Caro Woods

Tectonic Series. Set Of 4 Contemporary Mixed Media Paintings

2010

Part of the Tectonics Series from Cornwall based artist Caro Woods. This mixed media work is available individually or as part of a set of four. Image 6" x 6". Behind glass

Part of the "Tectonics Series" from U.K. based artist Caro Woods. These 4 mixed media work are available as a set of four. Each Image 6" x 6". Behind glass

Part of the Tectonics Series from Cornwall based artist Caro Woods. This mixed media work is available individually or as part of a set of four. Image 6" x 6". Behind glass

Part of the Tectonics Series from Cornwall based artist Caro Woods. This mixed media work is available individually or as part of a set of four. Image 6" x 6". Behind glass

Powerful new abstract work from the Welsh artist Peter Rossiter. Framed. Image 14" x 21" framed 16" x 21"

Part of the Tectonics Series from Cornwall based artist Caro Woods. This mixed media work is available individually or as part of a set of four. Image 6" x 6". Behind glass

"Pressure Point" by Sarah Milne, mixed media, 8 1/2 X 5 inches (Frame size:16 1/4 X 13 1/2 in.), $325. I use old book pieces, ephemera, and subtle signs of life as my palette, and c...

Digital Print Mounted on Acrylic and Lead, Galvanized Pipe and Caps

Nanotechnology Material, Lead, Galvanized Pipe and Caps on Aluminum Exhibited at the International Art Fair, Zona Maco 2019 in Mexico City. Exhibited at Mana Contemporary at Jersey ...

Nissan Engel mixed-media abstract composition with portraits Mixed media with watercolor and white wash. Dimensions 29" x 22". The frame measures 33.5" x 26". Pencil signed in the...

Elephant in the Room, 2020. Mixed Media: Makalani nut piths and wire Fillipus Sheehama's latest large-scale sculptural textiles have grown out of...

Dominance, 2021. Mixed Media: Makalani nut piths, plastic and metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...