Paul Lancaster

Paul Lancaster Native American Cherokee Artist Gouache and Collage

Circa 1990's

This is a beautiful watercolor on paper by New Jersey artist Henry Gasser, N.A. (1909-1981). The subject is charming Venice, Italy and the painting measures 8"h x 10"w. Signed “H. Ga...

This is a beautiful watercolor on board by New Jersey artist Henry Gasser, N.A. (1909-1981). Titled on the verso: “Apertif, Paris.” The painting measures 10"h x 8"w. Signed “H. Gasse...

Cecil Crosley Bell (1906-1970) Pen & ink with watercolor. The artist’s blind stamp reading “Cecil C. Bell” is seen lower left. The work is also signed in ink “C.Bell” lower right. ...

This bright colorful lithograph is by California abstract artist Sam Francis (1923-1995). The work is in excellent condition and archivally framed in a period minimalist metal frame....

Signed lower right, in graphite, 'Frances Pratt' (American, 1913-2003) and dated 1947. Born in Glen Ridge, New Jersey, Frances Pratt moved to New York City where she studied at the New York School of Applied Design for Woman (1930-33), and, subsequently, at the Arts Students League (1933-35). She then met her first husband, Christopher Ritter, with whom she opened Laurel Gallery in Greenwich Village and printed the Laurel Folios. Frances Pratt taught drawing and painting at the Ballard School from 1942 into the early 1950's. She also taught mixed media and watercolor techniques at the Parsons...

Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue Lovely modern still-life of a fan and persimmons by Santa Cruz, California artist Anita Heckman (American, b.20th Century). This 1987 mixed media work on paper depicts three vivid Hachiya persimmons on a windowsill beside an elegant paper fan with a tassel. A decorative window drape...

Mixed media, by Igor Bodnar

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...