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Gino SeveriniAutograph Letter to Veno Pilon - 1950s - Gino Severini - Futurist1958
1958
$768.42
£578.54
€650
CA$1,060.53
A$1,188.03
CHF 619.07
MX$14,491.50
NOK 7,866.97
SEK 7,418
DKK 4,948.45
About the Item
Autograph letter signed by Gino Severini to Veno Pilon. Nice, Avril 7th 1958. One double-sided page, in Italian. With some notes in pencil. Excellent conditions, except for some usual folds of paper, some little rips on the left margin, a little stain on the central lower margin, and two ring-holes on the right margin.
Letter of congratulations for realizing some superb specimens of his lithographs, with a brief work in progress report and his and his wife's detailed states of health.
Gino Severini (Cortona, 1883 – Paris, 1966), Gino Severini is an Italian painter who knows how to fuse science, art, composition and fantasy: most of all the Futurist dynamic values with the Cubist constructive concepts. It is hard to insert Gino Severini in one single artistic movement - although he is best-known as a Futurist artist, he is also considered a Pointillist, Cubist, Neoclassicist of “Valori Plastici”. After a religious crisis (between 1924-34), he abandons easel painting to focus on religious art: it is the time of big frescoes and mosaics especially for Swiss churches. In 1946, he moves to Meudon, and his style becomes semi-abstract.
The time of this letter was a period full of satisfaction and of life-long appreciation: he showed his work at major exhibitions, including the Rome Quadrennial and won art prizes from major institutions.
- Creator:Gino Severini (1883-1966, Italian)
- Creation Year:1958
- Dimensions:Height: 10.56 in (26.8 cm)Width: 8.27 in (21 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-956381stDibs: LU65033511702
Gino Severini
Gino Severini (7 April 1883 – 26 February 1966) was an Italian painter and a leading member of the Futurist movement. For much of his life he divided his time between Paris and Rome. He was associated with neo-classicism and the "return to order" in the decade after the First World War. During his career he worked in a variety of media, including mosaic and fresco. He showed his work at major exhibitions, including the Rome Quadrennial, and won art prizes from major institutions.
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