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Contemporary quilt by Welsh artist Bethan Ash. Bethan is a well published artist and her quilts have been exhibited Internationally and are in Several Museums in the USA including Museum Of Art And Design in New York. Statement: Every so often I have a break from working with strong, vibrant colours. The fabrics used in this quilt come from 1930’s...

H. Lawrence Hoffman (American, 1911-1977) Inhale Exhale, 1969 Monoprint Sight: 19 x 15 in. Framed: 27 1/2 x 23 1/4 x 3/4 in. Signed and dated lower right, title inscribed verso H. Lawrence Hoffman (23 October 1911 – 20 January 1977) was a commercial book jacket designer, illustrator,calligrapher and painter who worked in New York City. He illustrated book covers for over 25 publishing companies, including Alfred A Knopf, Pocket Books, Popular Library, Macmillan, Simon & Schuster, The Viking Press, and Random House. Over the course of his career, he illustrated over 600 book jacket covers. Hoffman graduated from the Rhode Island School of Design (RISD) in 1934 and then completed two years of post graduate study in Commercial Art from RISD. He moved to New York City with the $200 he was awarded for winning a competition to design a coin for the 1936 300 year Rhode Island Tercentennial. He began his career as an Art Director at the A.M. Sneider Advertising Company (1938–1941) and at Immerman Art Studios (1941–?). After leaving Immerman, he worked as a free-lance artist and book illustrator for the remainder of his career. He also taught illustration and lettering at The Cooper Union (1960-1967) and was a Professor of Art at C.W. Post University (1967–1976). Hoffman began his career doing drawings for the pulp magazine, "Thrilling Mystery Magazine...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

The modern Sculpture " Skytree” is a unique metal piece made from a burnout mold by David Marshall in 2021, sand cast in aluminium, mounted with wood, in our foundry, handcrafted by...

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

Joy, 2021, 60x50 cm

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Here you will find an extraordinary and high quality lamp, which conjures a beautiful shadow pattern on the wall or ceiling. Customization possible and designed in 2010. This ball l...

This torch is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless steel. Due to good air supply, you can very quickly l...

Twentieth Century Untitled Abstract Limited Edition Stone Lithograph by Joan Miro. This is a limited edition lithograph that is untitled. It was originally in a catalogue and consequ...

Personal contacts, 70x90cm

Dualidad III Beads on Wood Panel More than 10,000 beads Ready to hang 25 x 20 cm 2023 About the artist Colectivo Aurora is the new project of a plastic artist and a designer whose...

Important and rare Catalogue of the Exhibition held in Circle Volley from March 17th to April 17th, 1954. Printed by Mourlot, the Catalogue's cover is a photolithograph d'après a work by Dubuffet. It includes 193 descriptions of Dubuffet's artworks and 4 reproductions on photolithograph. Includes the invitation to the exhibition, which is a lithograph not signed d'après the work "Personnage" by Dubuffet. Ref. Cat. Bordas 25 and 25b / Weber 388 and 289. Near perfect conditions. Catalogue aussi rare qu'important de l'exposition qui s'est tenue au Circle Volley du 17 Mars au 17 Avril 1954. Imprimé par Mourlot, la couverture du catalogue est une photolithographie d'après une œuvre de Dubuffet. Il comprend 193 descriptions des œuvres de Dubuffet ainsi que 4 reproductions de type photolithographie. L'exemplaire comprend une invitation à l'exposition. Il s'agit d'une lithographie non signée d'après l'œuvre "Personnage" de Dubuffet. Ref. Cat. Bordas 25 et 25b / Weber 388 et 289. Dans des conditions presque parfaites. Edition: Paris, Cercle Volant René Drouin...

Edition of 20 pieces

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

Catch a deer, 2023, 78x54 cm

Bearbrick and Estate of Jean-Michel Basquiat Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The...

Tadeusz Czarnecki is a Polish artist born in 1960.

Oval bowl with tree motif 2013, stone ware, 3,5x26x18,5 cm

Christo Sharpe has always loved gardens especially when they’re considered the best. ‘Garden with Oast Houses’ uses Great Dixter as the basis for a colour...

WOJCIECH SADLEY (born in 1932) Painter, graphic and fabric artist. He studied at the Music Academy in Lublin, then at the Academy Of Fine Arts in Warsaw (where he works as a profess...

Tadeusz Czarnecki is a Polish artist born in 1960.

Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

This unusual garden torch "Flame" on an oxidised oak pedestal is a real eye-catcher for your garden. Customization possible and designed in 2010. Also available to order in stainless...

This minimal abstract painting is a quiet shade of sky blue. The detailed texture creates movement drawing the eye across the canvas while maintaining a sense of calm. While subtle i...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Shade lamp alpha. Customization possible and designed in 2010. Also available to order in stainless steel. High quality outdoor lampshade for the house and garden as well as entranc...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. Unique, handcrafte...

Planter square. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden ...

