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Sergio BarlettaCirque du Soleil n.21995 ca.
1995 ca.
$2,009.71
£1,513.11
€1,700
CA$2,773.69
A$3,107.15
CHF 1,616.10
MX$37,900.83
NOK 20,575.16
SEK 19,400.91
DKK 12,942.10
About the Item
Hand Signed. Mixed technique and collage on cardboard. Passepartout included.
This artwork is from the series "Cirque du Soleil" that the Italian artist Sergio Barletta dedicated to Canadian entertainment company famous all over the world. The protagonists of the "Cirque du Soleil" are acrobats, dancers and jugglers represented in a surrealistic way.
Image Dimensions : 42 x 30.5 cm
- Creator:Sergio Barletta (1934, Italian)
- Creation Year:1995 ca.
- Dimensions:Height: 27.56 in (70 cm)Width: 19.69 in (50 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: 687011stDibs: LU65032322781
Sergio Barletta
Sergio Barletta is an Italian cartoonist and illustrator who has also published some humorous and political satire books. From the age of 22, he was active in Rome, where he worked as an illustrator and art director in some monthly magazines like Costume, Diners ClubHouse Organ, BP Review, IBM and others. In 1965, Barletta started working with Marino Gallery in Rome; in 1966, in Milan, with Humour Graphics group; at Levi Gallery and others in the following years. During these years, Barletta's graphic work and illustration mixed with painting and photography, and also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, layouts, writings and illustrations for Avinews, bimonthly for tour operators and so on.
During the 1980s, Barletta began a long collaboration with satirical weekly Il Sale, complemented by a book with Ottaviano Edizioni in Milan and other publications in Turin and Rome, all of satirical drawings. During this period he collaborated with linus, the most important Italian comics monthly, and Harakiri, a humor weekly published in France.
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