Silvio Merlino

Pensa Una Nuvola Di Pioggia

1989

Nessim Bassan: The Unimaginable Worlds of Perfection showcases the artist’s engagement with kinetic art, as his preoccupation with geometric abstraction enacted through mixed media. ...

BURTON VAN DEUSEN Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist...

Sandro Visca, born in L'Aquila in 1944, has lived for many years in Pescara where from 1968 to 2003 he has taught Painting Disciplines at the Academy Section of the "G. Misticoni "(and among his many students, we remember at least the explosive talent of Andrea Pazienza). He made his debut early in important exhibitions, and already in '62 he was selected for the National Design Biennial "Premio Recoaro Terme" together with artists such as Casorati, Capogrossi, Morandi and Guttuso. In 1963 he moved to Rome where he lived until 1967. Versatile and busy, he collaborated in those years with the important seasons of the Teatro Stabile dell'Aquila, realizing in 1969 the scenes of Alberto Burri for "The Adventure of a Poor Christian" by Ignazio Silone (directed by Valerio Zurlini). The meeting with Burri grows to friendship, human association no less than artistic. Together they will spend numerous hunting trips, among the Umbria of the master of Città di Castello and their arcane mountains of Abruzzo. In 1973 he was invited with a work of six meters, in the Italian section "The empty space of the Habitat" of the XV International Triennial of Milan. Passionate frequentist of his mountains, together for love of hiker and science of anthropologist, he realizes in '75 a very particular performance, which is gesture, ritual, manifest, and at the same time medium-length: "A red heart on the Gran Sasso...

Through my work, I invite viewers to find themselves in the ebb and flow of these abstract landscapes. Each piece is a reminder that, just like the clouds shifting across the sky or the waves reshaping the shore, we too are constantly adapting, evolving, and finding new ways to thrive. It is an exploration of how resilience is not a rigid stance, but a fluid process—a journey that requires both the gentleness to bend with change and the energy to face it head-on. In today’s world, where the pace of life often feels as unpredictable as the weather, my art speaks to the universal experiences of growth, adaptation, and the quiet strength that lies beneath the surface of every turbulent wave. Through these pieces, I hope to create a space where viewers can see their own stories—where they can find comfort in nature’s wisdom and inspiration in its endless capacity for renewal. I deem my works are mainly influenced by modern and contemporary artists, such as Zao Wou-Ki, Zhang Daqian, Julie Mehretu, David Hammons, Wu Chi-Tsung and traditional Chinese ink art...