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Art by Medium: Sumi Ink

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Medium: Sumi Ink
Sailboat Journey, Nautical Cyanotype Print on Watercolor Paper, Indigo Seascape
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Misty Sailboat Journey" is a handmade cyanotype print portraying a daytime sailboat journey...
Category

2010s Photorealist Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Monotype, Photogram, Paper

Purple Perkins Over St. Croix - Octopus on Nautical Map, Gyotaku Style Print
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on a nautical chart, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Purple Perkins over St. Croix sumi ink and colored pencil on nautical chart 30h x 33.50w in 76.20h x 85.09w cm JEC110 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Watercolor, Sumi Ink, Color Pencil

Vernal Pool Two - Forest Landscape Black Sumi Ink White Mylar, 2024
Located in Kent, CT
In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Mylar, Sumi Ink

"Unfolding #3" pressure printed monotype of unfolded package boxes on paper
Located in Philadelphia, PA
"Unfolding #3" is an original piece by Yoonmi Nam made from pressure printed monotypes featuring layers of unfolded package outlines, creating dimension and abstraction. This piece m...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Found Objects, Sumi Ink

Kikusui - Japanese Gyotaku Painting of Orange Koi on Marbled Mulberry Paper
Located in Chicago, IL
In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper

Studio 54 - Bananarama - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Frida Kahlopus: Blue House - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Stay Golden Pony Boy - Gyotaku Style Sumi Ink Painting of an Octopus, Framed
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Stay Golden Pony Boy sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC123 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Mr. Bubbles, Goldfinger - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Little Fox 2
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Silk, Sumi Ink, Archival Pigment

Jungle (Jaguar)
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Rag Paper

Turquoise Leaf Cutout on Abstract Cloudy Background, Organic Modern Painting
Located in Barcelona, ES
This is a unique mixed media piece: it is a hand-painted botanical abstract colorful shape upon a background that is a cyanotype print of a cloudy texture, giving it a modern, abstract geometric feel that will look great in contemporary and classic homes and businesses. Details: + Title: Turquoise Leaf...
Category

2010s Abstract Geometric Art by Medium: Sumi Ink

Materials

Emulsion, Sumi Ink, Acrylic, Archival Paper, C Print, Color, Engraving, ...

Orange Crush - Gyotaku Style Japanese Sumi Ink Painting, Large Orange Octopus
Located in Chicago, IL
A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Orange Crush". To achieve this remarkable painting, the artist inks the octopus using traditional sum...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper

Congregation - Japanese Style Gyotaku Painting of Koi on Marbled Mulberry Paper
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. Wh...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper

Danse Macabré - Paint by Parimah Avani - 2023
Located in Roma, IT
Danse Macabré is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi and Persian ink, and acrylic on traditional Lokta Hymalian paper "Nepali Kagaj". Hand-si...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Paper, Ink, Sumi Ink, Acrylic

For the Only 2
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten countries as a part of the cultural exchange programs, Up with People and The Ship for World Youth. When her time with those groups ended she moved to the United States, where she discovered photography and started incorporating it with calligraphy. Chaco has led demonstrations and has taught calligraphy workshops at the Dallas Museum of Art, The Crow Asian Art Museum, Greenhill School, and Saint Mark’s School of Texas among others. Chaco’s artwork has been exhibited in Dallas, Santa Fe, New York and Los Angeles and Paris. Process Statement My work uses the Japanese and Chinese calligraphic characters that I have practiced since childhood. I take a line...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Archival Pigment

"Delivered and Discarded (positives) #4" abstract collage of sumi ink on Tyvek
Located in Philadelphia, PA
"Delivered and Discarded (positives) #4" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Found Objects, Sumi Ink, Synthetic Paper

For the Only 4
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten countries as a part of the cultural exchange programs, Up with People and The Ship for World Youth. When her time with those groups ended she moved to the United States, where she discovered photography and started incorporating it with calligraphy. Chaco has led demonstrations and has taught calligraphy workshops at the Dallas Museum of Art, The Crow Asian Art Museum, Greenhill School, and Saint Mark’s School of Texas among others. Chaco’s artwork has been exhibited in Dallas, Santa Fe, New York and Los Angeles and Paris. Process Statement My work uses the Japanese and Chinese calligraphic characters that I have practiced since childhood. I take a line from one character, and when that brushstroke is made it tells me where the next one should be placed. This method of working is untraditional. I have found that the details and individual lines of a character are beautiful by themselves. I may use the individual brushstrokes that form a written word, Japanese letters...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Archival Pigment

Studio 54 - Code Blue - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Forest Landscape in Sumi Ink on Paper
Located in Soquel, CA
Forest Landscape in Sumi Ink on Paper High contrast abstracted landscape by an unknown artist "Shmitt" (20th Century). The edge of a forest is shown in bold strokes of sumi ink, cre...
Category

