IRENA TONE

Summer snowflake

2024

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. The frame is not included. Package: protected cardboard box. Dispatching terms: 2-...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. The frame is not included. Package: protected cardboard box. Dispatching terms: 2-...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. The frame is not included. Package: protected cardboard box. Dispatching terms: 2-...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. The frame is not included. Package: protected cardboard box. Dispatching terms: 2-...

Mixed media abstracted landscape composition on handmade paper of a town on the edge of a lake, in monochromatic orange tones with white accents, by Grace Eichholz (American, b. 1927...

Beautiful mixed media abstracted landscape evoking the elegant beauty of the first snow in winter by Grace Eichholz (American, b. 1927). Warm neutrals with highly abstracted landscap...

In "Holes and Slices", Peña creates a silhouette of house and fills it with bubbly curved shapes and contrasts them with sharpe-edged shapes that contain gradients and muted tones of aqueous colors such as teal and light blue. He balances these colors with muted tones of pink and violet. The viewer can create a house that is yet to be built in between the gaps here. In "Holes and Slices", Peña remarks on a house and landscape that has yet to be built. The aquatic nature seems to hint at the possibility of a house and landscape under water. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small bubble-like cut outs where the viewer can see through to the pattern created with watercolor and acrylic paint. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

Neutral Desert I, Original Contemporary Abstract Landscape Painting 12" x 9" (HxW) Oil on Canvas Paper A modern take on an impressionist landscape, this oil painting by artist April Moffatt is nearly abstract, almost a color field painting. The canvas is filled with large swaths of blue, peach, and grays with undertones of green, purple, and blue. The composition is given further dimension with lines of ochre and hints of black. A simple and neutral contemporary painting...