Marble More Art

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

PORTRAIT HEAD OF A GIRL Rome, circa 2nd/3rd century A.D. Marble height 18.4 cm height 7 1/4 in Provenance: Sotheby's, London, May 23rd, 1988, no. 240,...

Untitled "Marble Fragment 3" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

Untitled "Marble Fragment 1" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

Capital with ox skull: "Bucranium". Carved marble. 16th - 17th century. Bucranium with garlands is a decorative element that dates back to the art of Ancient Rome, later taken up by...

Magnificent and colorful, this enchanting Florentine work of art is not a painting, but upon closer inspection is revealed to be a superb example of the intensive art of pietre dure....

Oak with marble top Height: 55 inches (86.25 cm) Width: 55 inches (140 cm) Provenance Château de Mareil Le Guyon This commode is available to view at our gallery on Cecil Court. J...

Roland Paris Bronze Statue Glider 1933. This glider was originally based on the Schneider Grunau Baby Glider from 1931. It held the world record fo...

"Neolithic Implements" by David Sprakes is an original table-top marble sculpture that channels the essence of ancient tools and artifacts. Crafted in marble and presented in a limit...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

A Giallo Antico (Giallo Numidia ) marble grand tour model of a bath with ferine feet standing on a squared Violet Marble two order base. The work from the workshop of Benedetto Bosch...

Francis Linke (1855-1946) Oak table, veneered with mahogany, marble top, gilded bronze, legs from mahogany wood, 75.5 cm; d 59 cm

ITALIAN RENAISSANCE CAPITAL WITH MYTHOLOGICAL FIGURES, 15th Century marble H 18 x Diam 33.5 cm H 7 x Diam 13 1/4 in

LARGE ITALIAN RENAISSANCE MARBLE CAPITAL Florence, 15th/16th Century marble 38 x 47 x 47 cm 15 x 18 1/2 x 18 1/2 in

ITALIAN NEOCLASSICAL MARBLE BAS-RELIEF PLAQUE Italy, 19th Century marble 22 x 29.5 cm 8 3/4 x 11 1/2 in

PAIR OF COLUMNS/PLINTHS WITH FLORAL DECORATIONS Italy, 19th Century marble 101 x 21 x 21 cm 39 3/4 x 8 1/4 x 8 1/4 in

RARE PAIR OF ITALIAN PIETRA PAESINA COLUMNS, Italy, 19th Century Pietra Paesina H 70 x Diam 9.5 cm H 27 1/2 x Diam 3 3/4 in

NEOCLASSICAL TAZZA Rome, 19th Century Alabastro fiorito and lumachello marble H 44 cm, D 33 cm H 17 1/4 D 13 in

PIETRA DURA TABLETOP WITH PARROTS AND CHECKERBOARD Rome, 18th Century Polychrome marbles, pietre dure and pietra paesina 117 x 73 x 5 cm 46 1/4 x ...

18th Century Italian breccia circular vase probably carved in Rome ROUND BRECCIA TAZZA, 18th Century Breccia H 29 cm D 39 cm

PAIR OF PIETRA DURA MOUNTED URNS France, 18th and 19th Century Amethyst and breccia pavonazzetto height 24.5 cm height 9 3/4 in

FRENCH MOUNTED PORPHYRY VASE France, 19th Century Porphyry and gilt bronze mounts 46 x 28 cm 18 x 11 in

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

Encoignure desserte Louis XVI, estampillé de TOPINO, en acajou et placage d’acajou veiné à encadrement de bronzes. Elle ouvre par 1 tiroir en ceinture qui surmonte 2 étagères à galer...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

