Art by Medium: Mixed Media

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 12 x 13.75 inches Condition: Excellent Inscription: Signed in ...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

TOM OTTERNESS Horse and Rider Maquette, 2003 White Resin Sculpture held in original box 5 1/2 × 3 1/2 × 2 inches Signed Tom Otterness Incised signature on the feet (see photos) Limited Edition (exact number produced unknown) This 2004 Horse and Rider black resin maquette is a miniature of famed American public sculptor Tom Otterness's large bronze "Horse and Rider" sculpture located at Texas Tech University's Student Union Gathering Pavilion. Rarely found in the original vintage box - this is a collectors item! The original piece was commissioned by the Student Union to celebrate Texas Tech's famous mascot - "The Masked Rider". Otterness' version of the mascot depicts the Masked Rider atop of the horse, kicking its “feet triumphantly in the quest for truth,” as he describes. (The tradition of the Masked Rider started as a dare in 1936 when an unidentified masked or ghost rider would circle the football field during home games. The Masked Rider became an official Texas Tech mascot in 1954.) The artist made a limited series of white and black resin multiples back in 2003 as a result of numerous requests by students for affordable models of the Horse and Rider. They were only available for sale by the Texas Tech student union and sold out very quickly. Although there is no stated edition, it was a one-off offering, produced by the artist just for Texas Tech students, with no second editions ever made. Once they sold out - that was it. Now Otterness' "Horse & Rider" is a highly desirable vintage collectors item. Created in an unknown but very limited first edition only back in 2003. Horse and Rider is difficult to find, - so if you're an Otterness (or Texas Tech) fan, we recommend you snag this one! About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Tracey Emin: I Lay Here For You (Hand signed and dated book), 2022 Hardback monograph (hand signed and dated by Tracey Emin) on Munken Lynx Smooth Natural White 170 gsm with endpapers of Colorplan Candy Pink 135 gsm; matt laminate printed cover with black head and tail bands Hand signed and dated by Tracey Emin on the title page. 9 × 6 3/4 × 2/5 inches Unframed Hardback monograph with illustrated boards and no dust jacket as issued, hand signed by Tracey Emin. A beautifully designed publication I Lay Here For You, sumptuously illustrated and with a fascinating essay by Katy Hessell, author of The History of Art without Men. About the project: Tracey Emin’s first Scottish show since 2008, I Lay Here For You (28 May – 2 October) will offer an intimate encounter with love and hope set against the domestic architecture and informal woodland of Jupiter Artland. Imbued with connotations of both warmth and vulnerability, resonating with Tracey Emin’s belief of the ‘personal as political’ the exhibition will feature brand new work by the artist reflecting on the possibility of love after hardship. Tracey Emin’s participation in Jupiter Artland’s 2022 season begins with the unveiling I Lay Here For You, a six metre bronze sited personally by the artist in an old-growth beech grove. Larger than life, powerful and at ease, the sculpture presents a radically different view of woman’s place...

Artist: Peter Max (1937) Title: Liberty Head Year: 2005 Medium: Mixed Media on archival paper Size: 30 x 24 inches Condition: Excellent Inscription: Signed b...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Ed Ruscha Science is Truth Found Out (Red) Limited Edition scarf , held in bespoke box, 2022 Limited Edition 100% silk twill scarf, bearing Ruscha's authorized signature on both the ...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 9 x 12 inches Condition: Excellent Inscription: Signed in perm...

Donald Baechler Limited edition Tony Shafrazi exhibition catalogue (hand signed and dated by Donald Baechler), 1983 Softback monograph (hand signed and dated by Donald Baechler) Bold...

