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Rico Gatson
Untitled (Collective Light Power) by Rico Gatson (abstract geometric lines)

2023

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  • UNTITLED, by Joel Shapiro (red and black abstract shapes)
    By Joel Shapiro
    Located in New York, NY
    This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...
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    Early 2000s Abstract Geometric Abstract Prints

    Materials

    Screen

  • Untitled, 1990 by Harry Nadler (abstract blue and white forms)
    By Harry Nadler
    Located in New York, NY
    This image was created to celebrate the festival 'Live from Lincoln Center', 1990. The edition of 72 is signed and numbered. This impression has never been framed. Framed image is fo...
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    Early 2000s Abstract Geometric Abstract Prints

    Materials

    Screen

  • Small Abstract, Tom Nozkowski (colorful abstract)
    By Tom Nozkowski
    Located in New York, NY
    This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...
    Category

    Early 2000s Abstract Geometric Abstract Prints

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  • 'Shifted Lattice' Limited Edition Print by James Siena (green and blue pattern)
    By James Siena
    Located in New York, NY
    This is a fourteen (14) color screen print on Reeves textured rag paper, hand signed and numbered in graphite from an edition of 118. There are an additional 18 Artist Proofs. The pr...
    Category

    Early 2000s Abstract Geometric Abstract Prints

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  • Untitled (MC260), 2024 (Abstract, colorful print)
    Located in New York, NY
    To commemorate Big Umbrella Festival 2024, Lincoln Center has collaborated with Creative Growth Art Center to publish a limited edition by the artist, Maureen Clay. The renowned non-...
    Category

    2010s Abstract Abstract Prints

    Materials

    Archival Pigment

  • Untitled (SK-PH) by Angel Otero (textured red, yellow, blue and white abstract)
    By Angel Otero
    Located in New York, NY
    Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...
    Category

    2010s Abstract Prints

    Materials

    Archival Pigment, Screen

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    Klint / reDux / chrm is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 48 prints, plus 4 APs Image size ⋅ 50.8cm H x 66cm W Sheet size ⋅ 65cm H x 80cm W . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...
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  • Torsion / primer
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    Torsion / primer is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 24 prints, plus 2 APs Image size ⋅ 88cm H x 72.2cm W Sheet size ⋅ 100cm H x 82.2cm W . Torsion / primer is a variant of an original base drawing that was used to create the ‘torqued’ forms of the more complex Torsion / REZ works on Plexiglass. The idea comes from a number of places but in particular the modernist sculptural work of Walter Leblanc, and his idea that if you heat up a thin bar of steel, and torque one end through a number of rotations, whilst clamping the other end firmly, the resulting form will be a hugely satisfying candy twist of metal, spiralling up or down, depending on your choice of rotational direction. For Torsion / primer I drew tall...
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