed, 28.5 x 34.5 framed. Painti...

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outl...

Still Life. 20s-30s, canvas, oil, 48.5x70 cm

A. Frederick Tellander (American, 1878-1977) Landscape, 1921 Oil on canvas, 32 x 38 inches Framed: 36 x 42 inches (approx.) Signed and dated at lower right: "Frederic Tellander...

Antique American school signed New York City street scene oil painting. Oil on canvas, circa 1920. Signed. Image size, 18L x 24H. Housed in a period modern frame.

Signed illegibly lower left. Oil on paper. 10 x 8.

Carl Wuermer (1900 - 1981) Late Summer, 1924 Oil on canvas 26 x 28 inches Signed and dated lower right Provenance: McColl Fine Art, North Carolina Known for serene, realistic lands...

The 1928 original poster for Citroën la familiale 10CV stands as a remarkable testament to the ingenuity and success of Citroën during the interwar period. This iconic piece of adver...

Antique American modernist cityscape painting titled "The Junk Collector" by Clarence E. Van Duzer (1920 - 2009). Oil on board, circa 193...

Antique American realist landscape oil painting by Arthur E. Cedarquist (1884 - 1955). Cedarquist was friends with and studied under Edward Hopper. Oil on board, circa 1930. Signed...

Still Life with ham, oil on canvas signed a wonderful example of the artist's work, from the Collection of Bass Museum Of Art. Canvas size 16 3/4 x 22 1/5 framed 23 x 29. Edmund Pick...

Antique American impressionist still life oil painting by Kathryn Logan Luke. Oil on canvas, circa 1921. Housed in a period giltwood frame. Image size, 24L x 26H.

Arthur B. Carles Reclining Nude, circa 1920 Inscribed "Mercedes Matter" on the overlap Oil on canvas 32 x 51 inches Provenance The artist’s estate Mercedes Matter, the artist’s daug...

Oto Pladers (1897.8.III – 1970.2.V) Oto Pladers learned in Riga city school of art (1913 – 15). He was called into the army in 1916 and continued studies after the war in Latvia Art ...

Titled and signed on stretcher top left: "Maine Coast / C.A. Slade". With estate stamp verso, on stretcher. Inscribed verso: "View of Prout's Neck Maine". ...

An original early 20th Century impressionist view of Buffalo Harbor, by American artist A.J. Firlik.

Charles Warren Eaton (1857 – 1937) The Shadow of Mount Rockwell, Glacier National Park, Montana, 1921 Oil on canvas 20 x 24 inches Signed lower right: CHAS WARREN EATON. Provenance: The artist The Macbeth Gallery, New York Private Collection Sotheby's New York, American Art, April 14, 1989 ConocoPhillips, Houston Simpson Galleries, Houston, Fine Art & Antiques, May 18, 2019, Lot 447 Exhibited: New York, The Macbeth Gallery, Paintings of Glacier National Park by Charles Warren Eaton, December 13, 1921 - January 2, 1922, no. 2. Literature: "Two Exhibitions at Macbeth's," American Art News, New York, Vol. XX, No. 10, December 17, 1921. A contemporary critic wrote that the paintings of Charles Warren Eaton appeal to “the dreamers who find in them the undiscovered scenes in which their fancy long has dwelt.” Eaton’s contemplative landscapes exude a spiritual quality that moves the observer into a similar frame of mind. He loved to depict the ethereal light of dawn and dusk in late autumn or winter, usually without any reference to human or animal figures or buildings. These Tonalist paintings, with their subdued palette and relatively intimate scale, marked a definite break with the fading popularity of the panoramic and romantic views of the Hudson River School painters. Charles Warren Eaton was born in Albany, New York to a family of limited means. He began painting while working in a dry-goods store. At age 22, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League. By 1886, he was successful enough to quit his day job and make a living as a landscape painter. That year, he traveled to Europe with fellow Tonalist painters Leonard Ochtman and Ben Foster. In France, Eaton visited popular artist’s spots such as Paris, Fontainebleau and Grez-sur-Loing, and fell in love with the loose brushwork and moody style of French Barbizon painting. Returning to the United States, Eaton fell under the spell of George Inness, the foremost exponent of Barbizon style in the United States. In 1888, Eaton settled near Inness in Bloomfield, New Jersey, where Eaton lived until his death in 1937. In this period, he painted shadowy and ambiguous landscapes inspired by rural scenery in the northeastern United States. His signature theme was a cropped view of the branches, trunks, and foliage of a pine grove silhouetted against a delicately illuminated sunset or moonlit sky. He painted this vision so often between 1900 and 1910 that he picked up the sobriquet ‘‘The Pine Tree Painter.” After 1910, Eaton responded to the popularity of Impressionism by using brighter colors and painting sunlit daytime scenes. In 1921, he was hired to paint Glacier Lake, in Glacier National Park by the Great Northern Railroad Company as part of their ‘See America First’ campaign. He produced more than 20 paintings, among the artist's last works, that now poignantly remind viewers of the vast disappearing glaciers. Eaton tended to approach this mountain scenery from an oblique vantage point; he liked to capture small episodes, showing mountaintops nearly obscured by dramatically attenuated screens of fir trees. Eaton, like many Tonalist artists of his generation such as Henry Ward Ranger, John Francis Murphy, and Charles Melville Dewey...

