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KOCHERT, Irmgard Hauser"Kochert Jewellery Designs 1810-1940: Imperial Jewellers In Vienna" 1990 KOCHERT1990
1990
$7,750List Price
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Vintage Golden Age Syndicated Ink Drawing Cartoon Strip Susie Q Smith Comic Art
Located in Surfside, FL
SUSIE Q. SMITH
Medium: Newspaper comics
Distributed by: King Features Syndicate
First Appeared: 1945
Creators: Linda and Jerry Walter
6.5 X 19.5
Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be.
Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork.
The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs.
Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959.
Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work.
During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann.
illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones.
Vintage Golden Age of Comics era.
The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner.
Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...
Category
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Original Vintage Syndicated Ink Drawing Cartoon Strip Susie Q Smith Comic Art
Located in Surfside, FL
SUSIE Q. SMITH
Medium: Newspaper comics
Distributed by: King Features Syndicate
First Appeared: 1945
Creators: Linda and Jerry Walter
6.5 X 18
Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be.
Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...
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1950s American Modern More Art
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Rare 1950s Original Syndicated Ink Drawing Cartoon Strip Susie Q Smith Comic Art
Located in Surfside, FL
SUSIE Q. SMITH
Medium: Newspaper comics
Distributed by: King Features Syndicate
First Appeared: 1945
Creators: Linda and Jerry Walter
6 X 18.25
Like her contemporaries, Aggie Mack,...
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John Latham Volk (October 15, 1901 - February 20, 1984) was an Austrian architect who designed public buildings and private residences in and around Palm Beach, Florida from the 1920s until his death in 1984. Although there is no particular style exclusively associated with Volk, he worked with many styles from Mediterranean Revival to Modern. Volk was among a group of architects considered the “Big Five,” along with Marion Sims Wyeth, Addison Mizner, Maurice Fatio, and Howard Major, who defined Palm Beach style in the early twentieth century.
After working on designs for the Rivoli and Capital Theaters in New York, Volk came to Florida in 1925 with a commission to design a $1 million office building and bank in Key West. The deal fell apart due to the 1926 hurricane and the collapse of the Florida real estate boom. Volk, however, saw the opportunity for growth in Florida and decided to move to Palm Beach. By 1926, Volk had established his own practice in Palm Beach. Architect Gustav A. Maass joined as a partner from 1927 to 1937.
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"The Art Of The Links" 2017 DE ST JORRE, John
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2017
12"H x 9 1/2"W
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The club was established in 1916-1917 by Charles B. Macdonald, in a building designed in the Georgian Revival architectural style by Cross & Cross. In the 1960s, it was "a preferred social gathering spot for America's most powerful chief executives." By 2010, it was still a "preserve of the old banking elite", but not all members were WASPs.
While ostensibly a book about the club’s spectacular collection of artwork, the book also gives a fuller history than the smaller 2004 book. It begins with the story of how the adjacent townhouse blew up in spectacular fashion in 2006, damaging The Links. While tragic, it was also an opportunity for the club to refurbish. Among other things discovered during the repairs the club undertook were original hardwood floors that had been covered by carpets for decades and bookshelves hidden behind wood panels in the Sir Christopher Wren Room (which serves as the club’s library). The history also discusses the creation of a new wine room where members hold intimate private dinners.
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