Nikhil Bhandari

Inundated - Photograph by Nikhil Bhandari - 2008

2008

Transmutation within, from Beyond Eros II is an original black and white photograph realized by Nikhil Bhandari (Rajasthan,1969). Hand-signed and titled, artist's proof plus 3 on the rear. Included a Passepartout: 61 x 86 cm. Very Good conditions. Nikhil Bhandari (Rajasthan,1969), an Indian artist born in Jaipur (Rajasthan) on December 21, 1969, is a professor of Visual Education at the BFA Bombay University and since 1991 lives and works in Jaipur. His works have been published in the most important magazines around the world: Play Boy...

Denuded by Future from Beyond Eros V is an original black and white photograph realized by Nikhil Bhandari (Rajasthan,1969). Hand-signed both on the lower of the artwork and rear an...

Proportional flaw from Beyond Eros XIII is an original black and white photograph realized by Nikhil Bhandari (Rajasthan,1969). Hand-signed both on the lower right and on the rear a...

Equipoised contempt from "Beyond Eros - IV"is an original black and white photograph realized by Nikhil Bhandari (Rajasthan,1969). Hand-signed both on the lower right and rear, titl...

A passionate furious energy radiates in the ripples of red that overtake the reflection. Intense motion, stirring the water into an explosion of bubbles we encounter “The Trouble”. T...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Dreamer - Signed limited edition archival pigment print - Edition of 8 Photography : 1989 Bichromate print : 2015 Pigment print : 2020 Several negatives was used to create a ha...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...