Mid-20th Century More Art

Pablo Picasso (1881-1973) Visage d'homme, 1966 Red earthenware clay plaque Numbered 129/500, with 'Empreinte Originale de Picasso' and 'Madoura Plein Fe...

Framed wooden icon with a depiction of a winged devil in chains in the center. This could be Lucifer, the rebel angel who fell from Heaven and became the prince of all demons and was...

Pablo Picasso (Spanish, 1881-1973) Colombe à la lucarne, 1949 Stamped, marked, and numbered Madoura Plein Feu/Edition Picasso/ 80/200/ Edition Picasso/Madoura (underneath) White E...

Pablo Picasso (1881-1973) - Peintre et sa toile avec modèle assis Etching and aquatint from 1965. The edition of 33/50. Dimensions of work: 39 x 51.5 cm. Hand signed. Publisher:...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

Ballerina Dancing Print signed initials Metallic print on board, framed framed: 10 x 12 inches size: 6 x 8 inches Provenance: private collection Condition: very good condition For ...

Pablo Picasso (1881-1973) - Peintre et modèle Lithograph from 1965. Dimensions of work: 23 x 27 cm Reference: Cramer 130 The work is in Excellent condition. Fast and secure ship...

Marc Chagall (1887-1985) - Daphnes and Chloé, Planche XXIII (trial proof) Lithograph from 1961. Trial proof - unique work. On Arches paper with watermark. Dimensions of work: 56 x...

Very rare. From part of a limited edition bound catalog produced by Galleria Flaviana on the occasion of Lucio Fontana's exhibition in 1966, during the artist's lifetime. There are t...

Ultra rare and precious exhibition leaflet of Cy Twombly's Exhibition at Galleria La Tartaruga, Rome, 1960. Lithograph on ivory colored cardboard. Invitation of the American master exhibition at the La Tartaruga Gallery in Rome from the 26th April 1960. Dimensions closed: cm. 15x17.5. The cover is an original lithograph after Cy Twombly...

Jean Cocteau. ( 1889-1963 ) Grand Chèvre - Cou . " Poem -Objet " Signed Jean Cocteau at the base ; incised and dated Jean Cocteau 58. marked and numbered Edition originale de jean Co...

Andy Warhol Flowers and Holly (Christmas Card) c. 1955: A well-sized 1950s designed Andy Warhol flowers Christmas print, produced by Warhol circa 1955. Featuring Warhol's printed sig...

A beautiful 1930s Carlton Ware Art Deco Garden pattern vase of shouldered ovoid form, decorated with iconic art deco shapes on a green, blue, yellow and beige background , pattern no...

Andrè Girard is an original artwork realized by an artist of the mid-20th Century. Booklet André GIRARD by Bignou GALLERY New YORK. Titled on the top ce...

Collana di Perle di mare coltivate. Anni 1960. Chiusura in oro bianco 18 carati e smeraldini. La chiusura in oro bianco e creata artigianalmente a ...

Pablo Picasso (1881-1973) - De mémoir d'homme, Planche VIII Lithograph from 1950. An unnumbered copy from a limited edition of 350. Dimensions of work: 32 x 25 cm Publisher: Édit...

"Bridge Over the Neckar, Town of Heidelberg" - Original Oil Painting on Canvas A beautiful German landscape, by American painter, Betty Brenner (1922-2016), captures the Karl Theodor Bridge and its reflection. Commonly known as the Old Bridge (Alte Brücke), it is an arch bridge in Heidelberg that crosses the Neckar river. It connects the Old City with the eastern part of the Neuenheim district of the city on the opposite bank. The current bridge, made of Neckar sandstone and the ninth built on the site, was constructed in 1788 by Elector Charles Theodore, and is one of the best-known landmarks and tourist destinations in Heidelberg. Brenner, Betty (American, 1922-2016) - Raised in Washington, Brenner attended Cornish School...

Marc Chagall (1887-1985) - Then the Angel of the Lorde appeared unto him in a flame of fire, out of the middes of a bush; and he looked, and beholde, the bush was not consumed Litho...

Thanksgiving letter signed from Giorgio Morandi to Mino Maccari. Envelope included.

Streamline moderne or Art Deco, "Circlet" or "Disc" vase designed by G. McStay Jackson for Trenton potteries, an iconic design of their time. Made only from 1935-1942, they were part...

Danse Macabre is an original Rare Book illustrated by Frans Masereel (1889 – 1972) in 1941. Original Edition. 950 numbered copies. Published by Lang, ...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...

Cocteau's Postcard is a PASs.d.n. l. Autograph Postcard Signed, and written by Jean Cocteau (1889 -1963) addressed to the Countess Anna Laetitia Pecci-Blunt. In French. Without pos...

Pablo Picasso (1881-1973) - Homme couché et femme assise Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, seco...

