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This minimal abstract painting is a quiet shade of sky blue. The detailed texture creates movement drawing the eye across the canvas while maintaining a sense of calm. While subtle i...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Sculpture YASU Limited edition of 12 Mediums: burnt wood and brass Discover the stunning artistry of Zlata Kornilova with this exquisite sculpture crafted from burnt wood using the...

Layers of paint build up this neutral palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Closer up, it's about subtle textures, intuitive mark-making, playful scribbles and remnants of colour. The blending of these two elements invites the viewer to experience a calm while stimulating, visual response. // Andrea Stajan-Ferkul is a Canadian artist whose work conveys a sense of experimentation through the use of paint, fabric collage and abstract mark-making. While not exclusive to fashion, dresses have been a compositional focus throughout her oeuvre. With an emphasis on timelessness, her series of dress paintings shift between realistic representation and interpretive impressions. In contrast, her series of abstract works embrace minimalism, considerate to a restrained palette and composition. Stajan-Ferkul began her career in fashion advertising before shifting her focus to fine art in 2000. Her work has been exhibited widely through galleries and art fairs, and hangs in private and public collections across Canada, US and Europe. A graduate of Sheridan College of Art and Design, Stajan-Ferkul's paintings can be found in numerous public and private collections, her work has been published in magazines and book covers, and prints are distributed internationally. In 2009, Stajan-Ferkul was invited to exhibit her work in Ottawa’s Rideau Hall, hosted by (then) Governor General of Canada, Michaëlle Jean. keywords: abstract, minimal art...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Women, 2023, 78x54 cm

Tête de Faune, Pablo Picasso, Unique piece, Design, Terracotta, Tile, Mythology Tête de faune Unique work 08.08.1956 Painted and glazed terracotta tile...

Dualidad II Beads on Wood Panel More than 10,000 beads Ready to hang 25 x 20 cm 2023 About the artist Colectivo Aurora is the new project of a plastic artist and a designer whose ...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Picador, by Pablo Picasso, 1950's, Bowl, Sculpture, Design, Edition, Earthenware Picador Ed. 500 pcs 1955 White earthenware clay, decoration in engobes and paraffin, white enamel 12...

This unframed, signed, limited edition pigment print by artist Brad Ellis exists in an edition of 30. Paper size is 46"h x 35"w with an image size of 40"h x 29"w. Brad Ellis is a Da...

Nick Thomm - ONYX - SET (XL SIZE 36" x 48" per print). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW -...

Portfolio with complete text folder, bound text volume and 80 color screenprints, loose as issued. The German edition. Published by Josef Keller, Starnberg. Original cream paste boa...

This highly detailed artwork seamlessly blends acrylic, pencil and colour pencil in a freeform style, maintaining a delicate balance between expressiveness and refinement. The distre...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "A Misty Evening," Shazia Imran captures the serene beauty ...

series "Non-standard configurations", 42x30 cm, acrylic on paper The work is sold without a frame and mat

Yellow fields is an original painting by Eleanor Woolley. A beautiful view from May hill with the bright yellow fields of oil seed rape contrasting wildly with the ploughed patches ...

This is a signed, Limited Edition Giclée print of the original painting by Harriet Hoult. The print is on a high grade, cold press rough textured, hand torn art paper. Harriet Hoult...

Wings, Mid-Century Abstract Woven Tapestry, Blue Textile Wall Sculpture, Hand dyed wool hand dyed wool, 73" x 58", (1973) by Czech textile artist, Jan Hladik...

Gary Goldberg Finding the Universe in Oaxaca, Pink Wave, 2018 Dry wool needle felting 48 x 120 in Edition of 3 One of Gary Goldberg’s photographs from his Finding the Universe in Oa...

Composition by ANDRÉ LANSKOY (1902-1976) Oil on canvas 81 x 54 cm (31 ⅞ x 21 ¼ inches) Signed lower right, LANSKOY This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy. Artist biography: André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918 he moved to Kiev, where he made his first paintings. During the Russian Civil War Lanskoy fought in the Tsarist White Army but after an injury moved to Constantinople and in 1921 arrived in Paris where he stayed for the rest of his life. Recalling his arrival in the French capital, Lanskoy said: "Literally in the first night...

