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Andrea MoreauUSA (Girl Scouts, Age 50 Version); Stamp art w Colored Pencil Drawing2025
2025
$3,150
£2,388.64
€2,763.77
CA$4,452.64
A$4,963.84
CHF 2,588.85
MX$60,024.30
NOK 32,543.06
SEK 30,792.24
DKK 20,628.71
About the Item
USA (Girl Scouts, Age 50 Version)
Stamp art w Colored Pencil Drawing by Andrea Moreau made in 2025
colored pencil and postage stamp on paper
30 x 22 inches
33 x 25 inches framed
This piece shows hundreds of badges which represent different moments throughout the artists life, depicted as girl scout badges. This piece is part of a lifelong series she creates to show the progression of experiences throughout life.
Artist Statement:
My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects.
I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place.
About the Artist:
Andrea Moreau’s subject of choice; the postage stamp. As unassuming as it might seem, the artist has used this tiny piece of ephemera to inspire imaginative scenes in her work since the mid 90’s. Moreau’s use of stamps began after a trip to Mexico, where she collected a few to bring home and work into her journal. The stamp’s imagery acted as a starting point for detailed colored pencil works on paper that expanded into abstract motifs, figurative drawings, or reimagined landscapes. This creative mediation on the visual souvenir become an “act of escapism” for the artist, allowing her to re-experience her travels in a new way. Now incorporating stamps from places she’s never been, her recent work adopts a reality of its own, forming images based on mere impressions rather than actual experience. The artist received her MFA from Ohio State University and lives and works in Beacon, N.Y.
- Creator:Andrea Moreau (American)
- Creation Year:2025
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU22716622182
Andrea Moreau
My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects. I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place.
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22 x 30 inches
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To create her mixed-media artworks, Andrea Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. This artwork, "Poland (Glider)," centers on a stamp that depicts an aircraft flying above a glacial horizon. Building on the style and environment established by the stamp art, Moreau extended this scene across land and sea in vibrant blue pencil.
A statement by the artist:
My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects.
I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place.
Andrea Moreau’s mixed-media works, on the other hand, walk a tightrope between context and isolation. Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. These stamps may become lost in a frenzy of Moreau’s mark-making, as with “Mexico (Flowers) #15,” or left comically obvious, like in “USA (Barbershop...
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About the artist:
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Artist Statement:
My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not.
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Artist Resume:
Education
MA in Fine Art, State University of New York at Albany, New York
BFA, College of New Rochelle, New Rochelle, New York
Studied, Art Institute of Boston, Boston, Massachusetts
Exhibitions
2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York
2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York
Shelter, A.P.E. Gallery, Northampton, Massachusetts
Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont
2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island
Blanche Ames National, Borderlands, North Easton, Massachusetts
Five Points Biennial, Five Points Gallery, Torrington, Connecticut
A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens
Cultural Center, Athens, New York
2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York
2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts
Drawing, Carrie Haddad Gallery, Hudson, New York
Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York
North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont
NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut
2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York
Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut
New England Collective V, Galatea Fine Art, Boston, Massachusetts
Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts
2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York
2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York
Drawing, b.j. spoke gallery, Huntington, New York
Strange Glue, Thompson Gallery, Weston, Massachusetts
Silhouette, A.P.E., Northampton, Massachusetts
The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island
2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York
Paperworks, Paper City Studios, Holyoke, Massachusetts
Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts
2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts
A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts
Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery,
Springfield Technical Community College, Springfield, Massachusetts
2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York
2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts
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Artists and Books, Art Complex Museum, Duxbury, Massachusetts
One Night, Pivot Gallery, Florence, Massachusetts
2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts
Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire
Salon, Clark Gallery, Lincoln, Massachusetts
2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts
Salon, Clark Gallery, Lincoln, Massachusetts
2004 On Paper, Carrie Haddad Gallery, Hudson, New York
Encaustics, Carrie Haddad Gallery, Hudson, New York
New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts
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