Art by Medium: Metal

"Naomi" Mid 20th Century American Bronze Sculpture Female Portrait Figurative Albert W. Wein (1915-1991) "Naomi" Bronze, c. 1960s Signed Figure: 19 1/2 x 5 1/2 x 5 inches Overall he...

Walter Valentini was born in Pergola, Italy in 1928. A painter and engraver, he lives and works in Milan. He is Holder of the chair for engraving at the Nuova Accademia di Belle Arti in Milan. He takes part to Exhibitions in Italy, Europe and Usa. In 1982 he gains the 1st Prize at the Bienneal of Ibiza. This was one of the Prize he won all over the world. This is a multiple of 300. Numbered and signed. Polished pewter...

Fred Wessel's "The Constellation Sagittarius" is a stunning egg tempera painting on gold leaf. Created in 2018, this piece depicts a young woman, holding an arrow and looking in the ...

A sculptor of kinetic objects, many of them with mazes of thin rods that appear brush like, Harry Bertoia was born in San Lorenzo, Italy, and came to America in 1930. In 1936, he stu...

A beautiful and mysterious underwater photograph of a young naked woman relaxing on her back in her pool. This is a monochrome photograph close to black and white with some aquati...

Large sculptural pear crafted in porcelain and decorated with textured gold leaf with metal leaves.

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

An underwater photograph of a topless young woman with white tulle scarf - taking off her red skirt on bright red background. Original digital print on aluminum plate signed by the...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Bronze

Philippe Berry's Ballons de foire in bronze and silver portrays the playful lightness of balloons, captured in a dynamic, almost weightless form. The combination of bronze & silver a...

A large contemporary black powder coated steel sculpture. Beautiful on the floor or a pedestal. A contemporary statement piece full of elegance and movement. _______________________...

Frieda – Emilia is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The p...

Interior design paintings. The artwork were done with oil, gold leafing pen 18 kt and ink in gold and turquoise color on watercolor paper 300g. The work are 20 by 15 inches in size, ...

Edition: 4/8 + 4 EA Creation date: 2006 Signature engraved on the base Using strange, semi-Gothic tapering forms, animal hides, fossils, and metal, Hiquily combines the imaginativ...

Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Modernist Otto Rogers was often inspired by nature’s beauty. This abstract mixed media composition is the artist’s impression of a leaf reflected in a p...

Danse Mystique Dance Mystic Bronze Sculpture Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling ...

Initialed lower left, 'RCW' for Richard Whitten (American, born 1958) and dated, lower right, in Roman numerals, 2009. Formerly in the collection of the Triton Art Museum, Santa Clara, California. Whitten's early work may loosely be termed geometric abstraction, but he is best known for his later representational paintings that combine his interest in architecture, invented machinery and toys. Whitten is also known for his toy-like sculptures. His paintings and drawings are essentially representational but have strong ties to geometric abstraction. A native of New York City, Richard Whitten first attended the Collegiate School before studying economics at Yale where he received his BA in 1980. He then constructed a personal painting program at Yale where he studied with Gretna Campbell...

David Tanych has been building objects since his father gave him a saw, hammer, nails and a block of wood at the age of 10. A veteran home and furniture builder, David turned his in...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...

The Coronation of the Virgin. Oil on copper. All of our works are covered by our own guarantee of authenticity which covers the work for its ...

Henk Jan Sanderman's "WHEN PIGS FLY" invites viewers into a whimsical realm where the impossible becomes possible. This original artwork seamlessly blends sculpture and painting, wit...

"The Turn" represents a pivotal moment in contemporary underwater fine art photography, where sculptural form meets fluid dynamics. In this arresting composition, a figure in vibrant...

Berlin returns to his love of jazz music. His players reflect the idiosyncratic rhythms of jazz music; a coming together of chaos & virtuosity that enthrals the listener. Deep with d...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

Emilio Vedova ( 1919 - 2006 ) - Compresenze - hand-signed perspex scupture, 1975 Additional information: Material: Sculpture made with 6 silk-screen with enamel on three double-side...

Purple Heart Ash strip It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that...

Bardol Thodol literally means liberation through hearing and comes from The Tibetan Book of the Dead. Bardo is the transitional state between death & rebirth. Lovers of jazz and music in general will be all too aware of how one can be transported to this suspended state when listening to music. This state is expressed beautifully in the Tibetan Book of the Dead, and here we quote directly from it "remember the clear light, the pure clear white light...............Let go into the clear light, trust it, merge with it. It is your own true nature". Jazz Bardo, Heavens Gate...

Created in dynamic layers of molten red, this Storm Surge tondo by Shayne Dark envelops the viewer. The rich, almost baroque quality of the sculpted surface is enhanced by its metall...

A remarkable trio of 18th century, oil-on-copper paintings of, Ottoman Empire figures in colorful robes and accouterments, posing in European style landscapes. Each figure is labeled...

