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Jean Lurçat
Vintage French Modernist Jean Lurcat Glazed Ceramic Plate Tete a Tete Masques

c.1950's

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Vintage French Modernist Jean Lurcat Glazed Ceramic Art Plate Sant-Vicens France
By Jean Lurçat
Located in Surfside, FL
Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...
Category

Mid-20th Century Modern More Art

Materials

Ceramic, Glaze

Glazed Ceramic Sculpture Plaque WPA Artist NYC Frank Kleinholz Couple of Lovers
By Frank Kleinholz
Located in Surfside, FL
Frank Kleinholz (Brooklyn, 1901 - 1987) Lovers Ceramic unique glazed miniature sculptural plaque with gold leaf or foil under the glaze. Initialled recto and hand signed verso with a self portrait drawing. Framed measures 8.75 X 8.75 inches, Plaque is 6 X 6 inches. c.1950's-1960's Born in Brooklyn, New York, Frank Kleinholz was a painter based in New York City whose work spanned several art movements including Expressionism and Social Realism. His work was strongly influenced by Max Beckmann, is a late survival of the social com­mentary expressionism of the WPA era; His early lithograph works were intensely personal and reflected the influence of the Depression and the World Wars, but his palette lightened as he increasingly focused on families and the bonds between adults and children. He was contemporary of William Gropper and Ben Shahn. As the son of a blind father and hard-working mother who supported the family with a delicatessen. From early childhood, he had to earn a living and sold newspapers and ran errands for local businesses. He graduated from Fordham Law School, and at age 23 was admitted to the bar. In the mid-1930s, while practicing insurance as well as law, he began oil painting and printmaking with teachers including Yasuo Kuniyoshi and Sol Wilson. He gained quick recognition and between 1941 and 1980 participated in numerous exhibitions including the National Academy of Design, the Brooklyn Museum and the Worcester Art Institute. Born in Brooklyn, New York, Kleinholz graduated Fordham Law School in 1923. In the 1930s, he began studying painting under Yasuo Kuniyoshi and Sol Wilson. He quickly rose to prominence with the inclusion of Abstract art in the Carnegie Institute exhibition of 1941. His painting Backstreet won a purchase prize by the Metropolitan Museum of Art. Chronology His strongest influences were American Social Realists Reginald Marsh and Philip Evergood, the German Expressionists George Grosz and Kathe Kollwitz, the Mexican muralists Diego Rivera, Jorge Orozco, and David Alfaro Siqueiros, and the early 20th century Paris Modernists. Described by Newsweek as a "Brooklyn-born Gauguin," Kleinholz focused on urban life in New York, Brooklyn and Coney Island, as well as intimate, social realist scenes of parents and children, watercolor paintings of flowers and birds, and sunbathers. His political works include anti war paintings...
Category

20th Century Expressionist Figurative Sculptures

Materials

Ceramic, Paint, Glaze

Large Hand Painted Abstract Ceramic Platter Stamped Madoura Plein Feu Brutalist
Located in Surfside, FL
Large Madoura Pottery Ceramic Platter Stamped "MADOURA PLEIN FEU" This is not marked Picasso. It is an early piece. i am uncertain who the artist is. It appears to be an abstract fi...
Category

Mid-20th Century Modern Abstract Sculptures

Materials

Enamel

Gold Gilt Bronze Sculpture Pendant Israeli Tumarkin Abstract Modernist Jewelry
Located in Surfside, FL
Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...
Category

1960s Modern Abstract Sculptures

Materials

Gold, Bronze

Very Large Hand Woven Wool Tapestry "Boulders II" River Stones
By Julia Mitchell
Located in Surfside, FL
Julia Mitchell Wool on Linen Tapestry, Boulders II Signed and dated JM 82 Julia Mitchell’s Biography Julia grew up in a family of artists, adopting tap...
Category

20th Century American Modern More Art

Materials

Wool, Linen

Exquisite Signed Murano Handblown Glass Toucan Sculpture
By Licio Zanetti
Located in Surfside, FL
A mid Century Modern Italian Toucan bird on a branch by a contemporary master. smoked and clear hand blown Murano glass. The base is Hand signed with the signature "L Zanetti". Licio...
Category

20th Century Modern Figurative Sculptures

Materials

Blown Glass

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Located in Kansas City, MO
Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...
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"AR 223 - Square headed pitcher" from edition of 300 by artist Pablo Picasso
By Pablo Picasso
Located in Boca Raton, FL
"AR 223 - Square headed pitcher" by artist Pablo Picasso. Partially glazed white earthenware turned pitcher painted in black with 99/300 Edition Picasso on bottom.
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"AR 30 - Face in a star" white earthenware clay platter by artist Pablo Picasso
By Pablo Picasso
Located in Boca Raton, FL
"AR 30 - Face in a star" white earthenware clay with decoration in engobes, boring-rod engraved under glaze and blue, green, red and white ground ceramic platter by artist Pablo Pica...
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"AR 495 - Visage No. 202 (Face No. 202)" white earthenware clay Picasso platter
By Pablo Picasso
Located in Boca Raton, FL
"AR 495 - Visage No. 202 (Face No. 202)" white earthenware clay platter with decoration in engobes and enamel under glaze by artist Pablo Picasso. Titled and numbered No. 202 Edition...
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John Glick Plum Street Pottery Reduction Fired Shino Glaze Cup Published in Book
Located in Detroit, MI
“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...
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