Grapes
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Margo HoffGrapes1955-pre 1963
1955-pre 1963
About the Item
- Creator:Margo Hoff (1912, American)
- Creation Year:1955-pre 1963
- Dimensions:Height: 12.125 in (30.8 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Created by the artist on "artist's board". Has the usual age for artwork 60 years old.
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA114971stDibs: LU1406371262
Margo Hoff
A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her sole focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white, clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago. Between 1933 and 1960, her Chicago years, Hoff’s work was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. She lived, worked, taught, and painted in Europe, Mexico, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952, 54, 56 and 57. In 1957 she showed along-side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man’s Conquest of Space. What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage. In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue, and later painted pieces of canvas, glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora and fauna, whittled down to geometric shapes and flat, bold colors. Hoff’s work was exhibited widely throughout the United States and in England, France, Italy, and Lebanon. She passed away in New York City at the age of 98, leaving a rich legacy behind. Margo Hoff’s works are in the collections of: The Art Institute of Chicago, the Brooklyn Museum, the Metropolitan Museum of Art, the National Gallery of Art in Washington, D.C., and the Whitney Museum of American Art.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
713 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
More From This SellerView All
- New Orleans Sportin HouseBy Stephen LongstreetLocated in Fairlawn, OHNew Orleans Sportin House Pen and ink on paper, 1951 Signed in ink, titled and dated in pencil (see photos) Condition: Corners are pasted to support sheet, some staining in image. Image/sheet size: 15 5/8 x 18 inches Provenance: Acquired from the artist Joseph M. Erdelac, Cleveland, patron and friend of the artist Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...Category
1950s American Modern Figurative Drawings and Watercolors
MaterialsInk
- Seated NudeBy August F. BiehleLocated in Fairlawn, OHSeated Nude Match Stick ink drawing, c. 1925 Signed by the artist in pencil lower right: A. Biehle Created at the Kakoon Arts Club, Cleveland. Influenced by friend and fellow artist...Category
1920s American Modern Nude Drawings and Watercolors
MaterialsInk
- Provincetown (Sunbathing)By Peter GrippeLocated in Fairlawn, OHProvincetown (Sunbathing) Sepia ink on tan paper, 1966 Signed in ink lower center (see photo) Exhibited: Art from Lexington Homes, Lincoln Massachusetts...Category
1960s American Modern Figurative Drawings and Watercolors
MaterialsInk
- Standing Nude with Japanese LanternsBy William SommerLocated in Fairlawn, OHStanding Nude with Japanese Lanterns Ink drawing on wove paper, mounted on wove paper support, c. 1916 Signed with the estate stamp B Provenance: Esta...Category
1910s American Modern Nude Drawings and Watercolors
MaterialsInk
- untitled (Pueblo)By Virginia DehnLocated in Fairlawn, OHUntitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...Category
Early 20th Century American Modern Landscape Drawings and Watercolors
MaterialsInk
- Lower East Side CrowdBy Abraham WalkowitzLocated in Fairlawn, OHLower East Side Crowd Ink and ink wash on paper, c. 1910 Signed in ink lower center edge (see photo) Signed with the initials lower right corner (see p...Category
1910s American Modern Figurative Drawings and Watercolors
MaterialsInk
You May Also Like
- Lindy Hop StudyLocated in Santa Fe, NMA wonderful pen and ink study of entwined dancers by Milton Hebald, beautifully executed on a lovely grey Italian rag paper. Hebald is regarded as one of the most important American figurative...Category
Late 20th Century American Modern Figurative Drawings and Watercolors
MaterialsPaper, Ink, Tempera
- Dancers StudyLocated in Santa Fe, NMA wonderful pen and ink study of entwined dancers by Milton Hebald, beautifully executed on a lovely grey Italian rag paper. Hebald is regarded as one of the most important American figurative...Category
Late 20th Century American Modern Figurative Drawings and Watercolors
MaterialsPaper, Ink, Tempera
- Mickey Mouse Original Comic Strip Art C.1967Located in San Francisco, CAMickey Mouse Original Comic Strip Art C.1967 Original pen and ink with mixed media Dimensions 24.25" wide x 16.5" high The frame measures 2...Category
Mid-20th Century American Modern Mixed Media
MaterialsPaper, Ink, Pen
- Best Protection, architectural, iconography, text, black white,By C. DimitriLocated in Brooklyn, NYAcrylic, ink, glitter on canvas Dimitri operates from the idea of the “unfinished.” It informs his choice of materials and the way he handles them. It informs the imagery. The unfin...Category
2010s American Modern Mixed Media
MaterialsCanvas, Glitter, Ink, Acrylic
- "Three Muses" 1987 Paint & Ink Nude American Modernist Jack HooperBy Jack HooperLocated in Arp, TXJack Hooper "Three Muses" 1987 Gouache and ink on paper 21.25"x15.5" unframed Signed and dated in pencil lower left In this minimalist composition on black paper, Jack Hooper expert...Category
1980s American Modern Mixed Media
MaterialsPaper, Gouache, Ink
- Snowy NightLocated in Columbia, MOLARRY KANTNER Snowy Night 2021 Watercolor, ink, and collage 11 x 13 inchesCategory
21st Century and Contemporary American Modern Figurative Paintings
MaterialsWatercolor, Mixed Media, Ink