Art by Medium: Pencil

Larry Zox Untitled IV, ca. 1979 Pochoir on Arches Paper with Deckled Edges. Hand signed and annotated Printers Proof in pencil on the lower front. 28 1/2 × 22 1/2 inches Unframed Thi...

Frank Stella Line Up, from Jasper's Dilemma (Axsom 85), 1973 Lithograph in colors on J. Green mould-made paper Signed, dated and numbered 56/100 in pencil lower right front 16 × 22 i...

R. B. Kitaj Femme de Peuple II (hand signed and inscribed to poet Robert Duncan), 1978 Offset Lithograph (hand signed and inscribed to poet Robert Duncan) Hand signed and inscribed o...

David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then ...

David Hare Cronus Asleep in the Cave, 1971 Acrylic, ink wash, graphite, paper collage on paper on board 26 x 35 inches “Freedom is what we want,” David Hare boldly stated in 1965, b...

This drawing is a study for the portfolio box from the Jim Dine Oo La La portfolio of 15 lithographs printed offset from zinc plates. The portfolio was produced in collaboration wit...

Larry Rivers Stencil Camel - each piece in the edition is unique 1978 Lithograph in colors/wove paper with pochoir & graphite/acetate 24 7/8 x 21 3/8 in. - 30 x 30 in. Framed Signed,...

Walter Darby Bannard Ammersee #2, 1975 Watercolor and acrylic painting on paper Signed, titled and dated lower recto This is a unique work Frame included: elegantly floated and frame...

Richard Anuszkiewicz Annual Edition, 1970 Silkscreen on Masonite Signed and dated in graphite pencil lower right recto. Edition of 100 8 × 5 1/10 × 1/5 inches Unframed Signed and dat...

Acrylic and graphite on canvas. Signed and titled verso. 59 x 58.5 in. 61 x 60.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance B...

Richard Smith Bramble, 1970 Lithograph on wove paper Signed, numbered and dated 10/75 in pencil lower left Frame included: held in original vintage period frame Pencil signed, dated ...

Bridget Riley Print for The Chicago 8, from Conspiracy: The Artist as Witness (Schubert, 15), 1971 Silkscreen on 100% handmade rag paper Signed and numbered 110/150 and dated i1971 n graphite on the front also bears the printer's distinctive blind stamp Frame included: Work is elegantly floated and framed in a handmade white wood museum frame with Tru-vue Optium acrylic glazed plexi (the highest quality). Measurements: Framed: 25.75 inches vertical by 19.75 inches horizontal by 2 inches Artwork: 24 inches vertical by 18 inches horizontal This is one of the most celebrated and coveted silkscreens Bridget Riley ever made. Not too many Bridget Riley graphic works from this period are on the market. Original Op Art three color silkscreen on 100% handmade rag paper from the early 1970s -- the most desirable and collectible era -- by internationally renowned British abstract Op artist Bridget Riley, one of the leading artists of her generation - and one of the most bankable living female artists in the world. Hand signed, numbered and dated on the lower recto from the limited edition of 150. Also, the verso lower left features printed copyright stamp of the artist, with date: Copyright © 1971 and Bridget Riley Printer's distinctive blindstamp (Kelpra Studios London)with unique inventory number, verso lower right. Riley burst onto the international art scene in the mid Sixties, after being chosen to participate in the groundbreaking “Responsive Eye” exhibition at the Museum of Modern Art, alongside artists like Richard Anuszkiewicz, Yaacov Agam and Victor Vasarely - announcing the the ‘arrival’ of Op Art to the world. This stunning work was proofed under the supervision of the artist and printed by hand at Kelpra Studio Ltd., London, England. "Print for Chicago 8" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 (who later became the Chicago 7) a group of anti...

Frank Stella Les Indes Galantes V (Axsom 90), 1973 Lithograph on J. Green mould-made paper Pencil signed, dated and numbered AP 13/20 by Frank Stella on the front 16 × 22 inches Unfr...

Dennis Oppenheim Stars Missoula Montana, 1979 Lithograph on Arches cover paper Hand signed and dated on the front, Edition 81/150 41 × 30 inches (ships rolled in a tube measuring 35...

Man With Animal on Shoulder is a modern artwork realized by Leo Guida in 1973. Pencil drawing on paper. Hand-signed and dated on the lower right. Good condition. Leo Guida has be...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1979. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Institute and the University of California at Berkeley. She later earned a bachelor's degree at Dominican College in San Rafael and, in 1971, a graduate degree in at California State University in San Francisco. From Inverness...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1979. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Institute and the University of California at Berkeley. She later earned a bachelor's degree at Dominican College in San Rafael and, in 1971, a graduate degree in at California State University in San Francisco. From Inverness...

Ed Ruscha Hollywood in the Rain (Engberg, M19), 1970 Color offset lithograph on wove paper Signed and numbered 104/220 in pencil below image Frame included: held in a museum quality ...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled Year: 1977 Medium: Graphite on Artist's Board Size: 48.5 x 38.75 inches Condition: Excellent Inscription: Signed & date...

Niki de Saint Phalle I Rather Like You A Lot You Fool, 1970 Silkscreen on wove paper Signed and numbered 74//75 in graphite pencil on the front Frame included Signed and numbered 74...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1973 Year: 1973 Medium: Graphite on Artist's Board Size: 38.5 x 26.75 inches Condition: Excellent Inscription: Signed ...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1974 Year: 1974 Medium: Graphite on Artist's Board Size: 38 x 23.5 inches Condition: Excellent Inscription: Signed & d...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1977 Year: 1977 Medium: Graphite on Artist's Board Size: 52.5 x 40 inches Condition: Excellent Inscription: Signed & d...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1973 Year: 1973 Medium: Graphite on Artist's Board Size: 40 x 30.25 inches Condition: Excellent Inscription: Signed & ...