Canadian sculptor Marlene Hilton Moore continues the theme of listening in a series of outdoor singing bowl sculptures -- this bowl is laser cut with the word "Murmur" in a stencil f...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

Signed Edition #1 of 6 Provenance Acquired by the gallery directly from the artist Description Feeling the sun’s warmth enveloping her body, Peter Brooke’s bronze “Goddess” express...

This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Earth tones of blue, orange, pur...

Aharon Bezalel (Afghani-Israeli, 1925-2012) Family Grouping Hand signed in with initials in English Figures fit together like puzzle pieces in solid cast bronze with original patina. Aharon Bezalel (born Afghanistan 1926) Born in Herat, Afghanistan in 1926 and immigrated to Israel at an early age. His father, Reuven Bezalel, was a rabbi and kabbalist. As a youth Aharon studied gold and silver casting as well as applied arts and worked in these fields as a silversmith and judaica craftsman, and was a student of the sculptor Zev Ben-Zvi at the Bezalel Academy for Art & Design where he also studied with Isidor Ascheim and Mordecai Ardon. There he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. He also studied miniature carving with the artists Martin and Helga Rost applying himself at their workshop. Aharon Bezalel worked and resided in Jerusalem, he taught art for many years. His sculptures - works of wood, bronze, aluminum, Plexiglas - were shown at his studio in Ein Kerem. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. His work bears a similarity to Berrocal as well as affinities to Henry Moore, Lynne Chadwick and Kenneth Armitage. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...

Brighton 27 - Platinum Palladium print over silver on vellum paper Edition 1 of 8 , plus 2 AP ( Small size ) An old Harley Davidson motorcycle in front of a gas station garage ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

The Herons, pair of chiseled bronze subjects, the body with a green patina and the head with a purple patina, 1960s-1970s. The two herons or storks are presented in different attitud...

Folk Outsider Naive Art Metal NYC Cityscape Sculpture Wall Hanging Contemporary "NYC Cityscape" 39 1/2 x 29 1/2 x 2 inches Unsigned Offered is an extraordinary hand crafted wall s...

A beauty sits on a rock, pouring water from a jug onto the rock beside her. Two birds play in the water as it cascades down the rock. The woman wears a crown of foliage and a piece o...

Minimalist, abstract geometric standing sculpture in dark brown oxidized steel "Some Guy #2" by Joe Wheaton, made in 2005 oxidized steel, 80 x 17.5 x 15 inches Freestanding sculpture...

The metallic Pinocchio, which was chosen by the European Cultural Institute to participate in the Venice Biennale in 2019, uses the figure of the Italian puppet and the allegory of t...

Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...

Keith Haring 1982 1st edition (Keith Haring Tony Shafrazi Gallery): The much seminal & highly collectible, limited edition catalog featuring the iconic neon Haring Three Eyed Smiling Face cover & 15 sought-after double-sided lithographic inserts intact and in excellent vintage condition. An extensive early survey of Haring’s work leading into his breakout year. The finest example we have ever come across. Rarely comes to market as such. Not to be passed upon. Medium: Softcover metal-wire bound artist monograph; approximately 144 pages. 1st edition 1982. 9.25 x 9 inches (folded closed). Very good to excellent overall vintage condition. Protected by bound-in original clear plastic front sheet. Hardly touched. Unsigned from a limited edition of 2000 (see image 4). Includes a forward by publisher Tony Shafrazi, as well as text by Keith Haring, Jeffrey Deitch, Robert Pincus-Witten, and David Shapiro. Designed by Dan Friedman with photographs of Haring's subway drawings by Haring’s close friend, Tseng Kwong Chi. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring prints. Keith Haring Three Eyes...

"The Song" by Félix Charpentier (1858-1924) A very fine bronze sculpture with nuanced dark brown patina Signed "Fx. Charpentier" Cast by "E. Colin & Cie Paris" France around 1900 he...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

A beautiful and mysterious underwater photograph of a young naked woman relaxing on her back in her pool. This is a monochrome photograph close to black and white with some aquati...

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs. As she continued her educat...

Artist: Kuno Vollet Title: High Schwerelos Materials: Bronze sculpture with a dark patina on black granite base Size: 90 cm height, base, 6 x 17 x 14 cm Edition of 15

The distinctive shape of a bull’s head attached to a horn-like stand pops in glossy bright colours of red, yellow and black in this whimsical sculpture by Benny Katz. As a former gra...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Vincent Desire Faure de Brousse (French, 1876-1908) "Mephistopheles and Monkey" Patinated Bronze Sculpture, late 19th century, the standing figure in Renaissance costume and accompan...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Our Virus wall luminaire is a spherical luminaire with wall mount and colour filter attachment for indoor use. The tubular profile steel was arranged here as a sphere and thus casts...

Recycled textiles, thread, batting, wood, chair legs, acrylic paint 40 x 50 x 22 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clothing, fur...