Macauley Norman

46 and 2, 2020, gel pen, graphite, paper, collage, skull, drawing, framed, web

2018

"Shape" (2019) by Rebecca N. Johnson Figure drawing, nude portrait, female figure, ink and graphite on paper. Black and White, woman lounging, reclining, figurative, florals; contou...

China marker on smooth bristol paper. Jay Golding’s realistic portrait and figure drawings/paintings are inspired primarily by Indigenous culture and heritage but are not limited to...

Fish Net, 2020, gel pen paper, figurative, drawing, black, white, pink, blue, spider, web, ant

The Spider and the Fly, 2020, gel pen paper, figurative, drawing, framed, web, black, white, pink, blue

"Faded" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measure...

The viewer 2022. Paper/mixed media, 19.3x14.8 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, ...

This captivating mid-century modern pen and pencil drawing by renowned Taos artist James Meek (b. 1928) features a bold geometric abstract composition. With precise lines and dynamic forms, the artwork exemplifies Meek's mastery of modernist design, encapsulating the spirit of mid-20th-century abstraction. The piece is presented in a custom frame made with archival materials, ensuring its preservation and longevity. The framed outer dimensions measure 25 x 19 ¼ x 1 ½ inches, while the image itself measures 22 ¼ x 16 ½ inches, making it a striking addition to any collection or space. The drawing is in very good vintage condition – please contact us for a detailed condition report. Expedited and international shipping options are available – contact us for a shipping quote. About the Artist: James Meek, a prominent artist of the Southwestern art scene, was deeply involved in the Taos, New Mexico art...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...