Sculpture YASU Limited edition of 12 Mediums: burnt wood and brass Discover the stunning artistry of Zlata Kornilova with this exquisite sculpture crafted from burnt wood using the...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

This outdoor fireplace "Globe" is the eye-catcher in your garden. Thanks to the good air supply, you can light a beautiful fire very quickly. The base also serves as an ash containe...

Layers of paint build up this neutral palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Closer up, it's about subtle textures, intuitive mark-making, playful scribbles and remnants of colour. The blending of these two elements invites the viewer to experience a calm while stimulating, visual response. // Andrea Stajan-Ferkul is a Canadian artist whose work conveys a sense of experimentation through the use of paint, fabric collage and abstract mark-making. While not exclusive to fashion, dresses have been a compositional focus throughout her oeuvre. With an emphasis on timelessness, her series of dress paintings shift between realistic representation and interpretive impressions. In contrast, her series of abstract works embrace minimalism, considerate to a restrained palette and composition. Stajan-Ferkul began her career in fashion advertising before shifting her focus to fine art in 2000. Her work has been exhibited widely through galleries and art fairs, and hangs in private and public collections across Canada, US and Europe. A graduate of Sheridan College of Art and Design, Stajan-Ferkul's paintings can be found in numerous public and private collections, her work has been published in magazines and book covers, and prints are distributed internationally. In 2009, Stajan-Ferkul was invited to exhibit her work in Ottawa’s Rideau Hall, hosted by (then) Governor General of Canada, Michaëlle Jean. keywords: abstract, minimal art...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Women, 2023, 78x54 cm

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. The included burner already contains individual lava stones, so th...

Extraordinary garden torch with one burner insert on anoxidated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included burne...

Outdoor light for the garden or entrance area. Customization possible and designed in 2010. Also available to order in stainless steel. This luminaire captivates by its unique shado...

Dualidad II Beads on Wood Panel More than 10,000 beads Ready to hang 25 x 20 cm 2023 About the artist Colectivo Aurora is the new project of a plastic artist and a designer whose ...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

This unframed, signed, limited edition pigment print by artist Brad Ellis exists in an edition of 30. Paper size is 46"h x 35"w with an image size of 40"h x 29"w. Brad Ellis is a Da...

Nick Thomm - ONYX - SET (XL SIZE 36" x 48" per print). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW -...

Portfolio with complete text folder, bound text volume and 80 color screenprints, loose as issued. The German edition. Published by Josef Keller, Starnberg. Original cream paste boa...

This highly detailed artwork seamlessly blends acrylic, pencil and colour pencil in a freeform style, maintaining a delicate balance between expressiveness and refinement. The distre...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "A Misty Evening," Shazia Imran captures the serene beauty ...

This piece is a unique, original gouache on paper by Erte, also known as Romain de Tirtoff. Erte was a vastly diverse artist who excelled in an array of fields including fashion, jew...

series "Non-standard configurations", 42x30 cm, acrylic on paper The work is sold without a frame and mat

Yellow fields is an original painting by Eleanor Woolley. A beautiful view from May hill with the bright yellow fields of oil seed rape contrasting wildly with the ploughed patches ...

This is a signed, Limited Edition Giclée print of the original painting by Harriet Hoult. The print is on a high grade, cold press rough textured, hand torn art paper. Harriet Hoult...

Wings, Mid-Century Abstract Woven Tapestry, Blue Textile Wall Sculpture, Hand dyed wool hand dyed wool, 73" x 58", (1973) by Czech textile artist, Jan Hladik...

Gary Goldberg Finding the Universe in Oaxaca, Pink Wave, 2018 Dry wool needle felting 48 x 120 in Edition of 3 One of Gary Goldberg’s photographs from his Finding the Universe in Oa...

Composition by ANDRÉ LANSKOY (1902-1976) Oil on canvas 81 x 54 cm (31 ⅞ x 21 ¼ inches) Signed lower right, LANSKOY This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy. Artist biography: André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918 he moved to Kiev, where he made his first paintings. During the Russian Civil War Lanskoy fought in the Tsarist White Army but after an injury moved to Constantinople and in 1921 arrived in Paris where he stayed for the rest of his life. Recalling his arrival in the French capital, Lanskoy said: "Literally in the first night...

This painting by Linda King Ferguson depicts a rectangular linen canvas painted bright orange, with a second layer of deep wine red ellipsis and scalloped edges in the foreground. Red circles dominate the center of the painting in two different sizes. Some of the circles overlap, creating a vesica piscis shape. Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and received an MFA from Vermont College of Fine Arts. She also has studied at Academia Di Belle Arti in Perugia...

This beautiful baluster-shaped vase features the vivid hypnotic Egyptian blue (which some call "turquoise", although it's not) Raoul Lachenal is most renowned for. Drop-shaped white...

This piece is a turned vase by Pablo Picasso, created in 1953. It is made with chamotted red eathenware clay, decoration in pastels using white, green, ye...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...