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Barbara Kruger New York 2004 (announcement card)2004
2004
$320
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£246.77
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€281.39
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CA$456.39
CA$570.4820% Off
A$498.78
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CHF 262.47
CHF 328.0920% Off
MX$5,974.12
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About the Item
Barbara Kruger Mary Boone Gallery, 2004:
Rare folding announcement card for Kruger's Back to The Future exhibition at Mary Boone: Oct. 28 - Dec. 18, 2004.
Well suited for framing at 14 inches in height, this rare vintage Kruger collectible feature’s details from Kruger's 1988 Untitled (Pledge).
Offset printed folding exhibition announcement.
14x7 inches (folded open).
Good to very good overall vintage condition. Minor signs of handling.
Unsigned from an edition of unknown. Rare.
More on Barbara Kruger:
Best known for laying aggressively directive slogans over black-and-white photographs that she finds in magazines, Barbara Kruger developed a visual language that was strongly influenced by her early work as a graphic designer (at magazines including House and Garden, Mademoiselle, and Aperture). Among her most famous pieces are I shop, therefore I am (1987) and Your body is a battleground (1985). Informed by feminism, Kruger's work critiques consumerism and desire, and has appeared on billboards, bus cards, posters and in public parks, train station platforms, and other public spaces. She has also created site-specific installations comprised of video, film, audio, and projection.
Related categories:
Barbara Kruger feminism, Barbara Kruger You are not yourself, Barbara Kruger Surveillance is your busywork, Barbara Kruger posters, Barbara Kruger 1983, Barbara Kruger 1984, Barbara Kruger Annina Nosei.
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Located in NEW YORK, NY
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John Baldessari:
It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence."
Related Categories:
Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.
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