Pool boy – Fluro by Gavin Dobson [2021] Limited Edition CMYK screen-print Signed by artist Edition number 40 Image size: H:50 cm x W:35 cm Complete Size of Unframed Work: H:50 cm x W:35 cm x D:0.1cm Sold unframed Please note that insitu images are purely an indication of how a piece may look 5 layer CYMK screen-print. Fourth in the popular Pool boy series. Celebrating summer, positivity and the male form. Pool boy fluro is a CMYK screen print with a neon orange layer to create a bold pop art finish. Gavin Dobson's artworks are available to buy online with Wychwood art and in our art gallery. ARTIST PROFILE: Originally from the North East of England, Gavin graduated in Fine art in 2000, and has been building his portfolio as an artist specialising in painting and screen printing - often combining the two, which helps communicate his chosen narrative. Gavin uses both vivid colours and expressive strokes to create engaging and lively pieces - his recent painting series ‘Landscapes of the Mind’ used the fluidity and movement of the paint to convey how an environment can effect ones state of thinking. Alongside his painting, Gavin is an established screen-printer exhibiting at many galleries across the U.K. and with new clients in New York his international profile is starting to expand. A regular at the Affordable Arts Fair, Gavin was one of 20 artists chosen to work alongside Film Four for an exhibition at Somerset House. His screen-prints often depict colourful, nostalgic images. Iconic designs which are humorous ornamentation and invite an opening for conversation. Gavin takes an original painting and creates many separate layers of half tones to screen-print by hand the final piece. Using this method he captures many textures and depths of colour within a piece of work. He recently designed and created a piece of work for the charity Help Refugee's 'Choose Love' campaign in conjunction with Printclub and the celebrated designer Katharine Hamnett, highlighting the current plight of refugees. Gavin's ongoing dedication has led to various interviews surrounding his work and being featured in The Times by the art critic, Nancy Durrant, as part of her great art gift guide...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 11 x 15 inches Condition: Excellent Inscription: Signed in per...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Yayoi Kusama Infinity Mirrored Room: The Souls of Millions of Light Years Away: Leather Clutch Purse in Original Box, 2017 Leather outside; polyester inside 6 × 10 × 2 inches This leather clutch with polyester on the inside, is, according to the manufacturer, the most popular product they ever sold. It was created exclusively for the Broad Museum in a limited edition of an undisclosed amount, and has long sold out. Brand new in original box. Makes a wonderful gift! The clutch purse itself measures 6 inches vertical x 10 inches horizontal, and the box measures 6.75 inches x 10.75 inches. Inspired by Yayoi Kusama's iconic artwork, Infinity Mirrored Room: The Souls of Millions of Light Years Away, 2013—originally done in wood, metal, glass mirrors, plastic, acrylic panel, rubber, LED lighting system, acrylic balls, and water - this collectible and very wearable purse features perspectives of the room's expansive interior. YAYOI KUSAMA BIOGRAPHY Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group presentations. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized Love Forever: Yayoi Kusama, 1958–1968, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999). More recently, in 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, Infinity Mirrors, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta, Georgia. Yayoi Kusama: Life Is the Heart of the Rainbow, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery | Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, All About Love Speaks Forever, an exhibition "tailor-made" specifically for the Fosun Foundation, Shanghai included more than 40 works by the artist. A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin in 2021, and traveled to the Tel Aviv Museum of Art in 2022. KUSAMA: Cosmic Nature...

Ed Ruscha Some Los Angeles Apartments, 1970 Softback monograph with stiff wraps Second Edition Limited Edition of 3000 (the first edition in 1968 was 700) Not Signed 7 × 5 1/2 inches...

Alex Katz in Maine, 2005 Hardback monograph (hand signed and dated by Alex Katz) Boldly signed and dated 6.9.10 by Alex Katz on the first front end page 9 3/4 × 11 1/2 × 3/4 inches T...

Artist: Peter Max (1937) Title: Sailboat on the Horizon Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 21 x 15 inches Condition: Excellent Inscription: Si...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Mel Ramos 50 Years of Pop Art (Hand signed, dated and inscribed to Nadine by Mel Ramos), 2010 Softback monograph with dust jacket (hand signed, dated and inscribed by Mel Ramos) Hand...

Michael Giliberti’s original artworks are characterized by vivid colors and powerful compositions. His work exemplifies Modernism and in particular modern wall art. The inspirations ...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

"One American Dollar - Silver Nr. 5", 2023, 80 x 120 x 14 cm, is a unique mixed media work by German pop artist Devin Miles. The artist works like Wahol with a hand screenprint. The...

General Idea was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The trio was both prolific and multi-disciplinary long before it became de rigueur. They worked across a wide range of media including photography, sculpture, painting, mail art, video, installations, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element for General Idea, who utilized longevity as an avenue to delve deeper into, build upon, and evolve with the complex and nuanced subject matter they took on. “Monet Cane” is an extraordinary example of General Idea’s use of iconography, appropriation, (and mischief) from this era. Beginning in the early 1980s, General Idea began using the poodle as an emblem for the trio, quickly elevating it to one of the most dominant motifs in their practice. Both single poodles, and trios (which would be a sort of group self-portrait) appeared frequently in a variety of artwork during their last decade of production. The 80's was a decade that saw appropriation flourish in the visual arts. General Idea made a significant contribution to this trend. While many of their contemporaries used mass-market images or objects (think Barbara Kruger, Jeff Koons, and Richard Prince) General Idea did not restrict themselves to accessible imagery but also claimed canonical images and blue-chip references. General Idea created two major series of paintings featuring the trio of poodles; in pastels (which were often bleached in a commercial washing machine) and in neon colors. This painting is exceptionally rare as it is one of four paintings made with this distinct flecked surface. This unique texture is a significant (and beautiful) anomaly at odds with their predominantly flat and graphic aesthetic. The surface of the canvas is enveloped in tiny, weighted flecks of paint that have been layered to create an incredible texture. This application of paint, which appears to be chenille-like, recalls both the atmospheric pastel palette and impressionistic effects made famous by Claude Monet. "Monet Cane" can not only be contextualized with other poodle paintings...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 12 x 13.75 inches Condition: Excellent Inscription: Signed in ...

