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Medium: Soot
Untitled #3 (Pyramid Painting)
Located in Saint Louis, MO
German artist Erik Niedling’s works revolve around the construction of history and the index of that history through the processes of archiving, organizing and preservation. In his Pyramid Painting...
Category

2010s Soot Mixed Media

Materials

Canvas, Soot

Departure
Located in New Orleans, LA
medium: aluminum (found cans), soot, wire Available in the following color options: TWILIGHT - cobalt blue Flashe paint ALCHEMY - raw/untreated, aluminium can label exposed AMBER -...
Category

21st Century and Contemporary Contemporary Soot Mixed Media

Materials

Metal, Wire

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Snakish (Curvy Abstract Minimalist Encaustic Wall Sculpture in Black and White)
Located in Hudson, NY
Abstract minimalist three-dimensional wall sculpture in black and white "Snakish II", made by Hudson Valley artist, Donise English, in 2022 hand-stitched paper, beeswax (encaustic) and thread 36 x 10 x 3 inches hangs with a small thread notch on back extremely lightweight, weighs no more than 1.5 lbs. Excellent condition and ready to hang This abstract minimalist three-dimensional wall sculpture was made by Hudson Valley artist, Donise English, in 2022. The playful motif of hand-stitched paper, layered with black and white acrylic paint and coated with encaustic, is inspired by the artist's interest in architecture and blueprint drawings. The winding segments of white and black encaustic layered paper are assembled in a curving, snake-like formation, which are then hand-sewn by the artist. The lightweight wall sculpture hangs with a small thread notch, installed by the artist on the back of the piece. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.Donise English has received numerous awards including a 2018 New York Foundation for the Arts Fellowship in Painting; the Invitational Award for Outstanding Contemporary Talent from the University of Bridgeport, Connecticut; Purchase Prize from the “11th National Juried Exhibition” at the College of Notre Dame of Maryland; 1st Prize, “Women in the Visual Arts,” Erector Square Gallery, New Haven, Connecticut; the Joseph A. Cain Memorial Purchase Award for Sculpture, Del Mar College, Texas, Honorable Mention; and others. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...
Category

2010s Abstract Soot Mixed Media

Materials

Wire

Silver Cloud for Andy (A) - Original Lightweight Metal Sculpture
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Cloud Form Silver - Original Lightweight Metal Sculpture
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21st Century and Contemporary Contemporary Soot Mixed Media

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"NESTING LOTUS #1", Sculpture, Wire Mesh, Reed, Bamboo, Handmade Paper, Concrete
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category

21st Century and Contemporary Naturalistic Soot Mixed Media

Materials

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Sabine - Original Three-Dimensional Wall Art
Located in Los Angeles, CA
Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 57-inch high by 50-inch wide by 8-inch deep metal sculpture is a lightweight form created from aluminum mesh, gesso, acrylic paint, and wire. It has metal rings affixed on the back which allows for easy installation. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Since 2014 Artspace Warehouse Los Angeles, CA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...
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Metal, Wire

Silver Sea Form - Silver Three-Dimensional Lightweight Metal Wall Art
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21st Century and Contemporary Contemporary Soot Mixed Media

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"NESTING LOTUS #3", Sculpture, Wire Mesh, Reed, Handmade Paper, Concrete, Temple
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...
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21st Century and Contemporary Naturalistic Soot Mixed Media

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Flora Contempo Spotted
Located in Los Angeles, CA
Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...
Category

2010s Folk Art Soot Mixed Media

Materials

Bronze, Wire, Copper

Columnar I - Original Sculpture
Located in Los Angeles, CA
Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 35-inch high by 10-inch wide by 8-inch deep tabletop sculpture created from aluminum mesh, gesso, acrylic paint, metal leafing, rivets, wire, and grommets on a metal stand. Size and price include stand. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Since 2014 Artspace Warehouse Los Angeles, CA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...
Category

