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Philip WittmannInnocent2023
2023
$1,200
£890.94
€1,038.19
CA$1,665.99
A$1,863.51
CHF 969.78
MX$22,940.47
NOK 12,337.64
SEK 11,575.14
DKK 7,745.90
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About the Item
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow.
He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle.
Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky
is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us
will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can be interpreted by the viewer in any way you want. There is no clear meaning
attached to it. These signs might appeal to your conscious and/or unconscious thoughts. This is
what he finds attractive. As we listen to people talking about what they ‘see’ in his work we are always surprised by the ‘stories’ that people build with themselves in their own minds.
organization, sign, writing, calligraphy, signs, unconscious, conscious, thoughts, interiors, pattern, meaning, interpretation, design, abstract, series, ink, paint, Belgian artist, graphic, natural.
- Creator:Philip Wittmann (Belgian)
- Creation Year:2023
- Dimensions:Height: 20 in (50.8 cm)Width: 20 in (50.8 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1566212119322
Philip Wittmann work is based on signs. Signs are for him an intermediary between abstraction and writing. He started painting 32 years ago, at the age of 26, as an amateur painter with ‘pure’ abstraction. However he felt he did not have strong basis on which his work could evolve. Then in 2008, when taking a calligraphy class, he found a book about the origins of the Chinese alphabet which origins are basically signs. The Chinese characters as we know them today are more graphical than the 26 letters of our Latin alphabet. However when looking at the origin of alphabets, all alphabets actually, he realized that the graphical representation is more present as there is often a resemblance between the sign - its actual meaning- and what it is supposed to represent. For instance in the origin of Chinese alphabet the sign representing a Turtle looks like a turtle. Wittmann loves signs as they leave room for interpretation. For instance, If one writes “the sky is blue”, every person will make for her/himself a mental representation of a blue sky, even if everyone of us, will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can be interpreted by the viewer in anyway you want. There is no clear meaning attached to it. These signs might appeal to your conscious and/or unconscious thoughts. This is what he finds attractive. As we listen to people talking about what they ‘see’ in his work we are always surprised by the ‘stories’ that people build with themselves in their own minds. The combination of signs and calligraph forms the basis of his style. Phillip then built his own dictionary of signs which he carefully uses and organizes on the paper using Inks and oils.
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View AllUnforgettable
Located in New York, NY
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow.
He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle.
Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky
is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us
will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...
Category
2010s Contemporary Mixed Media
Materials
Ink, Handmade Paper, Acrylic, Watercolor, Archival Paper
Willingness
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass.
Philip Wittmann work is based on signs. Sign...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Acrylic, Watercolor, Archival Paper, Archival Ink
Lust
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass.
Philip Wittmann work is based on signs. Sign...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Archival Ink, Acrylic, Watercolor, Archival Paper
Thirst
Located in New York, NY
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow.
He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle.
Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky
is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us
will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Ink, Handmade Paper, Acrylic, Watercolor, Archival Paper
La croyance
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin Blond wood frame, glass.
Philip Wittmann work is based on signs. Signs are for him an intermediary b...
Category
2010s Contemporary Abstract Paintings
Materials
Ink, Archival Paper
Self-Esteem
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass.
Philip Wittmann work is based on signs. Sign...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Acrylic, Watercolor, Archival Paper
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