1950s Abstract Impressionist Art by Medium: Sumi Ink

Materials

Paper, Sumi Ink

Escape, mixed media on wood panel, abstraction, space, 84" x 60"
Located in New York, NY
Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...
Category

2010s Abstract Art by Medium: Sumi Ink

Materials

Canvas, Resin, Sumi Ink, Acrylic, Wood Panel

Original Set-Breakfast with Cat:Rest, Play, Repeat-Brit Awarded Artist-drawings
Located in London, GB
-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely with our artists to take this positive and proactive step—helping collectors across the pond continue building their collections with confidence. Shizico Yi is known for her expressive and distinctive artistic style, particularly evident in her mesmerizing ink drawings. Rather than relying on photographs, Shizico paints life as the moments unfold, capturing consecutive mornings spent with her cherished cat, Sonny in a series of paintings and postcard projects. Created plein air and in situ, these scenes unfold over consecutive mornings, with Shizico's cherished cat as the captivating focal point. Set against the backdrop their garden plants, the artwork elevates daily routines into moments of awe and tranquil reflection. Offering a portal into the serene beauty of everyday life; the interplay the comforting presence of a feline companion and the natural surroundings create a captivating narrative that elevates the ordinary to the extraordinary. This Breakfast with Cat...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Charcoal, Ink, Archival Paper

Encounter - Gyotaku Style Sumi Ink Painting of an Koi Pond on Mulberry Paper
Located in Chicago, IL
In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. W...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

"Offering, " Morris Graves, American Modernism, Owl, Bird, Gift, Present
Located in New York, NY
Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...
Category

1950s Modern Art by Medium: Sumi Ink

Materials

Gold Leaf

Spring Rain - Vertical Chinese Landscape with Waterfalls and Mountains
Located in Soquel, CA
Spring Rain - Vertical Chinese Landscape with Waterfalls and Mountains Idyllic landscape with a massive waterfall by an unknown artist (20th ...
Category

20th Century Qing Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Rice Paper

Rhythm Hut #20: framed abstract ink painting on art paper in red & black w/ moon
Located in Bryn Mawr, PA
This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a contemporary white wood shadowbox frame. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #17", listed separately. Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections. Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...
Category

2010s Abstract Art by Medium: Sumi Ink

Materials

Walnut, Paper, Sumi Ink, India Ink

Goldilocks, Pastel - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyotaku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pe...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Rhythm Hut #17: framed abstract ink painting on art paper in red & black w/ moon
Located in Bryn Mawr, PA
This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...
Category

2010s Abstract Art by Medium: Sumi Ink

Materials

Walnut, Paper, Sumi Ink, India Ink

Purple Nurple - Gyotaku Style Sumi Ink Painting of a Purple-Colored Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Tako print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Sumi-e ink painting
Located in Torino, IT
ROBERTO NECCO, Turin 1969 SUMI- and , 2024 Painting in sumi-e ink and black suibokuga on handmade virgin Xuan paper (composed of mulberry fiber, wood and rice) artist's seal imprint...
Category

2010s Naturalistic Art by Medium: Sumi Ink

Materials

Sumi Ink

Goldilocks - Flaming Hot - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Goldilocks - Flaming Hot sumi ink and colored pencil on mulberry paper 14.50h x 19.75w in 36.83h x 50.16w cm JEC161 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Through the Diamonds
Located in Santa Cruz, CA
Sumi ink and monoprints on paper capture a moment. Traditional brush calligraphy in Asia is a formidable practice for uniting mind and heart. The power of a stroke is also an indicat...
Category

2010s Abstract Art by Medium: Sumi Ink

Materials

Sumi Ink, Acrylic

Reunion - Japanese Style Gyotaku Painting of Koi on Marbled Mulberry Paper
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. Wh...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper

Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Art by Medium: Sumi Ink

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Wild Roses of Revolution - Paint by Parimah Avani - 2023
Located in Roma, IT
Wild Roses of Revolution is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi and Persian ink, and acrylic on traditional Lokta Hymalian paper "Nepali Kagaj...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Paper, Ink, Sumi Ink, Acrylic

Black Mirror - Gyotaku Technique Fish Painting with Sumi Ink on Mulberry Paper
Located in Chicago, IL
Jeff Conroy Black Mirror, 2018 sumi ink on mulberry paper 25h x 37w in 63.50h x 93.98w cm [artwork is unframed. Contact gallery for framing options] Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper

String of Pearls - Gyotaku Style Sumi Ink Painting of an Octopus, Framed
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper that mimics the undulating patterns of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy String of Pearls sumi ink and colored pencil on mulberry paper 12.50h x 18.50w in 31.75h x 46.99w cm JEC126 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Frida Kahlopus: Green Sheet - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Art by Medium: Sumi Ink