21st Century and Contemporary Contemporary Soot Mixed Media

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Sujoon - Cornflower Portal - Large Lightweight Three-Dimensional Wall Sculpture
Located in Los Angeles, CA
Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 48-inch high by 44-inch wide and 4-inch deep metal sculpture is a lightweight form. It is created from aluminum and copper mesh, gesso, acrylic paint, and wire. It has metal rings affixed on the back which allows for easy installation. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...
Category

21st Century and Contemporary Contemporary Soot Mixed Media

Materials

Metal, Wire

SAKE Bottle
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Soot Mixed Media

Materials

Metal

SAKE Bottle
H 6.5 in W 4.5 in D 4 in
Previously Available Items
Ember
Located in New Orleans, LA
medium: Electric guitar, aluminum (found cans), wire, soot, enamel ARTIST STATEMENT: Who leaves these crushed beer cans, this forlorn evidence, scattered in the streets of the city...
Category

21st Century and Contemporary Contemporary Soot Mixed Media

Materials

Metal, Enamel, Wire

Ember
Ember
H 45 in W 16 in D 7 in
"Humo III"
By Isabel Alonso Vega
Located in New York, NY
Smoke and Acrylic Case. Isabel Alonso Vega (Madrid,1969). Lives and works between Madrid and Berlin. Selected solo shows: 2019 Senza Fuoco, White Noise Gallery, Rome, IT 2017 Beh...
Category

2010s Contemporary Soot Mixed Media

Materials

Plexiglass, Soot

Flower Gun
Located in New York, NY
Certificate of Authenticity affixed to the back of the panel. Spazuk uses his classic Fumage technique using soot from fire, as well as acrylic on panel. For the past 15 years, Spa...
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2010s Contemporary Soot Mixed Media

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Acrylic, Wood Panel, Soot

Penguin
Located in New York, NY
New work by Spazuk, using his distinctive "fumage" or fire painting technique. The black carbon soot, left behind from his candle's flame takes the shape of two penguins.
Category

2010s Contemporary Soot Mixed Media

Materials

Mixed Media, Panel, Soot

Vaporous Sound
Located in New York, NY
From Spazuk's Music Series, using his iconic technique: fumage (smoke/soot from fire). Recently exhibited in his solo-exhibition at the Karuizawa New Art Museum (Japan) This origina...
Category

2010s Contemporary Soot Mixed Media

Materials

Panel, Wood Panel, Soot

Smoke-filled Vocalize
Located in New York, NY
From Spazuk's Music Series, using his iconic technique: fumage (smoke/soot from fire). Recently exhibited in his solo-exhibition at the Karuizawa New Art Museum (Japan) This origina...
Category

2010s Contemporary Soot Mixed Media

Materials

Panel, Wood Panel, Soot

Smoky Overture
Located in New York, NY
From Spazuk's Music Series, using his iconic technique: fumage (smoke/soot from fire). Recently exhibited in his solo-exhibition at the Karuizawa New Art Museum (Japan) This origina...
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2010s Contemporary Soot Mixed Media

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Strings Attached
Located in New York, NY
Medium: Fumage. Soot from fire and acrylic on panel This original work comes with a Certificate of Authenticity signed by the artist, and is signed Spazuk at the lower right corner. ...
Category

2010s Contemporary Soot Mixed Media

Materials

Acrylic, Soot

Chant Libre
Located in New York, NY
For the past 15 years, Spazuk has perfected a technique called fumage, that allows him to use the flame of a candle or the flame of a torch as a pencil to create his paintings with t...
Category

2010s Contemporary Soot Mixed Media

Materials

Board, Gesso, Mixed Media, Soot

I_NY 11
Located in New York, NY
100% Smoke on archival paper mounted to panel 22x30x2.5" I _____ NY Statement – Rob Tarbell One cannot visit and experience New York City without contributing to its cultural cleansing and commercial homogenization. With the continuing crawl of Disneyfication, its gritty veneer, urban edge, and creative soul have diminished. This body of work engages with the notion expressed daily by the city’s natives and the creative community - longing for the neighborhood character and color, crime, squatting, and summertime blackouts of yesteryear while waxing poetic about the plethora of Mom and Pop shops, bars, clubs, and restaurants disappearing before their eyes. On the one hand, we may take comfort in the new found safety of the streets, but the energy that came from staking a claim in the toughest city in the world is waning. There are certainly those who would argue this shift as progress. But for many others, with every I Love New York t-shirt sold, a little bit more of the city’s core disappears. This body of work explores the temporal nature of our sense of place through the use and connotations associated with smoke. The visual history of places that no longer exist, or are no longer accessible, or have changed beyond recognition ebb and flow between clarity, dissipation, and void. Figures and structures are ghosts while the compositions themselves disappear into white or vanish with a poof. Imagery bounces back and forth between the real and the abstract, a parallel to the in-between all New Yorkers traverse via public transit as they witness their city in flux, not yet gone, but going. Rob Tarbell Artist Statement: In my practice, making art is as much directing intent as it is about scientific tinkering. All of my diverse work is linked by the transformation and manipulation of traditional materials as i explore non-traditional ones. The loss of an original and the use of elaborate processes are inherent to the creation of the smokes, paintings, and porcelain series. The work intends to both balance accident with control and give permanence to the ephemeral. Education MFA Drawing & Painting, Univ of Tennessee, Knoxville, TN MS Curriculum & Instruction, Univ of Tennessee, Knoxville, TN BFA Painting & Graphic Design, Auburn Univ, Auburn, AL Selected Exhibitions: 2016 Krause Gallery, New York, NY 2015 Smoke Screens, Alfstad Contemporary, Sarasota, FL 2013 All Ages, Krause Gallery, New York, NY 2012 Bird-Like Things in Things Like Trees, White Box, New York, NY Bird-Like Things in Things Like Trees, Les Yeux du Monde, Charlottesville, VA 2011 Vitreous Humor, Krause Gallery, New York, NY 2010 Follies of the Wise, Hunt Gallery, Mary Baldwin College, Staunton, VA Ride, Reynolds Gallery, Richmond, VA Heads or Tails, The Art Registry Group, Washington, D.C. 2009 Meet the Struggles & Smoke Rings, Decorazon Gallery...
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Contemporary Soot Mixed Media

Materials

Soot

I_NY 11
I_NY 11
H 22 in W 30 in D 2.5 in
I_NY 10
Located in New York, NY
100% Smoke on archival paper mounted to panel 22x30x2.5" I _____ NY Statement – Rob Tarbell One cannot visit and experience New York City without contributing to its cultural cleansing and commercial homogenization. With the continuing crawl of Disneyfication, its gritty veneer, urban edge, and creative soul have diminished. This body of work engages with the notion expressed daily by the city’s natives and the creative community - longing for the neighborhood character and color, crime, squatting, and summertime blackouts of yesteryear while waxing poetic about the plethora of Mom and Pop shops, bars, clubs, and restaurants disappearing before their eyes. On the one hand, we may take comfort in the new found safety of the streets, but the energy that came from staking a claim in the toughest city in the world is waning. There are certainly those who would argue this shift as progress. But for many others, with every I Love New York t-shirt sold, a little bit more of the city’s core disappears. This body of work explores the temporal nature of our sense of place through the use and connotations associated with smoke. The visual history of places that no longer exist, or are no longer accessible, or have changed beyond recognition ebb and flow between clarity, dissipation, and void. Figures and structures are ghosts while the compositions themselves disappear into white or vanish with a poof. Imagery bounces back and forth between the real and the abstract, a parallel to the in-between all New Yorkers traverse via public transit as they witness their city in flux, not yet gone, but going. Rob Tarbell Artist Statement: In my practice, making art is as much directing intent as it is about scientific tinkering. All of my diverse work is linked by the transformation and manipulation of traditional materials as i explore non-traditional ones. The loss of an original and the use of elaborate processes are inherent to the creation of the smokes, paintings, and porcelain series. The work intends to both balance accident with control and give permanence to the ephemeral. Education MFA Drawing & Painting, Univ of Tennessee, Knoxville, TN MS Curriculum & Instruction, Univ of Tennessee, Knoxville, TN BFA Painting & Graphic Design, Auburn Univ, Auburn, AL Selected Exhibitions: 2016 Krause Gallery, New York, NY 2015 Smoke Screens, Alfstad Contemporary, Sarasota, FL 2013 All Ages, Krause Gallery, New York, NY 2012 Bird-Like Things in Things Like Trees, White Box, New York, NY Bird-Like Things in Things Like Trees, Les Yeux du Monde, Charlottesville, VA 2011 Vitreous Humor, Krause Gallery, New York, NY 2010 Follies of the Wise, Hunt Gallery, Mary Baldwin College, Staunton, VA Ride, Reynolds Gallery, Richmond, VA Heads or Tails, The Art Registry Group, Washington, D.C. 2009 Meet the Struggles & Smoke Rings, Decorazon Gallery...
Category

