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Robert Mapplethorpe
Patti Smith Horses vinyl 1st Pressing (Robert Mapplethorpe Patti Smith)

1975

Price:$202
$225List Price

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Original Barbara Kruger Vinyl Record Art
By Barbara Kruger
Located in NEW YORK, NY
Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...
Category

1990s Pop Art Mixed Media

Materials

Lithograph, Offset

BASQUIAT Dancing at The Mudd Club, 1979 (Basquiat Boom For Real photograph)
By Nicholas Taylor
Located in NEW YORK, NY
'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print on 310gsm fiber based paper. 11 x 14 inches (including borders). Hand signed & numbered from an edition of 50. Provenance: Obtained directly from artist. Shipped flat using protective materials. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Exhibits: Basquiat: Boom For Real, The Barbican, London, 2017/2018. More on Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

BASQUIAT photograph New York, 1979 (Basquiat Gray)
By Nicholas Taylor
Located in NEW YORK, NY
Basquiat photograph by Nicholas Taylor: This work is taken from Nicholas Taylor’s famous portfolio documenting his friendship with Jean-Michel Basquiat - a friendship which began whe...
Category

1980s Pop Art Portrait Photography

Materials

Inkjet

Debbie Harry photograph East Village 1977 (The Foreigner)
By Fernando Natalici
Located in NEW YORK, NY
Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (direct...
Category

1970s Pop Art Black and White Photography

Materials

C Print, Digital

Duncan Hannah Unmade Beds 1976
By Fernando Natalici
Located in NEW YORK, NY
Duncan Hannah, Unmade Beds 1976 by Fernando Natalici: This rare, vintage original 1970s darkroom photograph was captured on the set of "Unmade Beds" by ...
Category

1970s Pop Art Black and White Photography

Materials

Silver Gelatin

Debbie Harry on the set of The Foreigner East Village, 1977 (Blondie)
By Fernando Natalici
Located in NEW YORK, NY
Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 11 x 14 inches. Hand Signed, titled & numbered from an edition of 25 (+ 10 A/P's) Obtained directly from artist. Lot 180 New York is authorized dealer rep of Fernando Natalici. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art...
Category

1970s Pop Art Black and White Photography

Materials

C Print

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