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Estoy Dentro de Alegría-Contemporary, Japanese, Fantasy, Natural Materials
Located in Barcelona, Catalonia
Complete title: El Origen del Deseo - Estoy Dentro de Alegría (The Origin of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, ...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment

Red Moon Rising - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Cobalt Canary - Gyotaku Style Sumi Ink Painting, Multi-Colored Octopus, Framed
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Cobalt Canary sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC122 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Watercolor, Sumi Ink, Mulberry Paper, Color Pencil

Emerald Ammonite - Gyotaku Style Sumi Ink Painting on Mulberry Paper, Framed
Located in Chicago, IL
A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Untitled (Study for Līnea), 2021
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Art by Medium: Sumi Ink

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Lemon Meringue - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a simple white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Lemon Meringue sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC118 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Watercolor, Mulberry Paper, Color Pencil, Sumi Ink

Studio 54 - Cherry Blossom - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Studio 54 - Cherry Blossom sumi ink and colored pencil on mulberry paper 14.50h x 19.75w in 36.83h x 50.16w cm JEC146 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Art by Medium: Sumi Ink

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

La Motivación Desbordante - Contemporary, Japanese, Fantasy, Natural Materials
Located in Barcelona, Catalonia
Complete title: El Origen del Deseo - La Motivación Desbordante Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional prac...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment

Canción para un Útero Difunto-Contemporary, Japanese, Fantasy, Natural Materials
Located in Barcelona, Catalonia
Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment

Cincuenta 5: abstract painting on handmade paper from India, black w/ flowers
Located in Bryn Mawr, PA
This is a sumi ink, acrylic, and mixed media painting on paper in black (or charcoal gray) with subtle appearances of flowers, leaves, and a white medallion. It is a highly textured work on heavy, handmade khadi paper from India, hand torn for irregular edges. This painting can be displayed in any orientation - horizontally or vertically. This piece works especially in a series -- six pieces available, each listed separately. I will combine shipping for your savings on multiple purchases within this series. Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections. Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...
Category

2010s Abstract Art by Medium: Sumi Ink

Materials

Paper, Sumi Ink, Mixed Media, Acrylic

Studio 54 - Grape - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Watercolor, Sumi Ink, Mulberry Paper, Color Pencil

Resultado Del Deseo - 21st Century, Contemporary, Figurative Painting, Japanese
Located in Barcelona, Catalonia
Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Mixed Media, Wood Panel, Washi Paper, Pigment

Plum Crooked Carp - Japanese Style Gyotaku Painting of Fish on Mulberry Paper
Located in Chicago, IL
This is a Gyotaku method painting of a fish on a textured mulberry paper background. This fish impression using minimal color is akin to a fossil. The fish is then hand painted in ...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper

Sprung ( Cat )
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category

2010s Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Rag Paper

Frida Kahlopus: Gloomy Gus- Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Spirit Animal, Horse 3, Beacon, NY, 2002
Located in Hudson, NY
ABOUT Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After ...
Category

Early 2000s Contemporary Art by Medium: Sumi Ink

Materials

Watercolor, Sumi Ink

Alegría II (Diptych) - 21 C., Contemporary, Japanese, Fantasy, Natural Materials
Located in Barcelona, Catalonia
Complete title: Transformación del Deseo-Alegría II (Diptych) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practi...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment

Embodied XV
Located in New Orleans, LA
Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Paper, Charcoal, Sumi Ink

Happy Rhythm 5 - 21stC, Contemporary, Japanese, Fantasy, Natural Materials
Located in Barcelona, Catalonia
Full title: Origen del Deseo: Happy Rhythm 5 Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques a...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment

Mario (Grin), 2018, Ink and pencil on paper, black and white, by Shelter Serra
Located in Brooklyn, NY
Mario (Grin) 2018 16”x16.5”x1.25” inches Sumi ink and pencil on Japanese Washi Paper Mario, the main character from the Super Mario Bros. video game is one of the most recognizable images and a true archetype of our contemporary society. This traditional hand-drawn portrait of Mario in ink on paper, renders his likeness akin to a snapshot, or cell, removing him from the digital realm and freezing him in our tangible world of reality. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...
Category

21st Century and Contemporary Contemporary Art by Medium: Sumi Ink

Materials

Sumi Ink, Washi Paper, Pencil

Sumi Ink art for sale on 1stDibs.

Find a wide variety of authentic Sumi Ink art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chaco Terada, Ryan Rivadeneyra, Jeff Conroy, and Mari Ito. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Sumi Ink art, so small editions measuring 0.01 inches across are also available

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