Art by Medium: Oil

Impressive early American impressionist landscape oil painting. Framed. Oil on canvas. Image size, 12H by 16L. Wonderful subject and great color. Excellent ready to hang condition.

Patricia Crotty’s “Open Window” is a brightly colored 18 x 18 inch abstract oil painting on canvas. Vibrant gestural strokes of yellow, red, pink, blue, and green float and form shap...

"couleurs ephemeres" by Sophie Dumont, presented on a canvas measuring 27x35 cm (approximately 10.6x13.8 inches), is a captivating journey into France countryside. The artist's bold ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

American modernist abstract oil painting. Framed. Oil on canvas. Image size, 10H by 10L.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "That Golden Hour" by Nick Vivian is a breathtaking depiction o...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 24 inches "My paintings are about space, form and energy. I generally start painting without preconceived notio...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on thick board unframed: 8 x 8 inches condition: excellent provenanc...

Choose the color of the frame: black or wood Framed dimensions: 72 x 88 cm (28.3 x 34.6 in) Signed by the artist and a certificate is delivred. In Les Lopins, French painter Sophie ...

Impressive early American impressionist seascape oil painting by Margaret Munro Stratton McLennan (1911 - 1995) . Framed. Oil on board. Signed. Image size, 12H by 16L.

Sophie Dumont has earned significant recognition within the international art scene, establishing herself as a leading figure in contemporary painting. Known for her masterful use of...

Wonderful early American modernist abstract expressionist oil painting. Framed. Oil on canvas. Signed.

Impressive early American school modernist abstract oil painting. Framed. Oil on canvas board. Signed.

Wonderful mid-century abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1964. signed and dated lower right (Chapin 8/64). Condition: Excellent. Image size: 38"H x 28"W. Presented in painted slat rustic frame. Framed size:: 39"H x 30"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...

An abstract landscape depicting the emergence of life or nature’s support for us. The painting incorporates natural materials—sand, grass—that create texture and enhance the idea of nature’s energy. Earthy tones, interspersed with vibrant greens and warm yellows, evoke a sense of dynamic growth and natural vitality. - Original oil painting - 90x70 cm - 0.6 inch thick galley wrapped painted edges - no framing necessary. - ready to hang - Your painting will come signed and include a certificate of authenticity, -UV protectant to prevent fading -This artwork was exhibited : - December 2024 Art Expo, Trieste Italy

Impressive early American impressionist coastal seascape oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 18L.

The painting measures 12 x 9 inches (without matboard) and comes with a white matboard measuring approximately 14 x 10 inches. The artist has signed the work on the lower right corne...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 16H by 20L.

Sylvia Rutkoff (1919-2011) Sr5-1 c.1960s “Crossed Arms” Acrylic on Masonite 36x42 period frame Unsigned Collection acquired from family estate

Very nicely painted American impressionist beach scene. A nice summer view with a figures playing near the shore. Signed lower right illegibly. Framed handsomely in a wide gold ...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed on back, inscribed verso oil painting on canvas, unframed canvas size: 36 x 36 inches condition: overall...

Ron Hick's (US based) "Matilda" (2024) is an original, handmade oil painting that depicts an abstract portrait of a woman. Ron Hick's works have been characterized as a blend of rep...

​** Guarantee shipping by Royal Mail with End to End International Tracking only £19 lowest flat rate offered by gallery. -Free Shipping in the UK. About Painting: In her 'Prayers,...

“Sphère”, 2025 Mixed media on preformed structure, edition 1/1 Ø 45 cm / 17.7 in Unique piece – signed by the artist The artwork “Sphère” (2025) by Pascal Courcelles is a true paint...

Her Angel (Abstract painting) Oil on canvas — Unframed. This artwork is exclusive to IdeelArt. German artist Petra Schott uses colour, lines, and shapes to express her everyday emot...

Portrait of a Woman Andre Dalloz ( French School, circa 1960's) signed oil on canvas, in a wooden frame framed : 24 x 15.5 inches canvas: 23.5 x 15 inches Provenance: private collect...

Stanley Sporny (American 1946 - 2008) A view into a stream with overhanging branches reflected in the water. A beautiful oil painting that explores the stream bottom as well as the ...

