Art by Medium: Glass

"Cornucopia of Color" consists entirely of bits and pieces of layered glass that are fused together in a kiln and held at close to 1500 degrees. The initial firing is then built upon...

Artist: Helen Reeden Work: Original painting, handmade artwork, one of a kind Medium: Watercolor on Paper Year: 2023 Style: Contemporary art Title: Summer Strength, Size: 22" x 29" ...

Artist: Colt K Sdall Work: Original painting, handmade artwork, one of a kind Medium: Graphic on Paper, Drawing, Year: 1900 ? Style: Surrealism Size: 29" x 23" x 0.5'' inch, (73.5x5...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Unfolding by Jane DeDecker Abstract Steel with Architectural Grade Glass. A large fan-like form that silhouettes beautifully in a garden, with jewel tone colored glass in green, ora...

Red Rooster by Sandy Scott Wildlife Hand-colored Etching 14x11" image 24x20" framed, archival matte, under glass circa 1970's, numbered 76/100, titled, si...

Goblets VIII by Joanne Tinker [2021] original Sweet wrappers Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:4cm Frame Size: H:50 cm x W:50 cm...

Caged Bird by Jane DeDecker Abstract Figurative Bronze on Glass ©2021 13" x 12" x 8" Ed/11 A piece about the Covid19 pandemic and the spirit that lives on ...

Detailed painting of a horse in the forest on multiple layers of glass by Frederick Colbus (American 1917-1986). Signed "F. Colbus" in the lower left corner. Presented in a wood frame with a linen liner. Image size: 7.25"H x 5.25"W Frederick Colbus (American, 1917-1986) was born in Daly City...

E Pluribus Unum by Jane DeDecker One Out of Many Figurative Sculpture of a crew rowing a scull. Bronze with Glass 6" x 64" x 27" ed/36 ABOUT THE ARTIS...

"Genie Vase" is a hand-painted glass vase by David Barnett. The artist signed and dated the piece on the bottom. It features floral designs in vibrant color...