Art by Medium: Glaze

Ron Nagle Ship Vessel porcelain, enamel decal, overglaze 2 x 2 x 2 date unknown Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

Maija Peeples-Bright Sir Woffic Newton (INV# NP4058) ceramic and glaze 6.25 x 5 x 10" 2005 signed by the artist

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings...

Gouche on hand made paper

Artist Commentary: All of my ceramic sculptures are well crafted, hand-built and one of a kind. Keywords: Abstract Artist Biography: Judith grew up 15 miles north of Milwaukee in ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

Ron Nagle Ship Vessel porcelain, enamel decal, overglaze 2 x 2 x 2" date unknown Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

mixed-media signed by artist

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

stoneware, glaze signed by artist

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Gouche on hand made paper

Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals ...

Earthenware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

A wonderful piece for a contemporary living space, this painting is the result of a years long refinement of artist Nick Schleicher's process. Combining his love of color theory, mas...

Hand-painted, hand-carved and sculpted. Object signed and dated by the artist. See close-up photo of the white area on top of the sculpture.

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting. His work often uses meticulous representation as foil for examining skill and craft. He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for twenty-three years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA) and the Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. Education 1998 Alfred University, Alfred, NY, Master of Fine Arts Degree 1995 University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree Solo Exhibitions 2024 Impressions, Ferrara Showman Gallery, New Orleans, LA 2021 Wallflowers, Mark Moore Fine Art, Orange Park, CA 2019 Matter of Perspective, Jonathan Ferrara Gallery, New Orleans, LA 2018 In-Between, Mark Moore Fine Art, Orange Park, CA 2017 Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA 2016 Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA 2015 Executing Merit, Winston Wachter Fine Art, Seattle, WA 2014 Bounty, Clark Collage, Vancouver, WA 2013 Sated, Winston Wachter Fine Art, Seattle, WA 2012 Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA 2009 Making Arrangements, Wexler Gallery, Philadelphia, PA 2006 Ornament, Wexler Gallery, Philadelphia, PA 2004 Politics of Clay, Clay Art Center, Port Chester, NY New Works, Wexler Gallery, Philadelphia, PA 2003 John Elder Gallery, New York, NY Selected Exhibitions 2023 Art Miami, Ferrara Showman Gallery, Miami, FL 2022 Momento Mori, Northern Clay Center, Minneapolis, MN Earth Oracles, Mayten’s Gallery, Toronto, ON Collect Art Fair (Online), London, England 2021 Salon Art Fair, Culture Object, NY, NY Dead Reconning, Pensacola Museum of Art, FL Counterparts, The Museum of Glass, Tacoma, WA Contemporary Clay, Western Carolina University Museum, Cullowhee, NC Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA 2020 Art Miami, Jonathan Ferrara Gallery, Miami, FL Rare Earth, Mark Moore Fine Art, Orange Park, CA Culture Object, New York, NY 2019 Art Miami, Cynthia, Corbett Gallery, Miami, FL Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL State of the Art, Giertz Gallery, Champaign, IL 2018 Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England Vasa Vasorum, Curated by Garth Clark at Peters Projects, Santa Fe, NM Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY Sugar, Eutectic Gallery, Portland, OR 2017 C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France The Evocative Garden, NCECA invitational exhibition, Portland, OR Selections from the PAM permanent Collection, Portland Art Museum, OR Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT BC to BC, San Diego Art Institute, San Diego, CA LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR Form Over Function, Winston Wachter Fine Art, Seattle, WA 2015 Crafting a Collection, Fuller Craft Museum, Brockton, MA 2014 Ceramic Top 40, Red Star Studios, Kansas City, MO Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA 2013 Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL 2012 Shifting Paradigms, Museum of Fine Arts, Houston, Houston, TX Enough is as Good as a Feast, Gallery Jones, Vancouver, BC 2010 BAM Biennial, Bellevue Arts Museum, Bellevue, WA, Hermaphrodite, Ferrin Gallery/Wexler Gallery, Philadelphia, PA Portraiture Beyond Likeness, Ethel Sergeant Clark Gallery, Wayne, PA 2009 5th World Ceramic Exposition Biennial, Gwango-dong, South Korea, New works, Two-person show, Gallery Jones, Vancouver, BC, Canada SOFA Chicago, Chicago, Il with Wexler Gallery 2008 A Human Impulse, Arizona State University Museum, Tempe, AZ, (In) Between, Wexler Gallery, Philadelphia, PA Confrontational Ceramics, Westchester Arts Council, White Plains, NY 2006 Body and Mind, Garth Clark Gallery, New York, NY Edges of Grace, The Fuller Craft Museum, Brockton, MA 2005 Politics as Usual, The Yager Museum of Art and Culture, Hartwick College, Oneonta, NY. Vanitas, Lacost Gallery, Concord...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

"Los Caballos en la Conquista (Horses in the Conquest)" is a Contemporary abstract Ceramica Suro slip cast remnants, glaze, and firing plate sculpture by Walead Beshty in 2013. The a...

Original painting on ceramic tile, then glazed. Signed by the Artist on the lower left. 4 piece set.

Actual Title:🪬🌞🌺🐦‍⬛ Vessel This vessel is a first for two reasons, my first try at created an ombre effect in glazing and naming the piece with emoji’s. The Hamsa hand an amulet...

Monarch boy depicts a portrait of one of my sons along with a blackbird symbolizing my deceased father as a protector. Alongside are the moon, sun and Jewish stars in the night sky. ...

FREYA BRAMBLE-CARTER V4 – Crown the Clown Collection, 2021 Thrown and assembled in Stoneware Clay, with a combination of Glazes, Underglazes, Enamels and...

White Clay Body with Glaze Bulgarian born Daniela Kouzov has been producing original ceramics since 1994 and currently works from her studio in Green Bay, Wisconsin. Contextualizin...

White Clay Body with Glaze Bulgarian born Daniela Kouzov has been producing original ceramics since 1994 and currently works from her studio in Green Bay, Wisconsin. Contextualizin...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...

JEFF KOONS (1955-Present) Aluminum multiple with red glaze, 2008, from the edition of 1,000 published by the Los Angeles County Museum of Art, Los Angeles, as an invitation for the ...

KPM Porcelain Plaque of 'Duchess Louise of Mecklenburg-Strelitz' late 19 CENTURY Century After a painting by Gustav Richter (German 1823-1884); verso with an impressed scepter abo...

Agathe Zebree, Bronze & or 18 Cartas Irakli Nasidze is a Franco-Georgian artist born in 1973 who lives and works between Paris, France & Tbilisi, Georg...

Glazed Ceramic Irakli Nasidze is a Franco-Georgian artist born in 1973 who lives and works between Paris, France & Tbilisi, Georgia. At the Tbilisi Sch...

Glazed Ceramic Irakli Nasidze is a Franco-Georgian artist born in 1973 who lives and works between Paris, France & Tbilisi, Georgia. At the Tbilisi Sch...

This dish, inspired by the bellas of the Italian Renaissance, bears witness to the fruitful collaboration that began in 1882 between the ceramist Théodore Deck and the young artist Paul Helleu, before the latter became the fashionable portraitist of feminine elegance. 1. Paul Helleu In 1913 Robert de Montesquiou wrote in his book devoted to the painter: "Helleu was born in Vannes in 1859, of a Breton father and a Parisian mother". He hardly knew his father, who died when he was three years old, and was brought up entirely by his mother, who sent him to continue his studies at the Lycée Chaptal in Paris in 1873. The discovery of Edouard Manet's Chemin de Fer at the 1874 Salon is reported to be at the origin of his artistic vocation. He worked against his mother's wishes in the studio of the painter Gérôme, also frequented by the painters Giovanni Boldini, Jean-Louis Forain and Antonio de La Gandara...

Untitled, Glazed Stoneware, 2022 Additional information: Medium: Glazed stoneware Condition: Excellent Dimensions: 26 1/2 x 9 1/2 x 14 in About artist: David Klamen (American, b.19...

Untitled, Glazed Stoneware, 2022 Additional information: Medium: Glazed stoneware Condition: Excellent Dimensions: 29 x 19 x 16 in About artist: David Klamen (American, b.1961) is ...