Kim Frohsin

Tapping Along the Faultline / mixed media: acrylic, assemblage

2018

'Swing Out Sister!' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes', from a variety of media—acrylic ...

BAllet dancer in red featured in 'Double-Ticket Silverscreen' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes', from a variety of medi...

Ballet dancers in red with sky blue stripe in 'Toss Up' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes', from a variety of media—acry...

Diver diving, doing a backflip, in the blue and black, grey and green vertical work of original art, 'Backflipping Stop' from multidisciplinary visual artist Kim Frohsin, who created...

Woman with billowing skirt and french curls in red, blue and black, 'Parisian Fllip' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes',...

Vibrant mixed media painting from Kim Frohsin, whose important and provocative Cautionary Tales series of 2015, considers the true price of progress and its repercussions on society ...

Tokyo #9 - Unique, 2015 Hand-embellished archival Pigment print on 300gsm Hahnemuhle paper, hand-coloured with mixed-media, mounted on diabond, resin coated. Spanish/Australian Albe...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages - carefully crafted from scraps of newspaper, sheet music, magazines and tissue paper - celebrate key players in Savannah's jazz scene, from sultry female vocalists to wiry male saxophone players. A tribute to the late jazz bassist Ben Tucker, a true Savannah legend, is especially moving, incorporating a pencil sketch of the standing bass player as well as newspaper clippings of other Savannah jazz musicians. Mitchell grew up in a shotgun house in North Carolina, a style of vernacular architecture that is particularly prevalent in the South. Mitchell fills his sculptural homes with objects of metaphorical and symbolic, iconic, importance. In Home Sweet Home he includes the American flag, a photograph of Martin Luther King Jr. and Malcolm X, and a china plate depicting The Last Supper, among other items that convey a personal and historical narrative. He notes that making art acts “as a ‘record’ of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus, and narrative of my work.” While this contains elements reminiscent of folk art and outsider art this is a quite sophisticated tour de force. He was included in the show Complex Uncertainties, Telfair Museum: Modern and contemporary art comprise painting, prints, drawing, photograph, sculpture, and works in new media, representing American artistic achievement from 1945 to the present day. The exhibition includes works by artists such as Bruce Davidson, Elaine de Kooning, Carrie Mae Weems, Sam Gilliam, Ethel Schwabacher, Radcliffe Bailey...

A. K. Douglas - Loosing Fear of the Consequences Series Mixed Media, 15 x 11 inches, 2020 Born in India1979, 2015: MFA from Prachin Kala Kendra, Chandigarh, India. Show / workshops/ symposium /biennale • 2020: Solo Show at SPC kunstrum gallery, Copenhagen Denmark. • 2020: Group show CALTART Caltabellotta Contemporary Art Project,Sicily. • 2020: Open Studio with marc Rayner, Sweden. • 2020: Group show, Galerie 6, Mairie de Montreuil, France. • 2020: Open 7,International art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: Group show-University Art museum Chungcheongbuk-do South Korea. • 2019: De Colore. Leonardo e l”interpretazionecontemporane, Milano Italy. • 2019: Kaleidoscope, international art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: 9th Biennale de SarriaSalon International d'Art,Spain • 2019: International artist residency for River Democracy, MahakumbhMela, PrayagrajIndia. • 2019: Group Show of Vasudhaivakutumbakam at Allahabad Museum India. • 2019: International coordinator for Dhanbad Art Fair, Dhanbad India. • 2018: 2nd Bodhgaya Biennale, Bodhgaya India. • 2018: Group show, Governor House Patna, in association with Govt. of Bihar (workshop)& Bihar Museum,India. • 2018: Group show,Gallerie Sonia Monti, Paris, France. • 2018: Arthshila International Artist Symposium Group Show, Bihar Museum Patna, India. • 2017: AMP TWOFOUR54, group show, October & November edition, Abu Dhabi,UAE. • 2017: 9th Biennale de SarriaSalon International d'Art,Spain. • 2017: ZeeArts, M gallery, The Retreat Hotel Palm Jumeirah. Dubai, UAE. • 2017: Group show, Magnetikzone International Art Project, Polo Museale “A.Cordici” Italy. • 2017: New media group show, Korean culture centre New Delhi, India. • 2017: Collective exhibition in Erice, Italy. • 2017: New media group show, Schema Art Museum Cheongju, South Korea. • 2017: Konst pa vag group show, Sweden. • 2017: Dual show,lugar 34 & Circa, TromsoNorway. • 2017: Dual show,Magazzinidell'ArteContemporanea,TrapaniSicily. • 2017: Group show, Anima Mundi at OrtoBotanico di Napoli, NaplesItaly. • 2016: Open studio with Marc Rayner, Sweden. • 2016: Magnetic zone, International Art Project, at MuseoCivico di Torre di Ligny, Trapani Italy. • 2016: Art Dubai, Mojo art gallery Dubai. • 2016: Landscape at SpazioPorta Mazzini Viale G, Mazzini 1, Rome, Italy. • 2015: International art camp, exhibition- The Al Asmakh Art Symposium, Qatar. • 2015: Biennale D’ArteContemporanea di Trapani secondaedizione, Italy. • 2015: Salon Generations, Hanger Art Center- Opera House Cairo- Egypt. • 2015: UpCycled Art Festival, Aviation Industry, Art Takes Wing, Art Hub Liwa, UAE. • 2015, 14, 13: Project Director for VashudhaivaKutumbakam artist residency. •2011, 17: Project manager for Buddha Enlightenment art...

Dakota Nightshade (Native American, Indian piece) Mixed media (ink, paint etc. red thread stitching) Framed 43 X 57 sheet 36 X 49 Hand signed, dated and titled by artist. (with a location of LA noted) This came with a group of 4. they are all signed and one had a Daniel Reich Gallery label verso. Scoli Acosta...

In External Horizons Mixed media (ink, paint etc.) Framed 43 X 57 sheet 34.5 X 48 Hand signed, dated and titled by artist. (with a location of LA noted) This came with a group of 4. they are all signed and one had a Daniel Reich Gallery label verso. Scoli Acosta...

Ash Almonte is inspired by beautiful color, incredible music, outrageous fashion, raw and loud works of art, and likes to take risks while transforming her paintings into stories. Sh...