Impressive early American modernist abstract oil painting by Alton S. Tobey (1914 - 2005). Framed. Oil on board. Signed. Impressive modernist painting by an important and historical artist. The following is written and submitted by Joseph Dolice, Exhibition Director of the New Rochelle Council on the Arts. This information accompanied the exhibition, "Alton Tobey," of the New Rochelle Council on the Arts October 22 to November 14, 2003. Millions of Americans have seen reproductions of the art of Alton Tobey, one of the most famous of today's living illustrators -- in national magazines such as Life, Reader's Digest and American Artist; and in public murals such as at The Smithsonian Museum in Washington DC, the Intrepid Sea, Air & Space Museum in New York City; and in Westchester where his Roots of Westchester mural is installed at the White Plains County Courthouse. Few people, however, had had the opportunity to see almost three dozen of his original paintings, including many of his portraits of famous people, at any single time or place before in history. From October 22nd through November 14th, 2003 The New Rochelle Council on The Arts, a major cultural resource for the citizens of New Rochelle and the residents of the surrounding Westchester community will present a special one-man exhibition of thirty-three of Alton Tobey's original paintings, many of which have never been publicly shown before. The show will be held in the 3000 square foot Lumen Winter Gallery in the lobby of The New Rochelle Library, the site of many major exhibitions in the past by the NRCA, such as its show of original artwork of Norman Rockwell and of Frederic Remington. Both of these artists also achieved fame mainly as illustrative painters, and had ties to the community. Alton Tobey was born in Middletown, Connecticut and received his BFA and MFA at the Yale School of Fine Arts and later taught there for four years. He has also taught at the City College of New York and has been juror for many prestigious art competitions. His work is in over 30 museums and in important government, corporate and private art collections. He has had over 50 one-man exhibitions. His work has been published in over a dozen national magazines and books, and he has over three dozen historic murals to his credit. Education: Yale School of Fine Arts, B.F.A. and M.F.A. Taught at: Yale School of Fine Arts; City College, New York City; 92nd St. YM-YWHA, New York City Affiliations: Hudson River Contemporary Artists - President Emeritus; National Society of Mural Painters - President Emeritus; Artists Equity of New York - President Emeritus; Mamaroneck Artists Guild - President Emeritus; International Arts Association - Past Vice-President Memberships: Abraxis; League of Present Day Artists; Fine Arts Federation; American Society of Contemporary Artists; Metropolitan Arts Association Awards: PWA Mural Award, 1939; Westchester Society Merit Award; Edwin Abby Mural Award, 1965; Grumbacher Awards, 1982, 1985; Westchester Council for the Arts, 1987; Lindner Memorial Award, 1992 Murals: Tazewell Museum; Tazewell, VA; 16 Chief Justices; St. Paul, MN; Signing of the Constitution; St. Paul, MN; Roots of Thomasville; Thomasville, GA; Intrepid Sea, Air, Space; New York, NY; Smithsonian Museum (2); Washington, DC; California Bank, Rockefeller Center; NYC; American Bureau of Shipping; NYC; Council on Fitness; Washington, DC; U.S. Post Office; East Hartford, CT; MacArthur Memorial, (6); Norfolk, VA; Falstaff Mural; St. Louis, MO; Three Murals for Saudi Arabia; Jidda, SA; History of Transportation; Hartford, CT; Project 400 (14 Murals); Chadds Ford, PA; Evyan Perfumes/Cheseborough; NYC; Campbell Avenue Library; E. Hartford, CT; Eastchester Town Hall; Eastchester, NY; Liebowitz Family (2); New York, NY; Roots of Westchester County; WhitePlains, NY Publications where featured: Life Magazine; Iconagraphy of Stradivari; American Artist; Readers' Digest; Spotlight; Epic of Man - Life; The Plate Collection Magazine; Birds of Tikai - Museum of Natural History; Men and Power - Western Publishing; The Golden Book of American History (in 12 volumes - 300 paintings by Tobey) August 1, 1961 in Plate Collector magazine (with Tobey featured on the cover): "Tobey Brings Murals to Plates" by Susan Elliott: Winter, 2007 (Vol. 5 Number 20) in Illustration magazine: "The Curvilinear Career of Alton S. Tobey" by John Matuszak. Also in numerous newspaper articles in The New York Times, USA Today, Gannett newspapers, and others. Corporate collections: ABC TV; New York, NY; Charles Pfizer Co.; New York, NY; Readers' Digest; Pleasantville, NY; Ciba-Geigy; Ardsley NY; American Cyanamid; Bound Brook, NJ; General Foods Corp.; White Plains, NY; Evyan Perfumes; New York, NY Portraits: Albert Einstein; Pope John Paul II; Ronald Reagan; Charles Pfizer; Golda Meir; Alexander Calder; Cardinal Cooke; Armstrong, Aldrin, Collins; Robert Merrill; E. Ronald Harriman; Robert Frost; Douglas MacArthur; Alfred DelBello; Robert Merrill; John L. Lewis; Charles Picker; John F. Kennedy and Robert Kennedy Government & other projects: Newberger Museum; Purchase, NY; Dept. of Commerce; Washington, DC; Amer. Machine/Foundry; White Plains, NY; President's Council on Fitness; Wash., DC; Yonkers Professional Hospital; Yonkers, NY; Iona College; New Rochelle, NY; NYU Law Library; New York, NY; Jewish Community Center; White Plains, NY; Instituto Norteamericano del Arte; Mexico; American Center; Stockholm, Sweden; Amer. Bureau of Shipping; New York, NY; The National Academy; New York, NY; St. Patrick's Cathedral; New York, NY; St. Francis Hospital; Hartford, CT; Elmira College; Elmira, NY; Hofstra University; Long Island, NY; Murray Av. School; Larchmont, NY; Mercy College; Dobbs Ferry, NY Limited editions: Royal Doulton Plates; London, England; Lucien Picard; New York, NY; Scafa Tournabene; West Nyack, NY; Numa, Ltd.; Akron, OH International collections: Copenhagen, Denmark; Minori, Italy; Jerusalem, Israel; Lima, Peru; LaRochelle, France; Stockholm, Sweden; Athens, Greece; Buenos Aires, Argentina; Guatemala City, Guatemala; Mexico City, Mexico; Tepotzian, Mexico Solo Shows: American Center; Stockholm, Sweden Alliance Galleria; Copenhagen, Denmark Mamaroneck Artists' Guild; Larchmont, NY Silvermine Artists Guild; New Canaan, CT Instituto Mexicano Norteamericano; Mexico Galleria Satellite; Mexico City, Mexico Casa de Aquarella, Mexico City, Mexico Jewish Center; New Haven, CT Alice Tully Hall; Lincoln Center, NYC Riverside Museum; New York, NY Westchester Art Society...