This painting by Linda King Ferguson depicts a rectangular linen canvas painted bright orange, with a second layer of deep wine red ellipsis and scalloped edges in the foreground. Red circles dominate the center of the painting in two different sizes. Some of the circles overlap, creating a vesica piscis shape. Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and received an MFA from Vermont College of Fine Arts. She also has studied at Academia Di Belle Arti in Perugia...

This piece is a turned vase by Pablo Picasso, created in 1953. It is made with chamotted red eathenware clay, decoration in pastels using white, green, ye...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Nick Thomm - ONYX - Amber (XL SIZE 36" x 48"). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopen...

"Sommerspaziergang" (2023), by Susanne Zuehlke (b. 1962), meaning "Summer Walk," is a vibrant exploration of color and form, featuring dynamic rectangles in a warm, playful palette. ...

Beth Munro’s original paintings, whether composed of still life, landscape, or abstract forms, focus on pattern, color and texture. Munro is inspired by everything from the impressio...

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...

Paysage, Pablo Picasso, 1950's, Plate, Design, Ceramic, Figuratif, Editions Paysage Ed.200 pcs 08.12.1953 White earthenware clay, decoration in engobes, knife engraved, under glaze ...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speak...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Julia Craig Caliente Acrylic on canvas 18cm x18cm Abstract Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Julia is an abstract art...

Sculpture – ‘Red Neon Orb’ by Mark Beattie 2017 80 x 65 x 65cm Red neon, powder coated copper on mirror polished stainless steel plinth. ‘Red Neon Orb’ is one of the largest neon s...

Gaetano Pesce wood and metal sculpture frame In very good condition, a very rare wooden metal sculpture by the Italian designer Gaetano Pesce (1939) for the manufacturer Cassina Ital...

Vase blue flower. 2017. Stone mass, h 17,5 cm, diam. 21.5 cm

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Timeless No. 1" by Cat Tesla is a serene yet dynamic abstract...

Taureau gravé, Pablo Picasso, 1940's, plate, Sculpture, Design, Bull Taureau gravé Ed. 84/200 pcs 1947 White earthenware clay, engobe decoration, engrav...

"Banana" is a one-of-a-kind hand screen print on canvas by AI artist Tom White. This piece was created using neural networks trained on images of real bananas to create an abstracted...

Antoni Tàpies, 1987 "Lleu" Grabado al aguafuerte y resinas Sobre papel archés Firmado y n numerado a mano Ejemplar 50 de una serie de 75 En excelentes condiciones

"I've Dreamed in Colors #3" by Cécilia Lusven is handwoven from linen and off-cut leathers. Lusven's signature style involves hand-cutting the leather s...

Christo Sharpe Red Borders Original Landscape Painting Oil Paint on Canvas Canvas Size: H 45cm x W 60cm x D 2cm Framed Size: H 50cm x W 65cm x D 2cm Signed Sold Framed in a Grey Fram...

This textile work, signed by Arcemont, presents a delicate and intimate approach to mixed media, where each element is imbued with a poetic intention. Rather than simply gluing piece...

braided/knotted exposed warp edges at one end, hemmed edges on the other

Wilderness by Sophie Berger An original oil painting on canvas, un-framed, measuring 40 x 40 cm. Inspired by the wild North Devon coastline in England.

"I've Dreamed in Colors #5" by Cécilia Lusven is handwoven from linen and off-cut leathers. Lusven's signature style involves hand-cutting the leather s...

This painting by Linda King Ferguson, like all of her work, Depicts an abstaction of the female body. An oblong pink shape jutts out from the top of the diamon-shaped canvas. A teard...

This rectangular painting by Linda King Ferguson is primarily color blocked into two sections, as it is split horizontally down the center into a ...

Catch a deer, 2023, 78x54 cm The work is sold without a frame.