Acrylic paint, hand-pulled silkscreen, and extensive collage of mixed media on canvas Hand-signed on verso

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 12 x 13.75 inches Condition: Excellent Inscription: Signed in ...

Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...

Major Pop artist James Rosenquist used sign-painting techniques to make kaleidoscopic canvases that conjure American advertising. He embraced the visual language of commercial art, f...

Tracey Emin Angel Without You monograph (Hand signed by Tracey Emin), 2013 Hardback monograph with illustrated boards (hand signed by Tracey Emin) Boldly signed in blue ink by Tracey...

Mixed media collage on panel Hand signed by artist on back

Acrylic paint, hand-pulled silkscreen, and collage of mixed media on archival museum board, signed lower right by the artist in ink and floated in a hand-hewn driftwood frame Signed ...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Acrylic paint, hand-pulled silkscreen and extensive collage of mixed media on canvas Signed lower right by the artist in scraffito

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Ricky Hunt’s string artworks are influenced by Egyptian hieroglyphs, graffiti, and his tumultuous past that led to a paradigm shift in creativity and life. On his sculptural and thre...

"AMY", 2023, 100 x 75 cm, is a mixed media work by German pop artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to the artis...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Pool boy – Fluro by Gavin Dobson [2021] Limited Edition CMYK screen-print Signed by artist Edition number 40 Image size: H:50 cm x W:35 cm Complete Size of Unframed Work: H:50 cm x W:35 cm x D:0.1cm Sold unframed Please note that insitu images are purely an indication of how a piece may look 5 layer CYMK screen-print. Fourth in the popular Pool boy series. Celebrating summer, positivity and the male form. Pool boy fluro is a CMYK screen print with a neon orange layer to create a bold pop art finish. Gavin Dobson's artworks are available to buy online with Wychwood art and in our art gallery. ARTIST PROFILE: Originally from the North East of England, Gavin graduated in Fine art in 2000, and has been building his portfolio as an artist specialising in painting and screen printing - often combining the two, which helps communicate his chosen narrative. Gavin uses both vivid colours and expressive strokes to create engaging and lively pieces - his recent painting series ‘Landscapes of the Mind’ used the fluidity and movement of the paint to convey how an environment can effect ones state of thinking. Alongside his painting, Gavin is an established screen-printer exhibiting at many galleries across the U.K. and with new clients in New York his international profile is starting to expand. A regular at the Affordable Arts Fair, Gavin was one of 20 artists chosen to work alongside Film Four for an exhibition at Somerset House. His screen-prints often depict colourful, nostalgic images. Iconic designs which are humorous ornamentation and invite an opening for conversation. Gavin takes an original painting and creates many separate layers of half tones to screen-print by hand the final piece. Using this method he captures many textures and depths of colour within a piece of work. He recently designed and created a piece of work for the charity Help Refugee's 'Choose Love' campaign in conjunction with Printclub and the celebrated designer Katharine Hamnett, highlighting the current plight of refugees. Gavin's ongoing dedication has led to various interviews surrounding his work and being featured in The Times by the art critic, Nancy Durrant, as part of her great art gift guide...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Takashi Murakami Original hand signed Flower Drawing on limited edition skateboard, 2017 Unique Flower Drawing in Marker on skateboard. Signed by Murakami Flower drawing done in marker and boldly signed by Murakami 31 × 8 × 1/4 inches The skate deck was issued unsigned, but this one was, exceptionally hand signed with a flower drawing by Murakami at Complexcon in 2017. Note measurements of 31 x 8 inches apply to each skate deck. This limited edition Murakami skate deck was created and sold exclusively at the 2017 Complexcon convention and is already considered a collectors' item. About Takashi Murakami: We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don’t completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art. —Takashi Murakami Drawing from traditional Japanese painting, sci-fi, anime, and the global art market, Takashi Murakami creates paintings, sculptures, and films populated by repeated motifs and mutating characters of his own creation. His wide-ranging work embodies an intersection of pop culture, history, and fine art. Murakami earned a BA, MFA, and PhD from Tokyo University of the Arts, where he studied nihonga (traditional Japanese painting). In 1996 he established the Hiropon Factory, a studio/workshop that in subsequent years grew into an art production and artist management company, now known as Kaikai Kiki Co. Ltd. Since the early 1990s Murakami has invented characters that combine aspects of popular cartoons from Japan, Europe, and the US—from his first Mr. DOB, who sometimes serves as a stand-in for the artist himself, to various anime characters and smiling flowers, bears, and lions. These figures act as icons and symbols—hosts for more complex themes of violence, technology, and fantasy. In 2000 Murakami curated Superflat, an exhibition featuring works by artists whose techniques and mediums synthesize various aspects of Japanese visual culture, from ukiyo-e (woodblock prints of the Edo period) to anime and kawaii (a particular cuteness in cartoons, handwriting, products, and more). With this exhibition, Murakami advanced his Superflat theory of art, which highlights the “flatness” of Japanese visual culture from traditional painting to contemporary subcultures in the context of World War II and its aftermath. Murakami’s work extends to mass-produced items such as toys, key chains, and t-shirts. In 2002 he began a multiyear collaboration with Marc Jacobs on the redesign of the Louis Vuitton monogram. Murakami then took the radical step of directly incorporating the Vuitton monograms and patterns into his paintings and sculptures. While Murakami’s imagery may appear to present unprecedented characters and forms, many contain explicit art historical references, and some are even direct contemporary updates on traditional Japanese works. In 2009 Murakami and the esteemed art historian Nobuo Tsuji began a creative dialogue centered on a group of Japanese artists known as the Edo eccentrics. This collaboration led to an exhibition at the Museum of Fine Arts in Boston in 2017, for which Murakami and Tsuji selected Japanese works from the museum’s collection and showed them alongside works by Murakami. The latter included Dragon in Clouds—Red Mutation: The version I painted myself in annoyance after Professor Nobuo Tsuji told me, “Why don’t you paint something yourself for once?” (2010), a red monochrome version of the famous eighteenth-century painting Dragon and Clouds by Soga Shōhaku...

