Art by Medium: Metal

The Holy Family, with St. John Italian Old Master, early 1600's period oil on shaped copper panel, framed framed: 10 x 9 inches copper: 7 x 5.5 inches (overall size) provenance: priv...

18th Century Italian oil on copper portrait in the style of Raphael. Excellent condition.

Venetian Baroque sculptor of the 17th century Full-length wooden sculpture of a Roman soldier Wood (walnut?) Carved, polychrome and gilded Dimensions: Total height: 118 cm. - Width: 49 cm. This valuable seventeenth-century wooden sculpture, which strikes for its sumptuous beauty, highlighted by the full-length construction as well as by the all-round finishing, is a work whose stylistic models allow us to attribute the work to a baroque carver active in the Venetian area in the Six hundred. The figure, which is realistically described especially in the splendid rendering of the clothes, cadenced in the drapery and in the sinuous movement of the body, stylistically refers to the rich and successful production of northern Italian sculptures, Venetian in particular, between the sixteenth and seventeenth centuries. It is a sculpture depicting a Roman soldier, perhaps a centurion, placed on a decorated pedestal, on which a crown is carved into which two palms of martyrdom are intertwined. This iconographic detail could make us interpret the figure as part of a more articulated religious composition, probably one of the numerous centurions that enriched a Calvary or a Via Crucis. The excellent state of conservation finally allows you to fully appreciate the quality of the carving. ADDITIONAL INFORMATION: The sculpture in question is sold with a certificate of authenticity and a descriptive iconographic card. We take care and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda...

German school around 1600 Adoration of the Magi Oil on copper H. 17.5 cm; L. 22.5 cm This scene of the adoration of the Magi is represented from the beginning of the Christian era, without however representing the three kings...

Attributed to Gysbert van der Kuyl (1604 - 1673) - Interior of an inn with musketeers and players. 21.5 x 16.5 cm without frame, 36 x 31.5 cm with frame. Oil on copper, in a carv...

The entombment of Christ, after Joseph Heintz the Elder. Oil on copper. The body of Christ, carried by Mary Magdalena and Mary Cleopas, appears kneeling...

Step into the captivating world of a bygone era with this remarkable small-scale oil painting on copper, measuring just 12 x 17 cm. Executed during the 17th century, most likely in t...

Italian School 18th Century Capriccio with Figures at a Temple oil on copper plate size 7.08 x 8.07 inches (18 x 20.5 cm) frame 12.20 x 13.38 inches (31 x 34 cm) Provenance: A Swe...

Old Master Painting of Saint Bartholomew, painted on copper. Dating from around 1650-1670. The Style reminds one of Works by the Flemish painter Davi...

Madonna del Dito is an original modern artwork realized in Florence, Italy in the middle of the 17th Century. Original oil painting on copper. Dimensions: 25 x 17 cm. Gilded Wood F...

An original copperplate engraving on laid paper by English artist John Goldar (1729-1795) titled "Thomas Howard, Duke of Norfolk", 1784. Comes from the "History of England" portfolio. Printed and published by Harrison & Co for Paul Rapin de Thoyras in London, UK. Recently framed in gold moulding and silk cotton mats from Holland. All archival. Framed size: 20.25" x 15.25". Platemark size: 12.25" x 8". Image size (with border): 8" x 6.75". Some faint foxing associated with age. In otherwise very good condition. Thomas Howard, 3rd Duke of Norfolk KG PC (1473 – 25 August 1554), was a prominent English politician and nobleman of the Tudor era. He was an uncle of two of the wives of King Henry VIII, namely Anne Boleyn and Catherine Howard, both of whom were beheaded, and played a major role in the machinations affecting these royal marriages. After falling from favour in 1546, he was stripped of his dukedom and imprisoned in the Tower of London, avoiding execution when Henry VIII died on 28 January 1547. He was released on the accession of the Roman Catholic queen, Mary I, whom he aided in securing her throne, thus setting the stage for tensions between his Catholic family and the Protestant royal line that would be continued by Mary I's half-sister, Elizabeth I. John Goldar, born at Oxford in 1729, resided in Charlotte Street, Blackfriars Road, Southwark. He made a couple of forays into print publishing on his own account (of John Dixon after William Lawrenson, and much later of naval prints...

This oil on copper depicts a young Christ. The figure is seated in a landsdape and holding a cross. It was painted during the 17th century by an arist who was following the work of ...