Digital Mixed Media

Multilayer 328 unique abstract photo paper collage (1 of 1), signed 28.8" x 21.7" / 73cm x 55cm About the artist Felix Schramm was born in Hamburg, Ger...

This piece titled "Por Ahí Voy IV, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This piece measure 12"h x 12"w ...

"Chateau Marmont" Unique work 41" x 61.5" in by Oleg Char x James Peter Henry Medium: Hahnemühle Baryta Paper Work by Oleg Char x James Peter Henry Medium: Hand embellished Hahnemüh...

“Pap Art is the collaborative expression of ex-paparazzi photographer David Koppel and figurative painter John Kiki. In the tradition of it’s predecesso...

This piece titled "Por Ahí Voy I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"w ...

This piece titled "Refugio o Trampa III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This piece measure 7"h x ...

This piece titled "Por Ahí Voy III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"...

This piece titled "Orientarse o Perderse I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 17...

This piece titled "Orientarse o Perderse V, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 17...

This piece titled "Espectáculo de Proximidad II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand-scoring on metallic paper. This piece measure 5.5"h x 5....

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This piece titled "Surge" is an original piece by Han Cao and is made from embroidery, inkjet print, and a vintage photograph. This piece measures 15.25"h x 12.25"w framed and is shi...

Moments of Joy Painting Art Hand Textured Giclee on Canvas 45x45" Pink Blue State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited editi...

Wolfgang Hutter - "The first stars and the sky of the Aphrodite". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in ever...

Monica DeSalvo’s “Sunny Side Down” is a surreal mixed media collage over an asymmetrical digital inkjet photo montage on Yupo paper with blue, green, teal, white, and purple. The abs...

Patty deGrandpre’s “Landlocked (Palm Trees)” is an 11 x 16.5 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and creati...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

SOCIAL – A TRIBUTE TO... 80 YEARS OF ATROCITIES FROM AUSCHWITZ TO UKRAINE  This work (R:6908) is a bridge between the 2nd World War (1940-45) and that in Ukraine (2022-?) which we w...

Original NYPD interceptor sculpture made of archival paper, dry pigments, enamel, wood, clay, wire, plastic, and inkjet print by Drew Leshko measuring 16"h x 16"w x 3"d framed, as sh...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

SOCIAL RESEARCH This work is part of the SOCIAL "research" which addresses issues that concern people and the "polis" which in Latin means city but also "political model". THE CHRIS...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand ...

As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...

Tiger Painting 40 x 60” inches, Mixed Media: Digital, Watercolor, Acrylic, Gel Medium One-of-a-kind 2017 in Los Angeles One of a kind Mixed Medium o...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

SOCIAL – A TRIBUTE TO... TAVOLA STROZZI represents the oldest and most famous view of Naples from 1475 revisited by me in 2022 exactly 550 years later. The elements I have inserted ...

Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...

Title: CAM Medium: Digital Print Size: 38 x 29 inches Edition: 40 Signed by the artist Agent X creates experimental, multimedia collages, paintings, and 2D artwork. His work is an a...

SOCIAL – A TRIBUTE TO... This work R.5707 of 2015 is part of the characters to which I bow for the prestige and genius that I recognize them, in this case precisely in my world art. ...

THE DOVE This work R:6787 of 2020 is a tribute to the dove, symbol of candor, that freed the world from the Coronavirus! For me it became the symbol of all those doctors, nurses and ...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

THIS WORK (R:0006) of 1987 entitled "Atomic City” symbolizes how much more destructive man invented with the atomic bomb thrown on Hiroshima and Nagasaky at the end of the Second Wor...

THIS WORK (R:0260) of 1994 is a self-portrait made with the technique PHOTOPITTURA with the photographic element represented by a part of my face inserted in a two-dimensional painte...

AI ARTIFICIAL INTELLIGENCE In 2024 AI ARTIFICIAL INTELLIGENCE became the "present that projects us into the future"! Everyone tries to imagine whether it will be the GREAT GOOD that...

Collaged digital images from a circuit board on Epson archival paper, printed with Epson archival ink, mounted on archival museum board with MDF and wood backing. In Lay’s collag...

This intriguing mixed media painting and collage is signed illegibly in the lower right. Dated 1982 with the words "Who is that Masked Woman" scratched into the lower left.

Item Description: Motif 232 Octaédres Sintra Print 39.7” x 23.7” high resolution video, video player, video projector 3 minute loop edition of 6 + AP...

Wolfgang Hutter - "The garden and the burning house". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in every room and e...

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Wolfgang Hutter - "The bird, feather, meeting of wings". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in every room an...

Materials : Multimedia Date : 2016 Dimensions : 6″ x 2″ x 8″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Item Description: Tesselat 67P Mixed media, giglée print, bright screen and frame 14 x 22 x 3.5 inches video loop 4.5 minutes Edition 1 of 6 + AP Clearly stepping away from standa...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

"Silver Songs": Authentic Feng Shui Art. Open up your space and your co-creational opportunities to cosmic energies by placing Silver Songs in your office or living room. Meditate on...

Vitiligo People # 4, 2001 is a felt permanent pen on lambda print mounted on aluminium. The work belongs to a series of 7 unique drawings on lambda print, all realized by Nedko Solakov...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand ...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Jean-Marie Guyaux’s artworks are unique for their blend of digital capture and non-photographic software. In the “Redux” series, he reinterprets classic masterpieces, projecting thes...

Paul Kostabi - "Heading to Miami". Giclée print on heavy handmade cotton paper. Hand signed and numberd. Editions: 75. A beautiful artwork that looks good in every room and espec...