Medium: Oil on Canvas Signature: Unsigned “She Needs You So!” Magazine advertisement: Cream of Wheat hot cereal, 1927;

This painting is by an unknown Indonesian painter. The artist signed the painting "M. Kelistm" and is from Ubud, Bali. It features a large number of figures carrying a large sculptur...

Frank Marsdon London (1876 - 1945) Sunflowers Oil on canvas 31 x 22 inches Signed lower right Exhibited: Pittsburgh, Carnegie Museum of Art. Frank Marsden London was born in the small Southern town of Pittsboro in central North Carolina in 1876. When he reached adulthood, London attended the University of North Carolina...

The original 1926 poster for the "Grand Gala Cinématographique de l'aviation française" is a remarkable piece of aviation and cinema history, capturing the...

Italian painting dated 1921. Framework oil on canvas, on the first canvas, depicting a portrait of a child on an armchair of good pictorial quality. Chiseled and gilded wooden frame ...

Rodolphe Wytsman (1860-1927) was a Belgian impressionist painter. He trained at the Académie Royale des Beaux-Arts in Brussels, and was one of the founding members of Les XX, a group...

Isabella Howland Portrait of a Woman, Paris, 1925 Oil on canvas laid on board 19 1/2 x 16 1/2 inches Provenance: Hammer Galleries, New York Private C...

Sarah Stilwell Weber's original cover illustration for Alice Turner Curtis's A Little Maid of Virginia, from Turner’s popular “Little Maid” series of historical fiction. This freshly...

Jean DESPUJOLS (Salles 1886 – Shreveport 1965) Portrait of a Henri Martin, mayor of Saint Médard en Jalles (Gironde) Oil on canvas H. 75 cm; L. 60 cm Signed lower right around 1920/2...

American Impressionist

Crafted in 1920 by the skilled artist Henri Villain, the Compagnie Algérienne Emprunt National poster offers a captivating glimpse into the financial history of the time. Born in 188...

Plinio Colombi's 1920 original poster for the "Bernisches Kantonal Schützenfest Interlaken" is a visual masterpiece that captures the essence of camaraderie, tradition, and marksmans...

Flowers in a white pitcher oil on canvas, signed, circa 1927. canvas 19 3/4 x 15 1/4 framed 25 3/4 x 21 1/4 Second still life painting available as shown on photo. Theresa Ferber Bernstein-Meyerowitz (March 1, 1890 – February 13, 2002) was a Polish-born American artist, painter, and writer. The only child of European immigrants Isidore and Anne (Ferber) Bernstein, Theresa was born in Krakow on March 1, 1890. She graduated from the Philadelphia School of Design for Women...

Medium: Oil on Canvas Signature: Unsigned The present work is a study for the cover of the March 18, 1922 cover of The Saturday Evening Post.

Oil on canvas, around 1920. Mongrammed lower right: LB. Titled on the back: Arbeiter in Barmen. Framed. Measurements: 12.4 x 13.98 in ( 31.5 x 35.5 cm ). Framed: 17.13 x 18.74 in ( 4...

