Pablo Picasso

Chope Visage (AR 432), 1959. Ceramic Stamped Madoura Plein Feu, Edition Picasso

1959

Pablo Picasso (1881-1973) CHOUETTE (A.R. 543) stamped, marked and numbered 'Madoura Plein Feu / Edition Picasso / Edition Picasso / 37/500 / Madoura' (underneath) white earthenware c...

PABLO PICASSO (1881-1973) Cavalier et cheval (A.R. 138) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura / 199/300' (underneath) white ea...

PABLO PICASSO (1881-1973) Trois sardines (A.R. 34) stamped, marked and numbered 'Madoura Plein Feu / Edition Picasso / I 113 / 28/200' (underneath) whit...

PABLO PICASSO (1881-1973) QUATRE PROFILS ENLACÉS (A.R. 88) stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' (underneath) white earth...

PABLO PICASSO (1881-1973) Femme au chapeau fleuri (A.R. 521) stamped and numbered 'Madoura Plein Feu / Empreinte Originale de Picasso / 97/100' (on the reverse) terracotta plaque, pa...

Pablo Picasso (1881-1973) Chouette (A.R. 603) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 214/250 / Madoura' (underneath) white earthenware ...

Paire Bougeoirs Elephant, Candle Stick, Animal, Ceramic, Lalanne, Design Paire Bougeoirs Elephant Ed. 80 pcs 1985 Glazed ceramic and copper with original boxes 15 x 15.3 x 6 cm / 5.9 x 5.9 x 2.4 in.(each) Monogrammed, stamped, dated, numbered and editor's mark : FXL, Lalalnne, 85, EA43/80, EA42/80, Artcurial Certificate of authenticity issued by Artcurial Editon,. Provenance : Artist's Estate Collection of Marie Lalanne Literature : Claude et François...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 129, plate #236 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

TANYA GOMEZ Cliff, 2020 Material: Porcelain. Thrown on a wheel. Fired multiple times 1280° 43 x 22 cms 16 93/100 x 8 33/50 inches (TG003) Tanya Gomez is a celebrated ceramist renown...

SALE ONE WEEK ONLY "Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay porti...

This naturalistic ceramic vase by Dümler & Breiden features a scalloped mouth that evokes both clams and waves, along with undulating, sand-colored glaze elements with hints of ocean...