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Roses - Etching - 19th century

19th century

Genre Scenes Compositions is an original artwork realized in 1780s After Angelika Kauffmann. The artwork consist in a pair of mixed colored hand wa...

Tulips is a modern artwork realized by Edouard Maubert in 19th Century. Hand colored etching. Includes frame. Good conditions (yellowing of paper).

Toilettes de Mme Bréant-Castel, from La Mode Illustrée is a modern artwork realized in 19th Century. Mixed colored etching and collages on paper. Titled on plate. Good conditions ...

Trajan's Pillar is a modern artwork realized in 19th Century. Black and white etching. Good conditions Includes frame: 27 x 31 cm

Eyes are windows to sentient beings' souls. This work is inspired by animals, humans and ecosystems living together in harmony where a symbiotic relationship exists. The souls seen a...

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...

This work symbolizes the intuitive journey of an empath as she channels her inner knowledge. The work reminds viewers that they know more than they realize in fields of plenty in consciousness beyond the knowable realm. One is reminded to trust one's instinct, to take that leap of faith knowing that there is more there than meets one's eyes. In the reflection the viewer sees themselves and their surroundings as part of the Empath, allowing for a stronger connection with themselves and the world. Metalamirror™ works, build upon the duo's original artist process, Metalagram®, channeling their messages through a revolutionary medium comprised of one layer of handmade Metalagram® + one aligned layer of hand-made silver mirror. The Metalagram® layer, made with the artist duo's original artist process, exists as a separate layer under the aligned silver mirror. The artist duo creates this sculptural work at the intersection of old-world skills and 21st century technology. Lighting impacts this artwork with photons meeting the hand cut layered aluminum at different angles of incidence. Viewers' perception of the work changes as one navigates 180 degrees around the work. Spot lighting...

La obra va firmada en la parte inferior por el artista "Frank Adams" El estado de la obra es bueno Se presenta bien enmarcada la obra Medidas de la obra: 67 cm altura x 47 cm anch...