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Art by Medium: Paper

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Style: Post-Impressionist
Medium: Paper
“A View near Harting, Sussex”
Located in Southampton, NY
Here for your consideration is a well executed watercolor of a bucolic landscape scene with figures by the British artist, Henry John Kinnaird. Signed lower left. Title inscribed lower right. Circa 1908 when the artist moved to Sussex to live and paint. Condition is excellent. Framed in a beautiful contemporary white gold antiqued gallery frame. Under glass. Overall framed measurements are 28 by 40 inches. Provenance: A Sarasota, Florida collector. Henry John Kinnaird British, (1861-1929) “A View near Harting...
Category

Early 1900s Post-Impressionist Art by Medium: Paper

Materials

Archival Paper, Watercolor

“Birches in Winter”
Located in Southampton, NY
Original watercolor and gouache on archival paper of birch trees in winter along a fenced roadway with a quaint home in the background. Signed lower right. Condition is excellent. Circa 1960. The watercolor is in a solid mahogany frame under UV glass in fine condition. Overall framed measurements are 14 by 11 inches. Provenance: A East Hampton, Long Island, New York collector. Born in Queens, Long Island, NY, Impressionist landscape and seascape painter Francis Dixon studied at the Art Students League in New York City under Impressionists Frank Vincent DuMond, Cape Cod, Massachusetts artist, Charles W. Hawthorne, and modernist Robert Henri. Having a good singing voice Dixon was an Army and Navy Song Leader for the War Department during World War I. From 1915 to 1917 was living and painting in Los Angeles, Carmel and Point Lobos, California. Dixon exhibited his California paintings at Folson Galleries New York City in 1917. Dixon continued to travel and paint, visiting Bermuda in 1923 and 1925, and Europe in the mid-1920s. In the 1930s he was living on West 55th Street in Manhattan with a number of other artists. He was a member of the Allied Artists of America (NY); Connecticut Academy of Fine Arts; and the Salmagundi Club, NY. He exhibited at The Corcoran Gallery of Art, Washington, D.C. (1916); Folson Gallery (NY, 1917, solo); Society of Independent Artists (NYC, 1917-18, 1920-22, 1924); Salmagundi Club (NYC, 1917-1940, 1943, 1945); National Academy of Design (NYC, 1925); Studio Guild Galleries (NYC, 1937); Barbizon-Plaza Galleries NYC, 1939); Allied Artists of America (NYC, 1940); and Salons of America (NYC). Dixon’s solo exhibitions included Babcock Galleries (NYC, 1926 and 1927); Women's University Club...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Watercolor, Gouache, Archival Paper

'Out of Hokkaido', Carmel Art Association Exhibit, Japanese portrait, Kimono
Located in Santa Cruz, CA
By Virginia Conroy Dedini (American, 1922-2006). Titled lower left, 'Mitsuko ''Okaido Born''' and dated August 1976. Exhibited: Carmel Art Associati...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Paper, Watercolor, Gouache, Graphite

'Man Stretching', Paris, Louvre, Académie Chaumière et Etrangères, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Graphite, Gouache, Paper

Le Fondeur De Bronze By Lucien Lévy-Dhurmer
Located in New Orleans, LA
Lucien Lévy-Dhurmer 1865-1953 French Le fondeur de bronze Signed "Levy Dhurmer" (lower right) Pastel on paper French painter Lucien Lévy-Dhurmer was one of the leading artists of...
Category

Early 20th Century Post-Impressionist Art by Medium: Paper

Materials

Paper, Pastel

City View by Ludovic-Rodo Pissarro - Landscape painting
Located in London, GB
SOLD UNFRAMED City View by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 17.8 x 22.9 cm (7 x 9 inches) Signed with Estate stamp Executed circa 1904 Provenance Priv...
Category

Early 1900s Fauvist Art by Medium: Paper

Materials

Paper, Ink, Watercolor

Cobblestone Road to Lower Manhattan Skyline in Golden Light
Located in Miami, FL
Magical golden light skims off a 19th-century cobblestone road that appears to lead into an equally antique-looking lower Manhattan skyline illuminated with golden light. As a proge...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Archival Ink, Archival Paper, Archival Pigment

Golden Light on Solitary Figure in Central Park
Located in Miami, FL
Golden rays rim light a single figure sitting on a Central Park Bench. He becomes more of a shape than a specific individual and, as such, blends i...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Archival Ink, Archival Paper, Archival Pigment

Bird on a Ledge Impressionist Color Tudor City Manhattan
Located in Miami, FL
Street Photography can be beautiful. Bird on a Ledge by street photographer Mitchell Funk is an exceptionally distinctive example of shooting the streets of New York and getting a lo...
Category

2010s Post-Impressionist Art by Medium: Paper

Materials

Archival Ink, Archival Paper, Archival Pigment

Sanctuary of Peaceful Yellow Tulips Red Tulips Blooming in Central Park
Located in Miami, FL
In this Mitchell Funk photograph, The Central Park Conservancy of Flowers is bursting into bloom with the seductive color of yellow tulips and red tulips. In the upper left-hand cor...
Category

2010s Post-Impressionist Art by Medium: Paper

Materials

Archival Ink, Archival Paper, Archival Pigment

'Seated Nude', Paris, Louvre, Académie Chaumière, Salon D'Automne, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Gouache, Watercolor, Paper

Interracial Friends Lost in Thought in a Brooklyn Playground
Located in Miami, FL
Street Photographer Mitchell Funk uses of a 500mm telephoto lens to capture the two subjects lost in thought. Selective focus throws the background out of focus and creates a dreamy...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Archival Pigment, Archival Paper, Archival Ink

Surreal Impressionist Landscape in Lavender
Located in Miami, FL
This is an in-camera manipulated photograph from 1970. It depicts soft light caressing trees as they are mirrored in the water. The image is filled with nuanced blue-magenta color. ...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Archival Ink, Archival Paper, Archival Pigment

“Roses in a Porcelain Vase”
Located in Southampton, NY
Here for your consideration is a very well executed oil pastel on archival paper by the well known French artist, Marcel Vertes. Signed lower right. Condition is excellent. Circa 1930. The artwork was done early in the artist’s career; most likely in Paris during his time studying at the Academie Julian. The artwork is housed in its original frame under glass. The ornate gold frame has been recently restored and is in good condition. Overall framed measurements are 31.5 by 26.5 inches. Provenance: A Pennsylvania estate. Marcel Vertès (born Marcell Vértes), was born on August 10, 1895 in Budapest, Hungary. His first commercially successful works of art were sketches of corpses, criminals and prostitutes he did for a sensationalist magazine in Budapest. He then did illustrations for many of the clandestinely printed publications opposing the Hapsburg monarchy at the end of WWI. After the war he moved from his native Hungary to Vienna, Austria and then to Paris, where he was a student at the Academy Julian, living and working in the famous Latin Quarter. Vertes quickly established himself as a regular in the Paris art scene and his work became lighter and more lyrical. In Paris he concentrated on illustration, painting and printmaking, especially lithography. In 1935 he made his first trip to New York to make contacts. Two years later he had his first one-man show in New York. At the end of WWII he returned to New York with his wife, escaping the Nazi invasion of Paris by two days. He then began to divide his time between New York and Paris. Ten years later, he returned to his beloved Paris and spent the remaining years of his life there. While in the United States he became a consultant to the Producers and Set Designers of the 1952 Award Winning film Moulin Rouge, about the life and times of artist Henri De Toulouse-Lautrec (1864-1901). He won two Academy Awards for ‘Best Art Direction’ and ‘Best Costume Design’. Interestingly, Marcel Vertès originally earned his tuition money for his European education by making forgeries of Lautrec's works. As such, his expertise was exhibited in the film when his hand is used as the hand of Toulouse Lautrec as he drew, and his images were accordingly used in the film and given appropriate credit in the trailer to the film. Vertes also appeared in the British production credits as Color Production Designer, and Costume Designer for the film, with Schiaparalli (the same of Paris, and Italy). They both jointly won the British Academy Film award in 1952 for Best Costume Design for Moulin Rouge. Vertès is also responsible for the original murals in the Café Carlyle in the Carlyle Hotel in New York City and for those in the Peacock Alley...
Category

1930s Post-Impressionist Art by Medium: Paper

Materials

Archival Paper, Oil Pastel

'Seated Nude', Musee d'Art Moderne, Paris, SFAA, LACMA, California Woman Artist
Located in Santa Cruz, CA
Stamped, verso, with certification of authenticity for Jane Ament De La Roche (American, 1916-2000) and created circa 1950. Winner of the Prix Othon Friesz, Ament first studied at the Chouinard Art Institute and, subsequently, in Paris with André L’Hote...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Graphite, Paper

Timeless Cherry Blossoms in Central Park Pre-War Architecture
Located in Miami, FL
Cherry Blossoms in Central Park with a lone figure in a blue shirt set against the iconic pre-war architecture of Central Park West. Signed and dated on lower right, numbered on v...
Category

2010s Post-Impressionist Art by Medium: Paper

Materials

Archival Ink, Archival Paper, Archival Pigment

'Le Consulat, Montmartre', Paris Cafe, Cathedral of Sacré-Cœur, Basilica
Located in Santa Cruz, CA
20th Century French School; Signed indistinctly, lower left, 'De Mini? and dated 1993. A Post-Impressionist style, Parisian cityscape show...
Category

1990s Post-Impressionist Art by Medium: Paper

Materials

Paper, Watercolor, Gouache

British Pastel drawing of dahlias by Sir Matthew Smith CBE
Located in Petworth, West Sussex
Sir Matthew Smith CBE (British, 1879 –1959) Dahlias Pastel 22 x 16.1/4 in. (56 x 42 cm.) Provenance: Sotheby’s London, 20th Century Art, 03 Oct 2001, lot...
Category

20th Century Post-Impressionist Art by Medium: Paper

Materials

Paper, Pastel

abstract still life mixed technique on newsprint glued to cardboard
Located in Barcelona, Barcelona
Ramón Moscardó (1953) - Abstract still life - Mixed media Mixed technique on newsprint glued to cardboard. Paper measures 19x32 cm. Cardboard measures 25x38 cm. Ramón Moscardó studi...
Category

1980s Fauvist Art by Medium: Paper

Materials

Paper, Mixed Media

Jumping Poodle Dog in Golden Amber Morning Light
Located in Miami, FL
Street photographer Mitchell Funk captures a magic moment. The image features a graceful lunging black poodle in pursuit of something outside the image area. The poodle is center...
Category

2010s Post-Impressionist Art by Medium: Paper

Materials

Archival Ink, Archival Paper, Archival Pigment

Concours de Chiens au Promenade by Otto Eerelman
Located in New Orleans, LA
Otto Eerelman 1839-1926 Dutch Concours de Chiens au Promenade Watercolor on paper Signed “O. Eerelman 1904” (lower left) A tour de force watercolor by celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, this charming composition captures a bustling cross-section of fashionable elites walking their equally fashionable canine companions. Eerleman takes care to render the detailed attire of his subjects, complete with plumed hats and layers of lace trim. The artist paints the plethora of pets in equally painstaking detail, capturing the nuances of each different breed represented. Eerelman mastered the art of depicting not only the dogs’ physical characteristics but also their unique expressions and personalities. His wealthy clientele would bring their pets to his home in The Hague where they would live for a period of time while having their portraits done, allowing for a remarkably true-to-life portrayal. This energetic watercolor, with its profusion of color and texture, harnesses the affluence of its subjects and the leisurely whimsy of their luxurious lives. Hailing from Groningen, Netherlands, Eerelman was dubbed the “Northern Rembrandt” during his lifetime. He received his artistic training at the Academy Minerva in Groningen, the Royal Academy of Fine Arts in Antwerp and then private lessons in the studio of the great Lawrence Alma Tadema. He successfully captured the attention of the Dutch court, particularly Princess Wilhelmina...
Category

Early 20th Century Post-Impressionist Art by Medium: Paper

Materials

Paper, Watercolor

"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
Located in Soquel, CA
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...
Category

Late 20th Century Fauvist Art by Medium: Paper

Materials

Paper, Pastel, Screen

Female Portrait Drawing Roaring Thirties Monogram Dated pencil paper
Located in Florence, IT
This drawing, color pencil on paper 26 x 23 cm without frame, portrays a lady on profile, styled as the typical fashion of the time. By the way she's portrayed, she seems an audaciou...
Category

1930s Post-Impressionist Art by Medium: Paper

Materials

Paper, Color Pencil

"Girls and a Parrot" Fauvist Figurative Painting
Located in Austin, TX
By Gustav Likan 13" x 16" Pastel on Paper
Category

20th Century Fauvist Art by Medium: Paper

Materials

Oil Pastel, Archival Paper

Bird Party on a New York Water Tower
Located in Miami, FL
This is a long lens selective focus shot of a "Pigeon Party" atop one of Manhattan's many wood water towers. Like all of Funk's street photography, he designs his pictures with the...
Category

Early 2000s Post-Impressionist Art by Medium: Paper

Materials

Archival Pigment, Archival Ink, Archival Paper

Japanese / French Tsuguharu Foujita Post Impressionist drawings, a pair, babies
Located in Petworth, West Sussex
(Léonard) Tsuguharu FOUJITA (Japanese, 1886-1968) Baby acrobat; and Baby walking both signed `Foujita’ (lower right), and both signed in Japanese red and black ink on paper 20 x 15 ...
Category

20th Century Post-Impressionist Art by Medium: Paper

Materials

Paper, Ink

Le Pont du Vey by Paulémile Pissarro - Charcoal drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Pont du Vey by Paulémile Pissarro (1884-1972) Charcoal on paper 24.5 x 31.5 cm (9 ⁵/₈ x 12 ³/₈ inches) Signed ...
Category

1940s Post-Impressionist Art by Medium: Paper

Materials

Paper, Charcoal

violinist under the snow Oil and collage on paper painting
Located in Barcelona, Barcelona
Ramón Moscardó (1953) - Violinist under the snow - Oil and collage on paper Oil measures 64x50 cm. Frame measures 80x65 cm. Ramón Moscardó studied at the Sant Jordi School of Fine A...
Category

1990s Fauvist Art by Medium: Paper

Materials

Paper, Oil

Landscape with Gate by Orovida Pissarro - Drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Landscape with Gate by Orovida Pissarro (1893-1968) Pencil on paper 25.7 x 20.4 cm (10 ¹/₈ x 8 inches) Executed circa 1917 Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

1910s Post-Impressionist Art by Medium: Paper

Materials

Paper, Pencil

'Woman Wearing a Headscarf', Laguna Beach, California, Art Institute of Chicago
By Ruth Peabody
Located in Santa Cruz, CA
Signed lower right, 'Ruth Peabody' for Ruth Eaton Colburn Peabody (American, 1893-1966) and painted circa 1955. Born in Highland Park, Illinois, Ruth Peabody was taught to paint as a child by her mother, artist Elanor Colburn, and first studied sculpture at the Art Institute of Chicago. The two women moved to Laguna Beach, California, in 1924, and became active in the local art scene. At their studio, Peabody sculpted fountains and memorial plaques when not teaching, privately and at Laguna Beach High School. Over the course of a long career, Ruth Peabody exhibited widely and with success including at the Panama Pacific Exhibition (1915), Art Institute of Chicago, Oakland Art Gallery (1932)and the Pennsylvania Academy of Fine Arts (1931) and was the recipient of numerous prizes, medals and juried awards. In 1939, the Fine Arts Gallery of San Diego presented Peabody's abstract works in a solo exhibition, the first show of its kind by a regional artist. Her work is held in private and public collections including the San Diego Museum and Orange County Museum. Exhibitions: Panama Pacific Exhibition, 1915; Laguna Beach Art Association, 1925-52; County Fair (LA), 1925, 1931; California State Fair, 1926, 1936; West Coast Arts (LA), 1927; Biltmore Salon (LA), 1927; San Diego FA Gallery, 1929, 1931, 1937, 1939; Pennsylvania Academy of Fine Arts, 1931; California Art Club, 1927-32; Painters & Sculptors of LA, 1930-31; Pasadena Art Institute 1931; Olympiad, LACMA, 1932; Oakland Art Gallery, 1932; Whittier Art Gallery, 1934; Golden Gate International Exposition, 1939. Collections: Laguna Beach Art Gallery (fountain & medallion of Anna Hills...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Paper, Watercolor, Gouache

'Breaking Waves', National Watercolor Society, American Watercolor Society
Located in Santa Cruz, CA
Signed lower right, 'Michael Schlichting' (American, born 1954) and painted circa 1980. A substantial watercolor and gouache collage showing the turbulent breaking of a wave as it approaches a rocky shoreline. A dramatic and animated work by this signature member of the American Watercolor Society and Vice-President of the National Watercolor Society...
Category

1980s Post-Impressionist Art by Medium: Paper

Materials

Watercolor, Gouache, Laid Paper

French Post Impressionist nude drawing by French 20th Century artist Latapie
Located in Petworth, West Sussex
Louis Robert Arthur Latapie (French, 1891-1972) La Modele Black crayon Signed `Latapie’ (lower right) 24.5/8 x 19 in. (62.5 x 48.3 cm.)
Category

20th Century Post-Impressionist Art by Medium: Paper

Materials

Paper, Crayon

Undressing by Georges Manzana Pissarro - Nude drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Undressing by Georges Manzana Pissarro (1871-1961) Pencil on paper 13.6 x 10.6 cm (5 ³/₈ x 4 ¹/₈ inches) Signed w...
Category