Chaim Gross Three little girls, three Graces. 1981. Bronze sculptural relief plaque mounted to verdigris marble. signed and dated on marble Marble approx 7.5" x 7" x 1.5". Bronze: 5.25" x 4" x 1" Chaim Gross, born in Wolowa, Austria in 1904, was educated at the Beaux Arts Institute of Design and at the Art Student's League in New York. Chaim Gross's work was greatly influenced by his experiences during a period of international conflict, World War II. He had moved to Kolomyia from Wolowa to get a better education, but the Germans came to occupy, killing, raping, and looting. Gross and his family were chased from one village to the next. He wrote, "We were sleeping on roofs and in the fields, with the sound of cannon fire always in the distance,". Eventually, he ended up in Budapest with his two brothers, where Anti­ Semitism was not as severe, and that is where he began to sculpt and draw. He even had a few odd jobs there as a gold­ and silversmith. When he was seventeen, Gross immigrated to America where his older brother was. There he was a student and then a teacher at the Educational Alliance on the Lower East Side. Teaching became a big part of his philosophy, as he believed that an artist must pass on the knowledge which he had received from others in his artwork. He was part of an artist emigre community which included Raphael Soyer, Moses Soyer, Arnold Newman, Max Weber and David Burliuk. His daughter is the artist Mimi Grooms and his son in law was Red Grooms. Chaim Gross works reflect his Jewish and Austrian roots and his Hasidic Jewish upbringing. The figures in his art reflect the Hasidic spirit of being happy and making other people happy. This opiece has children playing and is perfect for a kids room. In his pieces, Jews sing and dance in celebration of the Jewish Sabbath and festivals. They are shown rejoicing in the great gifts of love and life. Chaim Gross was honored with a number of prestigious awards including: the Award of Merit Medal from the National Institute of Arts and Letters in 1963, and the Gold Medal award from the National Academy of Design in 1985. He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin, Raphael Soyer and Moses Soyer). Gross was a member of the New York Artists Equity Association and the Federation of Modern Painters and Sculptors. He was a founder and served as the first president of the Sculptors Guild. He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel.He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel. And the EIN HAROD Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Amedeo Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Joseph Constant and Leon Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zeev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Sternschuss, David Palombo ( who executed the iron...

Vestal, Italy, 19th Century marble height 52 cm height 20 1/2 in

PAIR OF PIETRA DURA PLAQUES WITH LANDSCAPES Italy, Florence, 18th Century pietre dure in gilt bronze frame 28.5 x 39 cm (11 1/4 x 15 1/4 in) with frame 23 x 33 cm (9 x 13 in) withou...

This pair of 11x14 inch (12x15 in framed) Campan Vert Marble works of art have been created by Scott Gentry using real stones from his sculpture creation ...

PAIR OF PIETRA DURA PLAQUES WITH BIRDS Florence, 18th Century pietre dure in gilt wood frame 9.5 x 12 cm (3 3/4 x 4 3/4 in) without frame 15 x 17.2 cm (6 x 6 3/4 in) with frame

PAIR OF FLORENTINE PIETRA DURA PLAQUES WITH BIRDS IN GILT BRONZE FRAME Florence, 18 Century Pietra dura, gilt bronze frame 7.5 x 11.5 cm (3 x 4 1/2 in) without frame 11.4 x 15.5 cm ...

BRECCIA FRAGMENT PLINTH Italy, 18th Century Breccia medicea 55 x d 25 cm 21 3/4 x d 9 3/4 in

Stilnovo floorlamp. Italy 1950's. Excellent condition, very few signs of time, base in white marble and bowls in white glass, it has 3 lighting modes, the first turns on all the lig...

A fine classical form marble sculpture of a young boy with robe by Irish / American artist Martin Milmore (1844-1883). Milmore was born in Sligo, Ireland and was brought to Boston, Massachusetts in 1851, where his training began with his brother, Joseph, a stonecutter, who later became his assistant. Milmore was apprenticed to Thomas Ball from 1858 to 1862 working mainly on his equestrian "George Washington" (1858-61, Boston Public Gardens). After Ball departed for Italy, Milmore became Boston's leading sculptor. Realistic in his style, he is best known for his Civil War monuments and sculptures of prominent Bostonians including Wendell Phillips...

Divyendu Anand - Leaves - The Mystical Link - H 32 x W 20 x D 18 inches Edition 3/8 Liquid Metal Coating over Composite of Stone Glass and Polyester Res...

Divyendu Anand - Mystical Woodland - H 20.5 x W 28 x D 10 inches Edition 3/9 Metal Skin Over Composite of Stone Glass and Polyester Resin, White Marble...

Divyendu Anand - Space Rock - H 27 x W 18 x D 11 inches Edition 2/9 Metal Skin over Composite of Stone Glass and Polyester Resin, Black Marble, 2020 G...

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

PAIRE D’ENCOIGNURES RÉGENCE en placage de bois de violette à façade bombée. Elles ouvrent par 2 portes encadrées de montants décreusés de cannelures. Triple piètement. Dessus de marb...

This European metal sculpture, most likely bronze or brass, is probably Anteros, God of requited love. The piece altogether is 18" in height; the figure itself 7.25". The bottom and...

Unusual 14th Century Italian marble mortar with animals depicted on the sides

A leader of the cross-cultural craft resurgence, Japan-based artist Toyoharu Kii creates his intricate mosaics with hand-cut Italian marble and smalti, Venetian glass made by the sam...

Entitled "Cloud," this mosaic work by Japanese artist Toyoharu Kii tells a story of nature and rebirth. As with many of Kii's works, the lively and chaotic field of white marble tess...

Typical of 18th Century Rome, this fascinating pink marble urn with lid is a wonderful example of Italian decorative arts. Embellished with bronze moun...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

Abstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...