Inkjet More Art

Artist: David Hockney (English, 1937-) Title/Portfolio: "A Bigger Book" *Signed by Hockney in black ink on the title page Year: 2016 Medium: The Book and Bookstand Set (Collector's E...

This piece titled "Sweetheart" is an original piece by Han Cao and is made from embroidery on an inkjet print. This piece measures 26"h x 31" framed and is shipped in the pictured bl...

Homage to the little black dress. Chic and understated, this giclée print is enriched with added hand painted elements giving the print its own unique outcome. The special edition, o...

Homage to the iconic Jimmy Choo Luxury Shoe. The fusion of digital and hand painted elements give this artwork distinct character and individuality. The one-of-a-kind Giclée print is...

Homage to the iconic Chanel No. 5 perfume. This playful, one-of-a-kind Giclèe print is printed on archival, acid-free, cold press paper. The yellow and black paint strokes are hand painted adding a unique quality to the print. An accent piece to personalize a space. Fits into any 6"x6" frame or add a large matte to make a statement piece. Hand signed. Limited edition, only one available. // Andrea Stajan...

Wo ist die Revolution -Contemporary, 21st Century, Ai Weiwei, China Wo ist die Revolution, 2019 Inkjet Print Edition of 180 190 x 100 cm (74.8 x 39.3 in.) Signed and numbered In mint condition, as acquired from the publisher in the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons, the work is offered unframed. “If you look at art history you see that only important art moments...

Hand signed and numbered by the artist. Hand embellished giclee on canvas. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. All reasonable o...

Hand signed and numbered by the artist. Hand embellished giclee on canvas. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. All reasonable o...

"Rather Than?" by artist Hayley Nichols is a white and black contemporary still life image printed with archival inkjet on Moab Entrada that measures 18 x 24 and is priced at $900. Hayley Nichols Bio/Artist Statement(s) Hayley Nichols draws spiritual wisdom from the routines of daily life most of us move through without a thought. By calling attention to the nuance of these secular rituals, common objects become a space to honor moments of human connection, playfulness, and loss. Nichols reveals both the sensory delight and inevitable melancholy in trying to stay present. Hayley Nichols draws personal lessons and spiritual wisdom fro m the routine, disposable secular rituals most of us cycle through without a thought. Her latest series, Com mon Practice, challenges the viewer to do the same, by stretching out these small moments into concrete, welcoming, demanding objects. Used paper napkins from a shared meal become drawings and prints honoring an all too temporary moment of human connection. A paper towel roll ’ s final sheet is saved and framed to mark time ’ s loss and the invisible trail of its use and disposal. These works engender feelings of both playfulness and loss. By beckoning the viewer ’s focus to these temporary moments, Nichols reveals both the sensory delight and inevitable melancholy in trying to stay present. The viewer both enjoys their sudden awareness of an object or ritual they generally ignore and simultaneously witnesses their inability to stay in such a state for long. Common Practice speaks to shared experience, both internal and external, highlighting the potential richness hidden inside the seemingly mundane. Commonplace: commonly found or seen; ordinary, unremarkable I look for what we choose to ignore. Every week or two, I run out of paper towels and the time comes to change the roll. I pick it up, holding it in my left hand, while my right gently clutches the loose side of the last sheet. Giving it just enough of a tug, the towel peels from the cardboard tube making audible the sound of the glue letting go of its grip. This is a moment I look for. I strive for all of my work to be a vehicle for pausing and unfolding. What do we notice? What do we choose to ignore? What are we willing to reconsider? How can we excavate our assumptions? Where is the room for change? My intention is to create space to encourage willingness. To slow our process of perception. To question our understanding. To see the commonplace anew. And to open and expand the dialogue with ourselves, others, and the spaces around us. We repeat the same movements, hold the same materials, and take in the same scenes over and over again. Evidence of these commonalities is left behind, but it doesn't speak loudly. The simple act of noticing these traces of the shared human experience is my medium. I document these impressions in a variety of media: objects unaltered, realistic and distorted reproductions, and recordings of sound and motion. My work offers a space to exalt in what’s commonplace—the solitary but shared moments that make up a life. Born in Tulsa, Oklahoma, 1986 Lives and works in Brooklyn, New York BFA Graphic Design, Illustration Second major in Studio Art, minor in Art History Oklahoma State University, May 2010 Studio Manager, Oliver Jeffers...

Original RV paper sculpture by Drew Leshko, mounted in the pictured custom shadowbox frame, measuring 16in height x 19.75in width x 3.25in depth. About the Artist // Drew Leshko is a Philadelphia, Pennsylvania-based artist. Working from observation and photographs, the artist painstakingly recreates everything from building facades to campers at a 1:12 scale. The scale is familiar for some viewers as standard dollhouse spec; the treatment to Leshko's work is widely different. The minute detail of his work includes city detritus such as dumpsters and pallets, which are commentary of the ideas of what is worth preserving. Accumulations of typically overlooked details and minutiae like acid rain deposits and rust become beautiful adornments. Leshko’s work has been exhibited in galleries, and museums both nationally and internationally. His work is included in permanent collections including the Dean Collection (NYC), the Hosner Collection (LA), West Collection (Philadelphia), Iron State Development’s corporate collection (Hoboken), Urban Nation Museum (Berlin), and many private collections throughout the world. “My recent experiences leave me wondering if there is the same amount of interest in this lifestyle anymore. I began to think about the RV’s that are literally rotting in lots all over our cities and countryside... the ones, sitting — rusting beyond repair at a construction site, a storage yard, or a backyard of a rural landscape — unused in a state of disrepair. These vehicles, wasting away, made me reflect on fading memories of my childhood spent camping in motorhomes and camper trailers, paired with recent trips revisiting some of these older and decaying campgrounds. I’m hoping that this series brings back memories to viewers who have had similar experiences with outdoor exploration and adventures while also creating an archive of these older body-style vehicles.” – Drew Leshko Statement // Where is Home when home for you is a concept and not a place? Throughout the twentieth century, motor homes...

This piece will be on display at SCOPE Miami Beach until December 7, 2015, and shipped out the following week. Drew Leshko is a Philadelphia, Pennsylvania-based artist. Working f...

This piece will be on display at SCOPE Miami Beach until December 7, 2015, and shipped out the following week. Drew Leshko is a Philadelphia, Pennsylvania-based artist. Working f...