In the nuanced pencil strokes of Chris Ferrigno's 19.5" x 15" figurative nude, a relaxed yet dynamic form is captured with graceful ease. Rendered on paper in 1972, the artist's skil...

Linda Stein, Profile Flying 446.156 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.156 is from Linda Stein's Profiles series--drawings, collages and paintin...

Natvar Bhavsar Untitled color-field abstract expressionist print (hand signed and numbered) Color silkscreen Pencil signed, dated and numbered 39/50 by the artist on the front Rare 1...

Linda Stein, Profile Flying 446.155 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.155 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile Flying 446.042 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.042 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile Flying 446.154 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.154 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile Flying 446.030 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.030 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile Flying 446.086 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.086 is from Linda Stein's Profiles series--drawings, collages and paintin...

Untitled Portrait , 1973 by David Manzur Graphite on paper 10.7 x 8 inches Unframed ____ He was born in Neira, Caldas, and completed his early studies at the School of Fine Arts in ...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Chuck Close Phil, 1976 Limited Edition Print on Strathmore 3-Ply Paper. Pencil numbered 243/1000 on the verso. Artist's printed copyright name verso. Accompanied by original envelope...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 Hand signed by Sol Lewitt ...

Alexander Calder McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern), 1972 Lithograph on wove paper with deckled edges. Hand signed and Numbered by Calder...

Alexander Calder McGovern for McGovernment, 1972 Lithograph on wove paper Pencil signed and numbered 194/200 on the front Frame included In 1972, Alexander Calder was commissioned by...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to po...

This is an original graphite pencil drawing with piercing in a pattern and either watercolor, gouache or pastel on it. It is signed in pencil and dated. there is an inventory number verso. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. it bears similarity to works by Cy Twombly and to early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front 19 3/5 × 16 1/2 inches Unframed in white matting; ready to be re-framed and hung. Puck Corner refers to the famous Puck building located on the corner of Broome and Broadway in SoHo, Manhattan: "The Puck Building is a historic building located in the Nolita neighborhood of Manhattan, New York City. This New York City Landmark is located at the northwestern corner of Manhattan's NoLIta neighborhood, bordered by SoHo and the NoHo section of Greenwich Village. The building was the longtime home of Puck magazine, which gave the building its name; Founded in St. Louis in 1871, the magazine moved into the building in 1887 and remained there until it ceased publication in 1918. Other famous tenants include Spy Magazine and the Manhattan Center of Pratt Institute. Since 2004, the building has been used by New York University for the Wagner Graduate School of Public Service and the department of sociology. In 2011, REI opened a 35,000-square-foot store...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

Alan Shields TV Re-Run B, 1978 Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board Signed, num...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark 15 × 22 inches Hand signed and nu...

Swallows by the water. 1976, paper, pencil, 45. 5 x 40. 5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she bega...

MEDIUM: Original Production Cel on Printed Background PRODUCTION: The Aristocats, 1970 IMAGE SIZE: 14.75" x 12.5" SKU: CCV2940 ABOUT THE MEDIUM: Original Production Cels are one-of...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

This is the original rare concept drawing created 54 years ago in 1970 by the legendary artist David Edward Byrd. It was presented to Bill Graham and the Rock group "The Who" showing...

Jasper Johns Fool's House, 1972 10 color lithograph on Angoumois à la Main handmade paper on a single lithographic stone with an aluminum etching plate Pencil signed and numbered from the limited edition of 67; bears printer and publisher's blind stamp (there were nine artists proofs) Printed and published by Gemini G.E.L., Los Angeles, with master printers Serge Lozingot and Kenneth Tyler, with the blind stamp lower right Catalogue Raisonne Ref: Field 154 and Gemini G.E.L. 348 "Take an object. Do something to it. Do something else to it." - Jasper Johns "Fool's House" is one of the most admired and discussed Jasper Johns prints to emerge from the 1970s. It was based upon his eponymous 1962 painting, which was part of the Castelli Collection and subsequently on longterm loan to the Walker Art Center. (The original painting is 3-D as it features a real old broom...

CHRISTO Closed Highway, Project for 5000 Miles, 6 Lanes East-West Highway (Schellmann, 51), 1972 Offset lithograph on wove paper Hand signed in felt tip pen and pencil numbered 115/1...

Andrew Nathaniel Wyeth (American, b. 1948) New England Landscape with Barns, 1974 Watercolor and pencil on Bainbridge watercolor board 20 x 30 i...

Gottfried Salzmann , born on 26 March 1943 In Saalfelden near Salzburg in Austria is an Austrian painter. He lives and works in France (between Paris and Vence) since 1965. He studi...

Peter Saul Shicago Justus (Chicago Justice) from Conspiracy: The Artist as Witness, 1971 Lithograph on Arches paper Edition AP (Rare AP, aside from the regular edition of 150) Hand-s...

Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...

Dennis Oppenheim (1938 - 2011) Pencil and colored pencil drawing on paper, 'Memory Generator Receiver; Transmitter project for ACE Gallery Los Angeles' (possibly with watercolor pai...

Signed, dated and titled lower left. Felix Waske was born in Vienna in 1942. From 1958 to 1967, he studied at the University of Applied Arts under Prof Eduard Bäumer and at the Acad...

Will Barnet is one of America's best loved and known artists of the Post War era. He is highly distinctive for his figurative and narrative work and in some ways he is the Edgar All...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...