Art by Medium: Ink

Raymond Pettibon, Kim Gordon Sonic Youth at Frankfurt Music Hall (Hand Signed by Raymond Pettibon and Kim Gordon), 1990 Offset Lithograph Poster Boldly signed, and dated 2016 in ink ...

Rigoberto Mena (Cuba, 1961) 'Abstraccion Lirica', 2003 pastel, sugarlift on paper Guarro Super Alpha 250g. 20.9 x 27.2 in. (53 x 69 cm.) Unframed ID: MER-103 Hand-signed by author

White Lotus Lithograph A limited edition lithograph by listed artist Hoi Lebadang, (Vietnamese/French, 1922 – 2015). This print displays an ethereal lotus flower to center, known to ...

Large format photograph of iconic cherry red vintage private airplane on airport runway tarmac in the California desert - available in two edition s...

WFUNA Marc Chagall Designed Etching · Produced after the artist's death with permission from his estate Image size 8.5" x 11" #215/1000 Perfect condition Certification document on ...

In this contemporary landscape in sumi ink on Mylar, a peaceful forest scene at wintertime is intricately detailed, beautifully capturing the serenity of a walk in the snow covered w...

A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...

These watercolor works display historical English fashion starting in the Late Medieval period through the Early Renaissance (primarily the 12th through the 16th centuries). A specific 1842 book of hand-colored costume plates titled “The Civil Costume of England from the Conquest to the Present Time,” illustrated by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842 likely served as the watercolorist’s inspiration. The costumes in the book were drawn from tapestries, monumental effigies and illuminated manuscripts. The first image on offer here closely corresponds to the book’s plate depicting “Berengaria, Queen of Richard I (d. 1230). She holds a prayer book and wears an alms purse on her girdle.” In the far left background, two lesser-ranked ladies-in-waiting follow in simpler yellow and blue medieval gowns...

Wood Cut on Rice Paper "The Cicada Shell (Utsusemi)" by Gekko Ogata Woodcut is a striking 1892 woodblock print by Meiji-era master Ogata Gekko (Japanese, 1859–1920). It references T...

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

This painting is a classic example of the work of Mori Sosen (1747–1821), the most famous painter of monkeys in Japanese art history. The painting, executed in ink and light color on silk, portrays a mother monkey protectively holding her infant while perched on a gnarled tree limb. The protective pose and the interaction between the mother and infant...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Art Brut Expressionist Masterpiece in the manner of Jean Dubuffet.

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, 12 1/2 x 9 inches (318 x 230 mm). Toning, handling c...

Archival pigment pop art print of butterflies creating a heart shape created by DESTRO – signed & limited edition. Paper Size 36×48 inches edition of 150 Signed and number...

"Black Bird (Linea Pictura - Diptych)" is an original artwork by Hyland Mather made of acrylic, ink, string drawing, and pins on drop cloth. It measures approximately 48”h x 75”w as ...

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...

Fidel Santos’ Portata is a hauntingly evocative photograph that captures a single forearm and hand, reaching from the shadows with an air of longing and mystery. The image immediatel...

Artist: Dale Chihuly (1941) Title: Untitled Year: 1996 Medium: Acrylic and India ink on Arches Aquarelle Rag paper Size: 30.25 x 22.5 inches Inscription: Unsigned, as issued Provenan...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

America Martin "Woman & Bird" Ink on Paper 11.5 x 7.5 inches America Martin is an internationally represented Colombian-American fine artist based in Los Angeles. America is a ...

America Martin "What a Good Swim" Pastel & Ink on Paper 37.75 x 25.25 in Framed 44 x 32 in America Martin is an internationally represented Colombian-American fine artist based ...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Baron Robert Heinrich Freiherr von Doblhoff (1880 Vienna - 1960 ibid.) Woman with Red Hair Ink and watercolor on paper, image measures 6.25 x 7.25 inc...

Modern abstract watercolor drawing of a house by Texas artist Bertha Davis. The work features a loosely rendered neutral-toned depiction of a spacio...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9 x 13 Frame Size: 15 x 18.75 Medium: Ink Drawing Dated 1942 "Roy Matthews Calf Roping"

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers crossing the Suruga bank of the Ōi River, circa 1850. Signed in Kanji lower left, "Hiroshige Ga"...

Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd Marfa ( Texas ) by ...

Starlie Sokol-Hohne (American, b. 1958) was born in Santa Monica, California and completed her studies at UCLA in 1980. Combining images of antiquity with contemporary mixed media pr...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Melanie Sherman Fifty Gestures, No. 2 - Large Series 2026 China Ink on Premium Paper Paper Size: 14 x 17 inches (35.56 x 43.18 cm) Matted Size: 19.75 x 27.5 inches (50.17 x 69.85 cm)...

Chateau Marmont is a limited edition of 50 prints with 5 Artist Proofs, on Entrada Rag, natural 290 g with deckled edge. Available in Blue mj4B and Yellow mj4Y.

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

A refined example of French Art Deco illustration, this elegant drawing is executed in ink and gouache on blue laid paper and showcases the stylish, fashion‑forward aesthetic of the ...

Rf Art Self Isolation Giclee on Hahnemuehle Velvet 2021 Size: 24.01 x 17.32 inches (61 x 44 cm) Edition: BAT from a limited edtion of 25 Signed and numbered by the artist *Framing O...

Esther Boix (Spain, 1927-2014) 'La fucsia', ca. 2000 lithograph on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 99 Series number: P/A (Artist Proof) Unframed ID: BOI1340-001-000 Hand...

Vintage 1960s Alexander Calder Lithograph double page part of portfolio "Derriere le Miroir". Published by: Galerie Maeght, Paris, 1966. No. 156. Text on verso. Unsigned, from an unknown edition. Presented in black mat with red core. Mat size: 20"H x 24"W. Image size: 15"H x 22"W. American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures...

Patrick Vale ES I acrylic and ink on paper 30h x 22w in 76.20h x 55.88w cm PKV018 Abstractions, such as color, to me or or mood, don't really enter the f...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

In carefully drawn dots and lines in soft shades of indigo blue with pink, green, yellow and dark red details, this intricate composition is inspired by patterns in nature. This cont...

Star Wars (C-3PO) by Tom Schierlitz still life photograph of the original iconic golden Star Wars humanoid robot 40 x 32 inches (102 x 81cm) edition of 25 signed 60 x 48 inches (152 x 122cm) edition of 7 signed archival fine art pigment print signed + numbered by artist on separate label Photographer Tom Schierlitz has a discerning eye for details, managing to find striking visuals in the most ordinary objects, creating captivating images of cult accessories and other objects of desire. Tom grew up in Germany and lives and works in New York City. _________________________ Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Imagiri Beach and Promontory near Maisaka, circa 1850. Signed in Kanji center left, "Hiroshige Ga" for Uta...

Artist Statement “Flag of Victory” – Mixed Media on Canvas (48x60) This piece is a celebration of triumph—an abstract expression of spiritual and emotional victory. Using a blend of...

a highly detailed still life photograph of the king of pop's iconic sequin and rhinestone crystal glove Black Glove (Michael Jackson) by Tom Schierlitz...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

America Martin "Happy Sunshine Times" Pastel & Ink on Paper 20 x 22 in Framed 25 x 26.75 in America Martin is an internationally represented Colombian-American fine artist based...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape I...

Joseph Kardonne (1911-1985). Night Club New York, ca. 1960s. . Watercolor on paper, sheet measures 8.5 x 12 inches; 11 x 17 in matting. Excellent condition. Born in Newark, New Jer...

#5-3064 Native American Portraits gouache/watercolor /india ink on board, male portrait, displayed in a black/wood frame, signed lower left by A.Jarret. Image size 14 H x 21.75 W

Untitled, 1971, mixed media collage with painted and printed elements on paper, signed and dated lower right, 9 x 10 5/8 inches, exhibited Phoenix Gallery, New York, NY, unknown date...

Vincent Capraro (American, 1919-2016) Doves Courting, c. mid-20th century Ink and watercolor on paper Sight: 15 1/4 x 11 in. Framed: 24 1/2 x 19 3/4 x 5/8 in. Signed lower right For...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...