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Carlos RolónUntitled, screen print on mirror by Carlos Rolon (abstract geometric design)2015
2015
$2,500
£1,889.69
€2,171.59
CA$3,481.23
A$3,872.73
CHF 2,030.13
MX$47,323.83
NOK 25,851.22
SEK 24,335.35
DKK 16,210.10
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About the Item
Known for his elaborately crafted paintings and ornate sculptures, Rolón worked with master printer Luther Davis of the renowned Axelle Editions print shop to create a hybrid silkscreen consisting of ink and crystalline. Printed on glass and mounted on mirror, this edition was created using a complex and delicate process in order to achieve the illusion of three-dimensionality in an array of shapes and colors. An edition of 36, this glass and mirror-paneled work is unlike any other edition created for the List Art program in its 53-year history. Inspired by Josie Robertson Plaza, the gateway to Lincoln Center, Rolón conceived an abstract version of the iconic landmark. He was drawn to the architecture of the space and its relationship to history, color, and design. In his view, the center point, the Revson Fountain, serves as the nexus of Lincoln Center, connecting the various performing art genres and seamlessly drawing together every aspect of the creative hub. Note: This piece is unframed. Framed image is for reference only.
- Creator:Carlos Rolón (1970, American)
- Creation Year:2015
- Dimensions:Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)Depth: 0.5 in (1.27 cm)
- More Editions & Sizes:Edition of 36Price: $2,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU3309854882
Carlos Rolón
Dzine—pronounced “design”—is the moniker of Carlos Rolon. Wary of stereotypes and pigeonholing, he shifts between easel painting, sculpture, installation, and large-scale murals, exploring cultural tensions, aspirational mobility, and outward appearances through a uniquely biographical, immigrant-focused lens. The artist’s work is largely concerned with “kustom kulture,” a retro-tinged blue collar aesthetic, and its relationship to faux opulence and upper-class aspiration. This focus on over-the-top glamour addresses Dzine’s personal grappling with his dual mainland-American and Puerto Rican identity. His series of crystal-embellished mirrors mimics the security gates of Puerto Rican houses, contradictorily alluring and keeping people away, while a series of ornate sculptural works reference the belts and trophies of boxing culture; such cultural objects allude to Dzine’s time spent watching boxing matches with his father as well as an out-of-reach upper-class lifestyle.
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