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"Cabins Rustic Hand-Painted Stone Sign"

Colourful abstract oil on canvas by Eric Demarchelier, restauranteur on East 86th St in NYC, artist & brother to Patrick Demarchelier, (1943-2022) famous Vogue fashion photographer....

Lovely oil on canvas depicting The Schooner Canandaigua by BK Kremitske Art Sz: 7 3/4"H x 11 3/4"W Frame Sz: 10"H x 14"W

Cameron Welch’s new series titled ‘Labyrinths’, act as abstracted landscapes touching on the psychology of the current moment. Their maze-like linear str...

A figure reclines in a red and yellow-strapped lawn chair. The figure sitting in the chair is activated by Aldrich’s transformation of paint and resin into oozing swaths of skin between the lawn chair straps. The chair, recalling the grid, works as a pattern trying to hold and contain the body resting inside it. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings...