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Robert Longo
Robert Longo Vinyl Record Art (Robert Longo moon)

2007

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Joan Miró Lithograph Derriere Le Miroir
By Joan Miró
Located in NEW YORK, NY
1970s Joan Miró Lithograph Portfolio: Derriere Le Miroir, 1973. Off-set lithograph in colors. 15x22 inches. Center fold-line as issued; very good overall vintage condition. Unsign...
Category

1960s Contemporary Abstract Prints

Materials

Lithograph, Offset

Keith Haring Rain Dance 1985 (Keith Haring posters)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Rain Dance 1985: RARE original 1980s Keith Haring illustrated poster announcement for a legendary Keith Haring UNICEF benefit party at Larry Levan’s Paradise Garage in 1985. An event organized & curated by Keith Haring; with cohosts including Jean-Michel Basquiat, Andy Warhol, Roy Lichtenstein & more. A event organized by Haring on behalf of UNICEF’s African Emergency Relief Fund. Beautifully combines Haring’s trademark kinetic figures set amidst a standout blue and black color-way. Rare. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 8.5 x 11 inches (folded open). Fair overall vintage condition. Minor wear to center fold-line; minor separation to the mid far-left edge; surface loss lower left. Otherwise well-preserved. Printed signature, ‘Keith Haring 1985’ on lower right from a scarce edition of unknown. Looks fantastic framed. More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. _ Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS. Haring died on February 16, 1990 in New York at the age of 31. In addition to hundreds of exhibitions held during his lifetime, Haring has been the subject of numerous retrospectives in New York, San Francisco, Paris, Tokyo, Los Angeles and Berlin since his death. Related Categories: Keith Haring posters. Keith Haring activist poster. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise Garage...
Category

1980s Contemporary Prints and Multiples

Materials

Lithograph, Offset

SIGNED 1960s Jean DUBUFFET print (Jean Dubuffet exhibition poster)
By Jean Dubuffet
Located in NEW YORK, NY
Jean Dubuffet Ustensiles Utopiques 1966: Hand-signed Jean Dubuffet lithographic poster published on the occasion of: "Jean Dubuffet, Recent Pa...
Category

1960s Contemporary Abstract Prints

Materials

Offset, Laid Paper, Lithograph

Milton Glaser San Francisco Opera 1981 (Milton Glaser posters)
By Milton Glaser
Located in NEW YORK, NY
1980s Milton Glaser Poster Art: Milton Glaser San Francisco Opera: Vintage original Milton Glaser poster c.1981. Designed by Milton Glaser on the ...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph, Offset

Vintage 1970s Alexander Calder poster (Calder prints)
By (after) Alexander Calder
Located in NEW YORK, NY
Alexander Calder 'La Grenouille et Cie': Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph. Dimensions: 25 x 32 inches. An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Alexander Calder changed the course of modern art with his three-dimensional kinetic sculptures, which Marcel Duchamp named “mobiles.” Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial materials and hang in lyrical balance. Calder was an international phenomenon during his lifetime. He won the grand prize for sculpture at the 1952 Venice Biennale, where he represented the United States. He earned the French Legion of Honor and the American Presidential Medal of Freedom, among other honors. Calder has been the subject of solo exhibitions at the Museum of Modern Art, the Rijksmuseum, the Louisiana Museum of Modern Art, and the Museo Reina Sofía. His work regularly sells for eight figures on the secondary market. Though Calder is best known for his mobiles, his diverse practice also encompassed standing sculpture, painting, set and costume design, large-scale public installation, and jewelry-making. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.
Category

1970s Contemporary Prints and Multiples

Materials

Lithograph, Offset

Vintage 1970s Alexander Calder poster (Calder prints)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder 'La Grenouille et Cie' Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph Dimensions: 25 x 32 inches An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.
Category

1970s Contemporary Prints and Multiples

Materials

Lithograph, Offset

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Sean Scully Sean Scully Night and Day (hardback monograph, hand signed by Sean Scully), 2013 Hardback monograph with cloth covers and no dust jacket (hand signed by Sean Scully) Hand...
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Tate Gallery poster
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Tracey Emin Tate Gallery poster, 2004 Offset lithograph 27 1/2 × 19 1/2 inches unframed This offset lithograph poster was published by the Tate Gal...
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Kind of Blue (Hand signed and dated card depicting his sculpture)
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Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artit above the image of the sculpture 5 4/5 × 4 1/...
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Los Angeles Olympic Games 1984 (hand signed with official Olympic Committee COA)
By Martin Puryear
Located in New York, NY
Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately 200-250 remain) 21 × 34 1/2 inches Unframed This limited edition, pencil signed offset lithograph was published in a limited edition of 750, and printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” Printed and Published by Knapp Communications Corporation and includes Certificate of Authenticity from the publisher. This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming...
Category

1980s Contemporary Abstract Prints

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Halley/Kozik, Print, Hand signed by both Peter Halley and Frank Kozik 75/100
By Peter Halley
Located in New York, NY
Peter Halley, Frank Kozik Halley/Kozik, 1997 Offset Lithograph. Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100 22 1/2 × 35 inches Unframed This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100. Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters...
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Materials

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