20th Century Post-Impressionist Art by Medium: Paper

Materials

Paper, Pencil

Nu Assise by Ludovic-Rodo Pissarro - Nude drawing
Located in London, GB
Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 31.3 x 24.2 cm (12 ⅜ x 9 ½ inches) Signed lower right, L.Rodo This work of art is accompanied by a certificate of authenticity signed and dated by Lélia Pissarro. Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo". The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period. In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there. Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father. By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris. In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana. Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings...
Category

Early 1900s Post-Impressionist Art by Medium: Paper

Materials

Paper, Charcoal

Le Petit Cheval by Georges Manzana Pissarro - Animal charcoal drawing
Located in London, GB
SOLD UNFRAMED Le Petit Cheval by Georges Manzana Pissarro Charcoal and gold on paper 31 x 31 cm (12 ¼ x 12 ¼ inches) Signed lower right, Manzana Pissarro Executed circa 1920 Proven...
Category

1920s Post-Impressionist Art by Medium: Paper

Materials

Gold

'Maison Catherine, Montmartre', La Mere Catherine, Place du Tertre, Paris
Located in Santa Cruz, CA
20th Century French School; Signed indistinctly lower left, 'Mini?' and dated 1993. A bright and breezy, spring-time view of Montmartre wi...
Category

1990s Post-Impressionist Art by Medium: Paper

Materials

Gouache, Paper, Watercolor

The Rainbow Pipe - Fauvist Portrait and Interior in Pastel on Paper
Located in Soquel, CA
The Rainbow Pipe - Fauvist Portrait and Interior in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). A blue-faced figure on ...
Category

21st Century and Contemporary Fauvist Art by Medium: Paper

Materials

Paper, Oil Pastel

Axel Wallert, Seated Woman With Mandolin, Etching
Located in Cheltenham, GB
This exquisite early 20th-century etching by Swedish artist Axel Wallert (1890-1962) depicts a seated woman playing the mandolin. It’s brimming with style yet captured with sensitivi...
Category

1910s Post-Impressionist Art by Medium: Paper

Materials

Paper, Etching

Paysage en Normandie by Georges Manzana Pissarro - Charcoal landscape
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Paysage en Normandie by Georges Manzana Pissarro (1871-1961) Charcoal on paper 32 x 39 cm (12 ⅝ x 15 ⅜ inches) St...
Category

1930s Post-Impressionist Art by Medium: Paper

Materials

Paper, Charcoal

Moroccan Dancer by Georges Manzana Pissarro - Nude drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Moroccan Dancer by Georges Manzana Pissarro (1871-1961) Watercolour, coloured crayon and pencil 26.3 x 20.2 cm ( ...
Category

1940s Post-Impressionist Art by Medium: Paper

Materials

Paper, Crayon, Watercolor, Pencil

Elegance Blooms - Original Framed Floral Painting on Canvas
Located in Los Angeles, CA
Georgia-based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating ...
Category

2010s Post-Impressionist Art by Medium: Paper

Materials

Mixed Media, Paper, Acrylic, Pencil

Redheaded Model Purple Fashion Illustration for Women's Wear Daily
Located in Miami, FL
Redheaded model wearing Traina Sport by Kay Unger and Jesper Nyeboe. Illustration published on the cover of Women's Wear Daily, February 25, 1971. Gouache o...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Paper, Gouache

'Still Life with Tiger Lily', Paris, Académie Chaumière, LACMA, SFAA, Louvre
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Gouache, Graphite, Paper

'Woman Seated', Paris, Louvre, Académie de la Grande Chaumière, SFAA, LACMA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Ar...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Graphite, Gouache, Paper

'Woman Seated', Paris, Louvre, Académie de la Grande Chaumière, SFAA, LACMA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950 on Cannery Row sardine paper. Winner of the Prix Othon ...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Monotype, Paper

'Woman Standing', Paris, Louvre, Académie de la Grande Chaumière, SFAA, LACMA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Graphite, Paper

'Woman Seated', Paris, Louvre, Académie de la Grande Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Graphite, Paper

Snow in Central Park Billionaire Row - Monochromatic Grey and Blue
Located in Miami, FL
Color Photography pioneer Mitchell Funk is famous for blending representation with a broad emphasis on abstract qualities. He is a photographic minimalist cropping out extraneous d...
Category

