2010s Mixed Media

Linda Stein, Brave Spirits Merged 807 - Feminist Mixed Media Fabric Black Sculptural Tapestry Stein began to produce sculptural tapestries in 2011, in which she combines images from...

Eternity in an Hour is an oil and mixed media painting on canvas, 42.25 x 29.75' canvas size, signed ‘FRESSINIER’ lower left and framed in a contemporary, white frame. Francois Fres...

"True art is always where you least expect it. ". These few words by the artist Jean Dubuffet wonderfully qualify Silvia Calmejane's work. Spontaneous and instinctive, her artistic g...

ABOUT THE ARTWORK "Adjusted Light Magenta" conjures a feeling of serenity, in the midst of a hidden sanctuary of tranquility and ethereal aesthetic. ...

About the medium, Canson's paper Canson is a 500-year-old brand of fine art paper known for its high-quality, durable, and versatile papers for drawing, watercolor, printmaking, and ...

Linda Stein, Power Merged 804 - Feminist Mixed Media Fabric Leather Black Sculptural Tapestry Stein began to produce sculptural tapestries in 2011, in which she combines images fro...

Ai Weiwei Crabs, 2010-11 Limited Edition, hand numbered Silkscreen on 100% Canadian 2-Ply Maplewood Skateboard. Signed on the deck 31 × 1 × 3/10 inches Edition 126/150 Signed on the deck. Hand numbered from the edition of 150 Highly desirable and sought after limited edition; long sold out worldwide. The text reads: "THE WORLD IS NOT CHANGING IF YOU DON'T SHOULDER THE BURDEN OF RESPONSIBILITY." This skateboard was inspired by the artist’s installation ‘He Xie’, a group of 3,200 ceramic crabs installed at Washington D.C.’s Hirshhorn Museum in 2011. "Crabs" refers to a slang word used for internet censorship in China. It plays on the similar sounding between ‘river crab’ and ‘harmonious’. “I think there is a responsibility for any artist to protect freedom of expression.” – Ai Weiwei “Without freedom of speech there is no modern world, just a barbaric one."― Ai Weiwei This photo is part of ‘Study in Perspective’ where Ai Weiwei openly attacks the regime in place by de-sacralizing one of the country’s most iconic and controversial sites: Tiananmen square...

Prosperity portrays a young woman with golden eyes and red lips surrounded by yellow florals through the use of paint, graphite, and collage. Yances reflects the Latin literary tradi...

AUDRA WEASER "Pearl Dives (Violet)" Acrylic, Metallic Pigments, Plaster Paint on Canvas 60 x 40 in. ___________________ Utilizing a minimalist color pal...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

2023, Mixed media on canvas

Mickey Mouse Walt Disney Manga Cartoon Pop Art by Young British Urban Graffiti Artist, Chris Pegg, entitled 'All That Glitters'. Chris Pegg is a self-t...

Artist's Statement: "As I often do, I chose a very simple form to work with here – a grid of rectangles. Content never interests me much, and I don’t spend time thinking about it. I...

