Milena Pavlovic-Barilli

Authograph Letter by M. Pavlovic-Barilli to the Countess A.L. Pecci-Blunt - 1943

1943

"Il Selvaggio, no.4- 1930", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and sciences", including original woodcuts by Mino Maccari. Good ...

"Il Selvaggio", "Annual supporter subscription 40 Cent - Weekly Newspaper letters arts and sciences", we find, in the dossier of 20 Aprile 1934, including original woodcuts by the ar...

V.A., Artistes Italiens contemporains, Stabilimento grafico Foa, Torin, 1927. Vol in 8°, pp. 209, cm 25x1.5x22. In French. Catalogue of the "Exposition d'Artistes Italians Contemporaines", Musée Rath, Genève, February 1927. Vary rare and interesting volume on the artists who joined the exhibition: Felice Carena, Carlo Carrà, Felice Casorati, Gigi Chessa, Ernesto de Fiori, Achille Funi, Nicola Galante, Pietro Marussig, Francesco Menzio...

Tragica Notte by Soldati is a lot composed of two items: Telegram by Mario Soldati to Maria De Matteis. In Italian. May 1941 (from the postmarks on the back). Autograph Letter Sign...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in books from Horst P. Horst into her collages. Time past and time future are united in a perpetual possibility of change. She tries to capture the resonances of evolution in various types of representation. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Materials and emotions converge: The surface holds synthetic binders consisting mainly of layers of inks, acrylics, watercolors, pigments, photographs from books and digital images. These are imbued with altered states of feelings and archetypal references. Combining Renaissance ideals and concepts with images taken from contemporary media, Natasha Zupan beautifully unites the old and the new in her collage work. Natasha combines the innovation of her elaborate technique with her charm for tradition and the inspiration of the great Masters. Her clear, bright brushstrokes and her play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable Renaissance character at the time, but they are reborn in our understanding of contemporary aesthetics. Their classic faces become modern nymphs when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent and seductive. From the Series Homage Hort P Horst Collage on paper...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Ganesh Pyne - Untitled AP - 6/32 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : Initially, Pyne painted watercolors and sketches of misty mornings and ways...

Ganesh Haloi - Untitled (Landscape) AP - 18/32 Lithograph on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Haloi’s abstract composition in ink exudes a meditative rhythm, w...