Artist : Susan Kiefer Title : "Grace Notes" Materials : oil on canvas Date : May 2020 Dimensions : 30" x 40" x 1.5" Description : Hard-edged geometric abstract with four overlapping...

A silent conversation. The painting depicts a gentle dance of water lilies - a silent dialogue of nature unfolding on the water's surface. The lilies, immersed in a tranquil space, s...

" Sailing in Sunshine ", circa 1970s Oil on Canvas 50" x 40" Housed in a Slat-wood frame Overall Size: 50 1/2" x 40 3/4" Appears to be in very good condition. We are looking f...

Abstract countryside landscape with colored plots worked in oil on linen canvas.. The construction takes precedence over the motif, the artist works on his composition until he finds...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

SIZE FRAME: 157 X 57 cm (61.81 x 22.44 in) you can request a wood frame Sophie Dumont is a professional painter whose work is collected worldwide and is known for her deep explorat...

A meadow in Tuscany on a summer's evening at my friend's house, near Sestina. The heat of the day has left a balmy warmth and the low sun is casting long deep shadows across the wild...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Antique American exhibited oil painting by Grace McFarren. Oil on canvas. Signed. Framed. Measuring 29 by 49 inches overall and 26 by 46 painting alone.

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Painting of a library with gray, blue and black books worked in oil and knife. Les Livres Gris by Sophie Dumont is a captivating oil on canvas t...

Bettina Mauel expresses vitality and sensuality in her abstract contemporary landscape and seascape paintings. “I paint what I experience,” she articulates. “This includes landscapes...

Oil on board. Framed.

Antique American modernist abstract landscape oil painting. Oil on canvas. Framed. No signature found.

Paul Winthrop Wood modernist abstract cityscape, 1979 Modernist Abstract Landscape Oil on Board 18" x 34" unframed, 24.5" x 40.5" framed Paul Winthrop Wood 1922-2003 Wood was born on August 29, 1922, in Kingsville, ON, Canada. He was the son of Albert G., an architect and Louise Wood. He married Jacqueline Stark, a pianist, on September 4, 1953. Wood attended Grand Central School of Art, 1938, New School for Social Research, 1939, and Art Students League in New York from 1939-41 and 1946-47. He was a portrait painter in 1948 at Paul W. Wood Studio, Port Washington, NY, owner, 1949-68, and a part-time course tutor. He taught at the Open University, Milton Keynes, England, beginning in 1980 and at the Department of Art History, 1993-2003. Wood was president of the Pleasant Hill, Inc., former director of Albert Wood and Five Sons...

From Paul's India Series; pearlescent moonlight glints off the water and casts shimmering light onto the surface. A beautiful place to relax and wash away the days heat and dust. The...

Tranquil shades of sylvan colour are paramount in this piece from Francesca Owen. Painted on a theme of metamorphosis it’s a particularly good work show...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed inscribed verso canvas size: 35 x 46 inches condition: overall very...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosent...

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

FRAGMENTED DWELLINGS Size: 38.5 x 51.5 cm (including frame) Oil on paper A bold and brilliantly executed mid-century modern painting that presents an abstracted interpretation of ar...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...