21st Century and Contemporary Contemporary Soot Mixed Media

Materials

Archival Paper, Soot, Wood Panel

I_NY 10
I_NY 10
H 22 in W 30 in D 2.5 in
I_NY 9
Located in New York, NY
100% Smoke on archival paper mounted to panel 22x30x2.5" I _____ NY Statement – Rob Tarbell One cannot visit and experience New York City without contributing to its cultural cleansing and commercial homogenization. With the continuing crawl of Disneyfication, its gritty veneer, urban edge, and creative soul have diminished. This body of work engages with the notion expressed daily by the city’s natives and the creative community - longing for the neighborhood character and color, crime, squatting, and summertime blackouts of yesteryear while waxing poetic about the plethora of Mom and Pop shops, bars, clubs, and restaurants disappearing before their eyes. On the one hand, we may take comfort in the new found safety of the streets, but the energy that came from staking a claim in the toughest city in the world is waning. There are certainly those who would argue this shift as progress. But for many others, with every I Love New York t-shirt sold, a little bit more of the city’s core disappears. This body of work explores the temporal nature of our sense of place through the use and connotations associated with smoke. The visual history of places that no longer exist, or are no longer accessible, or have changed beyond recognition ebb and flow between clarity, dissipation, and void. Figures and structures are ghosts while the compositions themselves disappear into white or vanish with a poof. Imagery bounces back and forth between the real and the abstract, a parallel to the in-between all New Yorkers traverse via public transit as they witness their city in flux, not yet gone, but going. Rob Tarbell Artist Statement: In my practice, making art is as much directing intent as it is about scientific tinkering. All of my diverse work is linked by the transformation and manipulation of traditional materials as i explore non-traditional ones. The loss of an original and the use of elaborate processes are inherent to the creation of the smokes, paintings, and porcelain series. The work intends to both balance accident with control and give permanence to the ephemeral. Education MFA Drawing & Painting, Univ of Tennessee, Knoxville, TN MS Curriculum & Instruction, Univ of Tennessee, Knoxville, TN BFA Painting & Graphic Design, Auburn Univ, Auburn, AL Selected Exhibitions: 2016 Krause Gallery, New York, NY 2015 Smoke Screens, Alfstad Contemporary, Sarasota, FL 2013 All Ages, Krause Gallery, New York, NY 2012 Bird-Like Things in Things Like Trees, White Box, New York, NY Bird-Like Things in Things Like Trees, Les Yeux du Monde, Charlottesville, VA 2011 Vitreous Humor, Krause Gallery, New York, NY 2010 Follies of the Wise, Hunt Gallery, Mary Baldwin College, Staunton, VA Ride, Reynolds Gallery, Richmond, VA Heads or Tails, The Art Registry Group, Washington, D.C. 2009 Meet the Struggles & Smoke Rings, Decorazon Gallery...
Category

21st Century and Contemporary Contemporary Soot Mixed Media

Materials

Archival Paper, Soot, Wood Panel

I_NY 9
I_NY 9
H 22 in W 30 in D 2.5 in

Soot mixed media for sale on 1stDibs.

Find a wide variety of authentic Soot mixed media available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include and Paul Villinski. Not every interior allows for large Soot mixed media, so small editions measuring 0 inches across are also available

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