This piece depicts famous British actress and model Audrey Hepburn. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted houndstooth pattern in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Hepburn stands out exceptionally, as the GIVENCHY logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower left and on verso. Art measures 36 x 24 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

Richard Corman Keith Haring 1 - NYC, 1985 (hand signed twice), 2022 Photographic print on Hahnemühle Photo Rag Ultrasmooth paper mounted on Dibond aluminum board. (Hand signed and numbered on both the front and back of the board) Hand signed and numbered 1/10 twice (front and back) and also titled on the back by Richard Corman Frame Included: gorgeously housed in a wood frame, hand painted in orange This photograph of Keith Haring was taken in 1985 at his 676 Broadway studio, by celebrated photographer Richard Corman while on assignment for L'Uomo Vogue. By that time, Corman had already taken some of the most memorable and iconic photographs of Madonna and later Basquiat - so it was fitting that this stylish Italian publication would choose him to photograph Keith Haring - already a major New York art star at the time. Corman's iconic photograph of Haring was reprinted in 2022 in a limited edition, and was featured in the exhibition "I Shot The Messenger!" - a solo presentation of his work at Frevo in New York City from September 11 to November 11, 2022. It is held in a bespoke wooden frame hand painted in orange. This gorgeous print is signed twice: Richard Corman signed, titled, dated and numbered one of only ten (1/10) on the back in black marker, and also boldly signed and numbered in black marker on the front. A video of the artist signing this work will be provided to the purchaser. (see still photos of Corman signing this work.) Measurements: Frame: 41.5 x 38.25 x 2 inches Photograph: 40 x 36.75 inches Exhibition History: "I Shot the Messenger", Frevo Gallery, New York, New York, 2022 Richard Corman speaks on his first encounter with Keith Haring: "To my surprise, when Keith answered the door, this unassuming building revealed to me a labyrinth of finished and unfinished artworks, bursting with color. I was familiar with Keith's graffiti in the subway stations, his murals, and the unique language of his art which raised awareness of AIDS and fought against the infiltration of illegal drugs. However, while positioning him around the space and working to capture something special during our time together, I realized this person was undeniably an original. His calm presence defied his free spirit, which revealed itself as he placed himself in front of my camera. These images offer up a glimpse at the confidence and price that Keith had in his own unique language for communicating his message to the world." About Richard Corman: While Richard Corman’s photography varies widely in subject matter, it is always intensely focused on the infinitely varied expressions of the human spirit. Ken Burns, documentarian and director, describes Richard’s work as: "Artistic vision dedicated to the highest aspirations of human endeavor... the photographs record in big moments and small, among the famous and ordinary, the gifted and challenged, larger truths relevant to all of us." As a portrait photographer, Corman has worked with a thrilling breadth of subjects from Nobel Peace Prize recipients Nelson Mandela and Elie Wiesel...