Beautiful historical poster from 1920. Borrowing for peace, subscribe to the industrial bank of China. Several national loans were issued during the economic history of modern France. These national loans take place in times of war when the public finances are in trouble, as well as in times of peace when it is necessary to launch certain projects and the public debt remains high. If the State lacked cash and taxes were no longer sufficient, a loan sometimes became necessary. In order to encourage the population to subscribe massively to these loans, governments used propaganda, notably through posters that titillated the nationalist fibre. War - Economy - China Peace loan...

Original cover for Liberty magazine, published June 22, 1929. Sandy, away on a business trip, calls Lil to check in. The two discuss bills and talk about how much they miss each oth...

"Oil Painting On Canvas Dated 1921, Military Portrait By Paul Leroy" Paul Alexandre A. LEROY (1860-1942), French school. Description: Very beautiful oil painting on canvas, represent...

Woodcut print on paper. Hand signed and dated by Lyonel Feininger. Unknow edition. Image size approx 3.9 x 3.9 inches. Sheet size 7 x 6.5 inches. Artwork is in excellent conditio...

Pastel on mounted canvas, signed and dated '1921' lower right Image size: 20 x 24 inches (51 x 61 cm) Original gilt frame This scene depicts the church of Mézy-Moulins in Northern ...

Medium: Oil on Canvas Signature: Signed and Dated Center Left Sight Size 36.00" x 24.00;" Framed 43.25" x 31.00"

A model standing in a studio putting on, or taking off, her clothing.

Date: 1922 Medium: Oil on Canvas Dimensions: 26.00" x 15.00" Signature: Signed Lower Center Advertisement for Cream of Wheat cereal. Image of woman seated in chair...

Image of two men standing in front of woman seated at desk. Charles Edward Chambers was born in Ottumwa, Iowa, studied at the Chicago Art Institute, and later the Art Students Lea...

Original Cream Of Wheat Advertisement Illustration for Saturday Evening Post's May 5th issue, 1920. Oil on canvas. Ex: Kraft Food Collection / Mort...

Female Illustrator of the Golden Age, Ruth Mary Hallock, paints a sensitive, heartwarming portrait of Mother and Child in a post-impressionist style. Richly saturated hues and gestur...

Medium: Oil on Canvas Signature: Unsigned Sight Size 20.50" x 17.00", Framed 25.00" x 21.50" A study for a Saturday Evening Post advertisement on September 18, 1926. Joseph Chr...

“None but the Brave: A 3 A.M. Melodrama,” original cover for Liberty magazine, published March 31, 1928 Lil awakens at two o’clock in the morning to a ruckus of a cat fight outside ...

This oil painting is signed by the artist "Kremegne" in the lower right part. It was painted circa 1920's. Provenance: Madame Line Playfair, Chiswick, London Exhibited: Redfern Ga...

Signature: Signed Lower Left Dimensions: 40.25" x 30.00;" Framed Dimensions: 49.25" x 39.25" The Pictorial Review interior illustration, August 1925-January 1926

Oil painting on canvas by A. Shukov (Russia), 1952. Signed: (cyrillic) A. Shukov. Framed. Good condition. Dimensions: 31.5 x 23.62 cm ( 80 x 60 cm )

Medium: Oil on Canvas Signature: Signed and Inscribed Lower Right Preliminary study for Interwoven Socks Advertisement

“Choosing the Love Nest: Lil and Sandy Find a Cozy Spot for Their Bungalow of Dreams,” original cover for Liberty magazine, published June 18, 1927 Lil and Sa...

Medium: Oil on Canvas Signature: Unsigned This is a study for the cover illustration of the 1 January 1927 issue of The Saturday Evening Post.

Original oil on canvas entitled: Petee Wrack thoroughbred winner of the 1928 Travers Stakes at Saratoga by Edward Herbert Miner (1882-1941) elegan...

Medium: Oil on Canvas Signature: Unsigned "'I love you both,' she faltered. 'I can't, I just can't think of marrying one of you for the sadness of losing the other.'" Illustration f...

Oil on canvas, signed & dated 19'28' Image size: 19 x 49 inches (48 x 124.5 cm) Original Gilt frame Johann Vincenz Cissarz Johann Vincenz Cissarz was born on January 22nd 1873, Dan...