Volker Kuhn

Homage to Gauguin-contemporary artwork, design tribute to fauvist master Gauguin

2023

"Homage to Palladino - Turtle Hat" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty r...

"Homage to Modigliani" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference for...

"Homage to Malewitsch - Malewitsch is Thinking" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It...

"This Way" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 65 x 63 cm framed in a silver wood-framing with simp...

Garden Splendor and wonder abstract and visual Stimulation Abstract Garden Splendor by New York and California artist Ross Martin Fink (American, B-1935). An in depth abstract and Ga...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Nantucket Still Life with Whirligig and Hydrangea" depicting a mixed media still life colla...

Linda Stein, When Passions and Pastimes were Possible 1274 - Contemporary Art Mixed Media Wunderkammer Cabinet Sculpture This work from Linda Stein's Displacement From Home series d...