This piece showcases a ravishing depiction of Marilyn Monroe. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted stars in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his centerpiece, Monroe stands out exceptionally, as the Dom Pérignon logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with D-Rings on verso, signed by the artist lower right and on verso. Art measures 80 x 60 inches (weights 70lb approx.) Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

This piece depicts famous French actress and singer Brigitte Bardot from the iconic picture captured by British photographer Terry O'Neill. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted geometric quilt patterns in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Bardot stands out exceptionally, as the Harper's Bazaar logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower left and on verso. Art measures 40 x 30 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

This piece depicts famous Jackie Kennedy noted for her style and elegance. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted circled quilt patterns in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Jackie stands out exceptionally, as the Miss Dior logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower right and on verso. Art measures 36 x 24 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

This piece depicts the famous Dom Pérignon Champagne Bottle. Celebrating this iconic brand from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the nostalgia of this sought-after brands to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted spheres in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, stands out exceptionally, as the Moët & Chandon logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower right and on verso. Art measures 48 x 48 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans...

Michael Giliberti’s original artworks are characterized by vivid colors and powerful compositions. His work exemplifies Modernism and in particular modern wall art. The inspirations ...

Peter Max United We Stand: Four Statues of Liberty with Blue Statue of Liberty, 2001 Acrylic and Mixed Media painting with collage on thin board Boldly si...

Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, aside from the regular edition of 24 on the front, with the printer's blind stamp Frame Included: held in original vintage frame Mixed media Lithograph with hand coloring in watercolor (unique variant) Hand signed and numbered A.P. #6 (of 10), aside from the regular edition of 24 on the front, with the printer's blind stamp (Flower) Publisher: Published by Brooke Alexander, Inc. (New York) Printer: Printed by Ed Hamilton (American, born 1941) at Cirrus Editions, Los Angeles (with blind stamp) Measurements: Frame: 25.25 x 25.25 inches Print: 23 x 23 inches About Billy Al Bengston: Billy Al Bengston (b. 1934, Dodge City, Kansas, d. 2022, Venice Beach) moved to Los Angeles with his family in 1948. He studied painting under Richard Diebenkorn at California College of Arts, Oakland, California. In 1957, Bengston began showing with the legendary Ferus Gallery (founded and run by Walter Hopps...

Damien Hirst Cornucopia, 2010 Limited edition hardback monograph (hand signed by Damien Hirst) Hand signed in ink by Damien Hirst on the first front end page 12 1/2 × 9 3/4 × 3/4 inches This limited edition illustrated hardback monograph, with no dust jacket, exactly as issued, was published on the occasion of the artist's show at Musee Oceanographique de Monaco in April 2010, 'Cornucopia' celebrates Hirst's paintings and sculptures from 1994-2009." This book was gifted by Damien Hirst to a member of an American Rock & Roll band that Hirst befriended. Stated Limited Edition of 2000 (unnumbered) About the book: Publisher: Musée Océanographique de Monaco, 2010 Text: English / French. 160 pgs with color illustrations Limited Edition: 2000 (the regular edition is not signed; this was exceptionally hand signed by Hirst) About Damien Hirst: People are afraid of change, so you create a kind of belief for them through repetition. It’s like breathing. I’ve always been drawn to series and pairs. A unique thing is quite a frightening object. —Damien Hirst Since emerging onto the international art scene in the late 1980s, Damien Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. From serialized paintings of multicolored spots to animal specimens...

Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...

This piece depicts famous Scottish actor Sean Connery as his 'James Bond 007' role next to the classic Aston Martin DB5. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted stars in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Connery stands out exceptionally, as the Aston Martin logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower left and on verso. Art measures 36 x 60 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans...

Virginie Schroeder is an innovative artist based in Quebec, Canada. She puts in play lines, circles and other geometric forms to create works with subjects that are not immediately v...