Mari-Ruth Oda

"The Space inside" Contemporary Modern Abstract Sculpture Relief Object

2015

"Here" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fiberglass a...

"Book Seed" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fibergl...

"Wave of Whispers" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, ...

Postcard 2442 is a unique one-of-a-kind tiny contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by c...

The colour catches your eye at first— a rich, egg yolk yellow. The form is intriguing—organic. This is Shayne Dark. The Kingston based sculptor is known for his enigmatic and compell...

Growing up on the Ottawa River, Shayne Dark has long been inspired by the natural world that surrounded him—its myriad of shapes, patterns, forms and colours. In this new intriguing ...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...