2023, Oil & cold wax on canvas

Yinka Shonibare Fabric-ation, 2013 Original Dutch wax print fabric chosen by the artist on Hardback cloth bound monograph with fabric covered board 12 1/2 × 11 × 1 1/2 inches Edition 21/50 (each entirely unique) Hand signed, dated and numbered 21/50 by Yinka Shonibare on the first front end page (see photo) Published by Yorkshire Sculpture Park, UK This gorgeous hand signed, numbered and dated monograph with hand made fabric covered boards was published on the occasion of the Yinka Shonibare MBE: Fabric - ation Exhibition at the Yorkshire Sculpture Park and the Kunstforeingen Gl Strand in 2013. 160 pages Hand signed, numbered and dated by artist in on the first front end page. Beyond the exhibition plates, the catalogue also includes an interview with the artist by Hans Ulrich Obrist and texts by Dr Rebecca Schneider and Jean Fisher. The book measures 12.5" x 11", and is 160 pages. Shonibare produced this beautiful catalogue in an edition of only 50, and is sold out. Each work is totally unique, and has been cloth bound using a different original Dutch wax print fabric with embellishments that was chosen by the artist. It is also signed and numbered by Shonibare. Taking place in three of YSP’s indoor galleries and the open air, FABRIC–ATION featured over 30 vibrant works from the period 2002–2013 including sculpture, film, photography, painting and collage, with many works never before seen in the UK. This major exhibition was sponsored by Guaranty Trust Bank. Born in London in 1962, Shonibare moved to Nigeria when he was three, later returning to the UK to study art. His work shrewdly explores and confounds stereotypes of race and class, engaging with ideas around identity and authenticity as well as dislocation, multiculturalism, global food production and revolution, often addressed through playful conceits. This approach is part of his determination to avoid being categorised: Shonibare accepted an MBE in 2004, adopting the title into his working name, saying, “it was the last thing you would have expected of me”. More about Yinka Shonibare: Yinka Shonibare CBE RA was born in London in 1962 and moved to Lagos, Nigeria at the age of three. He returned to the UK to study Fine Art at Byam Shaw School of Art, London and Goldsmiths College, London, where he received his Master’s in Fine Art. Over the past decades, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalization. Working in painting, sculpture, photography, film and installation, Shonibare’s work examines race, class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities. In 2002, Shonibare was commissioned by Okwui Enwezor to create one of his most recognised installations, Gallantry and Criminal Conversation for Documenta XI. In 2004, he was nominated for the Turner Prize and was awarded the decoration of Member of the ‘Most Excellent Order of the British Empire’, or MBE. In 2019 Shonibare was made Commander of the same order, amending his professional name to include CBE. In 2008, his mid-career survey commenced at Museum of Contemporary Art, Sydney and toured to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2010, his first public art commission Nelson’s Ship in a Bottle was displayed on the Fourth Plinth in Trafalgar Square, London. In 2013, Shonibare was elected as a Royal Academician and his most recent contributions have included: the RA Family Album, which was used to wrap Burlington Gardens building during construction and his two curated rooms which were part of the 2017 Royal Academy Summer Exhibition, during which Wind Sculpture VI was also displayed in the RA courtyard. His recent major commission with the Public Art Fund, Wind Sculpture (SG) I, was installed at Doris C. Freedman Plaza, Central Park from March 7 through October 14, 2018. FRONT International: Cleveland Triennial for Contemporary Art presented The American Library at the Cleveland Public Library from July 14 until September 30, 2018. The British Library was recently acquired by the Tate London. In March 2021, Shonibare received Whitechapel Gallery’s prestigious Art Icon award, becoming the eighth artist to receive the honor. He was also selected to coordinate the Royal Academy of Arts 253rd Summer Exhibition in September 2021. Shonibare’s works are included in notable collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institution, Washington, D.C; Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Moderna Museet, Stockholm; National Gallery of Modern Art in Rome; Pérez Art Museum Miami in Florida and VandenBroek Foundation, The Netherlands. -Courtesy of James Cohan Gallery

Los Angeles artist Marc Raphael captivates by his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work...

2019, Oil on canvas

Mixed media collage on panel Hand signed on back

Mixed media collage on panel Hand signed on back

Abstract expressionist oil painting by contemporary Houston artist Benji Stiles. The work features gestural marks in pastel pink, blue, and yellow set against a tan background. Currently unframed, but options are available. Artist Biography: Born in New Orleans, Robert Benjamin Stiles (Benji) is a multidisciplinary artist and educator who lives and works in Houston. He holds a B.A. from the University of St. Thomas, with a major in Art History and a minor in Studio Arts, and is currently an MFA candidate at MICA (Maryland Institute College of Art). His work ranges from non-representational painting focusing on diverse mark-making and color theory to conceptual sculpture and assemblage using historical and found objects. Since 2019, Stiles has established a successful art practice at Hardy and Nance studios while exhibiting work throughout the region including three solo shows (Hardy & Nance Gallery 2020, Lonestar College 2021, G-Contemporary 2022). Recent group shows include Collect it For the Culture 2021 (curated by Robert Hodge...

The image of a butterfly-a symbol of rebirth, hope and faith for thousands of years is used to great effect in this intriguing composition by Raymond Waters. The Toronto born multime...

German artist Erik Niedling’s works revolve around the construction of history and the index of that history through the processes of archiving, organizing and preservation. In his Pyramid Painting...

2020, Mixed media on wood

2023, Oil & cold wax on wood panel

2023, Mixed media on canvas

2023, Oil & cold wax on wood panel

2023, Encaustic & mixed media on wood panel

Mixed media collage on panel Hand signed by artist on back

Takashi Murakami Original hand signed Flower Drawing on limited edition skateboard, 2017 Unique Flower Drawing in Marker on skateboard. Signed by Murakami Flower drawing done in marker and boldly signed by Murakami 31 × 8 × 1/4 inches The skate deck was issued unsigned, but this one was, exceptionally hand signed with a flower drawing by Murakami at Complexcon in 2017. Note measurements of 31 x 8 inches apply to each skate deck. This limited edition Murakami skate deck was created and sold exclusively at the 2017 Complexcon convention and is already considered a collectors' item. About Takashi Murakami: We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don’t completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art. —Takashi Murakami Drawing from traditional Japanese painting, sci-fi, anime, and the global art market, Takashi Murakami creates paintings, sculptures, and films populated by repeated motifs and mutating characters of his own creation. His wide-ranging work embodies an intersection of pop culture, history, and fine art. Murakami earned a BA, MFA, and PhD from Tokyo University of the Arts, where he studied nihonga (traditional Japanese painting). In 1996 he established the Hiropon Factory, a studio/workshop that in subsequent years grew into an art production and artist management company, now known as Kaikai Kiki Co. Ltd. Since the early 1990s Murakami has invented characters that combine aspects of popular cartoons from Japan, Europe, and the US—from his first Mr. DOB, who sometimes serves as a stand-in for the artist himself, to various anime characters and smiling flowers, bears, and lions. These figures act as icons and symbols—hosts for more complex themes of violence, technology, and fantasy. In 2000 Murakami curated Superflat, an exhibition featuring works by artists whose techniques and mediums synthesize various aspects of Japanese visual culture, from ukiyo-e (woodblock prints of the Edo period) to anime and kawaii (a particular cuteness in cartoons, handwriting, products, and more). With this exhibition, Murakami advanced his Superflat theory of art, which highlights the “flatness” of Japanese visual culture from traditional painting to contemporary subcultures in the context of World War II and its aftermath. Murakami’s work extends to mass-produced items such as toys, key chains, and t-shirts. In 2002 he began a multiyear collaboration with Marc Jacobs on the redesign of the Louis Vuitton monogram. Murakami then took the radical step of directly incorporating the Vuitton monograms and patterns into his paintings and sculptures. While Murakami’s imagery may appear to present unprecedented characters and forms, many contain explicit art historical references, and some are even direct contemporary updates on traditional Japanese works. In 2009 Murakami and the esteemed art historian Nobuo Tsuji began a creative dialogue centered on a group of Japanese artists known as the Edo eccentrics. This collaboration led to an exhibition at the Museum of Fine Arts in Boston in 2017, for which Murakami and Tsuji selected Japanese works from the museum’s collection and showed them alongside works by Murakami. The latter included Dragon in Clouds—Red Mutation: The version I painted myself in annoyance after Professor Nobuo Tsuji told me, “Why don’t you paint something yourself for once?” (2010), a red monochrome version of the famous eighteenth-century painting Dragon and Clouds by Soga Shōhaku...

2020, Mixed media on canvas

2022, Encaustic on wood

The Headless Soldier, 2022 collage, tempera, spray on paper 50 H x 35 W cm Signed on right side down Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, populated by thousands of pieces of paper, textiles, pieces of plastic, found or made objects, which intertwine on the paper support and as in a well-controlled and thought puzzle give birth to a new universe. The new series of collages...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and...

Marcos Raya's artwork has deep connections to Rasquache or Rasquachismo– an aesthetic tied to the working-class Mexican art exemplified by the statement "Make the most of the least"....

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and...

2020, Encaustic on wood

2023, Oil & cold wax on canvas

'Ruark', by Sunni Mercer is a sculptural mixed media wooden box measuring at 2 x 5.5 x 3.75 inches. Sunni uses found objects and photos in addition to the dark brown wooden box...

Xenia Ostrovskaya ist der letzte Neuzugang zum Pool der Künstler, die die Galerie vertritt und ihre witzigen übermalten Postkarten haben schon beim ersten Auftritt auf einer Messe eine fulminante Resonanz gehabt, dem ein „Gallery Statement“ auf der Parallel folgen wird, wo ihre Arbeiten ein eine Installation integriert sind. Seit einigen Jahren konzentriert Xenia Ostrovsakya Ihr Werk auf Übermalungen von alten Postenkarten, denen Sie mit wenigen Pinselstrichen eine neue Botschaft gibt, oder bestehende Botschaften verstärkt und verfremdet. Gerne arbeitet Sie dabei mit Kriegsmotiven, aber auch klassischen alten Ansichtskarten, die oft mit Pflanzen und Tieren (vorzugsweise Schmetterlinge und ihre Puppen). In Ihren letzten Arbeiten zu der Love of My Life...

This work is a part of the "Chaos and Control Theory" Series. It was created with the pages from an Oxford Dictionary of Quotations. This technique gives a special character to the w...

2020, Oil on canvas

2020, Mixed media on wood 10" x 8" each

2022, Encaustic on wood

2021, Encaustic on wood

2023, Encaustic on wood panel

2020, Encaustic on wood

2023, Encaustic & mixed media on canvas

2023, Oil & cold wax on wood panel

Neon I, Line Drawing, 2022 From the Series Line Drawings Parachute Lines and Epoxy on paper Size: 53 H x 68 W cm. Unique Black wood frame Unpacked: 3 kg Approx. Hand-signed back by ...

2023, Oil & cold on wood panel

2023, Oil & cold wax on wood panel

2023, Encaustic on wood panel

2023, Encaustic on wood panel

2022, Encaustic on wood 8 pieces 12" x 12" wood panels on metal sheet; attached with magnets

2013, Mixed media on canvas

2023, Oil & cold wax on canvas

2023, Mixed media on canvas

Onde is a beautiful texured abstract painting with blue and silvery gray tones. Heavily textured with plaster and acrylic paint.