2010s Post-Impressionist Art by Medium: Paper

Materials

Archival Paper, Archival Ink

'Woman in a Kimono', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA
Located in Santa Cruz, CA
Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950. A substantial monotype and gouache showing a young woman seated, her kimono fallen open and b...
Category

1950s Post-Impressionist Art by Medium: Paper

Materials

Monotype, Gouache, Paper, Graphite

Winter Shadows, New York by Stefan Bleekrode
Located in New Orleans, LA
Stefan Bleekrode b.1986 Dutch Winter Shadows, New York Black ink and watercolor on paper Signed and dated "S. Bleekrode '18-'20" (upper right) Thi...
Category

21st Century and Contemporary Post-Impressionist Art by Medium: Paper

Materials

Paper, Ink, Watercolor

Still life of women's shoes oil on paper painting
Located in Barcelona, Barcelona
Signed lower right Frame size 75x55 cm. Contemporary Barcelona painter. She began to present her work on the occasion of the Women's Salons held in her city in 1949 and 1950 (Casa d...
Category

1980s Post-Impressionist Art by Medium: Paper

Materials

Oil, Paper

“New York City Twilight”
Located in Southampton, NY
Circa 1920 original pastel on paper of a twilight view of New York City from the East River by George Gardner Symons.. Signed lower left. Condition is good. Minor loses; old tape verso. Signed verso as well. Framed in a vintage gold leaf frame...
Category

1920s Post-Impressionist Art by Medium: Paper

Materials

Paper, Pastel

'Ferns and Mushrooms', Art Students League, CCAC, San Francisco Art Association
Located in Santa Cruz, CA
Signed lower left, 'L. Macouillard' for Louis Macouillard (American, 1913-1987) and painted circa 1975. Louis Macouillard was born in San Francisco, CA on Sept. 8, 1913 of French descent and first graduated from Polytechnic High School and the CCAC (1934) before further study at the Art Students League in NYC. Returning to San Francisco, he became art director for the Velvetone Poster Company and maintained a studio on Hotaling Place. He began painting scenes of San Francisco in watercolor during the 1930's and also worked in mosaics and as a muralist. He exhibited with success including at the Oakland Art Gallery (later the Oakland Museum) 1934, and at the San Francisco Art Association (1935). During WWII, he served in the Navy in the South Pacific and produced many artworks of that area which were featured in a six-page spread and cover of the October 1943 issue of Life magazine. As well as fine art, his work included book illustrations and the designs for two U.S. postage stamps (Daniel Boone...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Watercolor, Paper

L'Acrobate - Color Lithograph - 2007 - Henri Matisse
Located in Sint-Truiden, BE
Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...
Category

Early 2000s Fauvist Art by Medium: Paper

Materials

Handmade Paper, Lithograph

Vintage Oil Painting of Venetian Fishing Boats.
Located in Soquel, CA
Wondefully vintage oil painting of venetian fishing boat in fauvist style, circa 1970. Unsigned. Unframed. Image size: 15"H x 21"W.
Category

1970s Fauvist Art by Medium: Paper

Materials

Masonite, Paper, Oil

Carte de l'Europe by Paulémile Pissarro, 1972 - Graphite on paper
Located in London, GB
THIS WORK IS SOLD UNFRAMED Carte de l'Europe by Paulémile Pissarro (1884 - 1972) Graphite on paper 12.9 x 20 cm (5 ¹/₈ x 7 ⁷/₈ inches) Provenance Estate of the Artist Yvonne Pissa...
Category

1970s Post-Impressionist Art by Medium: Paper

Materials

Paper

The Four Seasons - Winter by Lélia Pissarro - Serigraph
Located in London, GB
SOLD UNFRAMED The Four Seasons - Winter by Lélia Pissarro (b. 1963) Serigraph image size: 49.5 x 60 cm (19 ½ x 23 ⅝ inches) sheet size: 60.5 x 70 cm (23 ¾ x 27 ½ inches) Signed and numbered, 230/300 Printed in an edition of 300 Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...
Category

21st Century and Contemporary Post-Impressionist Art by Medium: Paper

Materials

Paper

Le Nu Aux Oranges - Color Lithograph - 2007 - Henri Matisse
Located in Sint-Truiden, BE
Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...
Category

Early 2000s Fauvist Art by Medium: Paper

Materials

Handmade Paper, Lithograph

Paper art for sale on 1stDibs.

Find a wide variety of authentic Paper art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Tyler Shields, Richard Heeps, and Kirsten Thys van den Audenaerde. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper art, so small editions measuring 0.01 inches across are also available

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