The letter thanked Buzzi Countess Pecci Blunt for his visit to his studio in Milan, and communicates the end of the works of painting of his theater. Good conditions.

Salvador Dali (1904-1989) - The Inferno, Canto 9 - The Furies Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exce...

'Oblique Ombre' textile installation by Fiber artist Jane Knight. Comprised of 31 elements and signed with a copper metal plaque. Jane Knight (1928-2013) was born in Grosse Pointe a...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

“La Suite Catalane” Complete set of 6 painted and glazed ceramic tiles after paintings by the artist Spain, 1954. Stamped 1954 verso Salvador Dalí (1904-1989) – Spanish painter and ...

Lofty group of three mid century palm frond sculptures or wall decor handcrafted in perforated metal having a worn gilt gold tone finish and plenty of decorative appeal. From left ...

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

Andy Warhol The Souper Dress c. 1965-1967: Inspired by Andy Warhol’s Campbell’s Soup Cans, this dress was sold by the Campbell’s Soup Company in the late 19...

This is an Autograph Letter Signed by Carlo Levi to the Countess A.L. Pecci Blunt. Rome, December 9th 1950. In Italian. One page, single-sided. Excellent condition, perfecly readable. Including original envelope. Carlo Levi (Tourin,1902 – Rome, 1975), the Italian painter, writer, activist, anti-fascist, best-known for his "Cristo si è fermato a Eboli" (Christ Stopped at Eboli),writes this letter to the Countess and patron of arts, A.L. Pecci Blunt to introduce the Italian playwright and director Alessandro Fersen (Łódź, 1911 - Rome, 2001). Artistic Intentions and common initiatives could arise. The background: In the same year of this letter, in 1950, Alessandro Fersen together with Walter Cantatore and Emanuele Luzzati...

Untitled This piece includes an artist hand-signed note attached to the back of the framed work.

The tapestry appears in age-appropriate condition. Visible staining to the lighter areas of the tapestry. The threading has pulled apart in various areas. The fringe is worn and fray...

This essential reference work, edited by Georges Bloch and published by Editions Kornfeld et Klipstein, meticulously catalogs 1,399 graphic works created by Pablo Picasso between 190...

"Il Selvaggio, no.9- 1932", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and sciences", including original woodcuts by Mino Maccari and the...

1960s Handwoven textile piece by world-renowned fiber artist Romeo Reyna. Pieces by Reyna of this scale took months to complete and were mostly only available by commission and are r...

Josef Albers Album Art circa late 1950s A vinyl record cover (containing its record) brilliantly designed by Josef Albers c.1958. Looks fantastic framed. Offset lithograph on vinyl ...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

Salvador Dali (1904-1989) - The Inferno, Canto 6 - Cerberus Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Excelle...

Curtis Jere Copper Toned Metal Tree Sculpture c.1970s Tall and elegant tree sculpture by listed American artist Curtis Jere. The tree is made from...

Typewritten Autograph Letter Signed by Dino Grandi to the Countess A.L. Pecci- Blunt. Bologna, April 10th 1967. Signed "Dino" in red ink. In Italian. On letterhead paper "Dino Grandi". One page, single-sided. Excellent conditions. Perfectly readable, original envelope included. Greeting letter with a balance of a whole life: "Faccio il contadino e debbo riconoscere che dal giorno in cui ho sostituito la compagnia degli uomini colla compagnia delle bestie, ho guadagnato in serenità e ricchezza interiore." "Now, I am a farmer and I have toadmit that since the day I replaced the company of men with the company of beasts, I have gained in serenity and inner wealth". Dino Grandi (Mordano, 1895 - Bologna, 1988) Dino Grandi was an Italian politician and diplomat, who went down in history for the presentation of the homonymous agenda to the Grand Council of Fascism on 25 July 1943 which led to the dismissal of Benito Mussolini. He was foreign minister, minister of Grace and Justice and ambassador to London of the Kingdom of Italy. During the second post war, he was a regular consultant to the US authorities, in particular to the ambassador in Rome, Clare Boothe Luce...

Very rare. From part of a limited edition bound catalog produced by Galleria Flaviana on the occasion of Lucio Fontana's exhibition in 1966, during the artist's lifetime. There are t...

Olga Fisch was born in Hungary, studied in Germany and lived in Morocco and Ethiopia before receiving asylum as a Jewish refugee in Ecuador in 1939. For her Indian-inspired designs, Mrs. Fisch uses natural black and white sheep...

Andy Warhol Banana Cover Art c. 1967-1968: The Velvet Underground & Nico: a set of 4 individual, visually striking original 1960s pressing’s accompanied by their original covers and records. Each Warhol Banana cover is presented in varying ‘peeled...

A delightful African maternity figure from the Lobi peoples of the Ivory Coast/Ghana. With a serene yet feisty expression, the mother is carry...

Le Foglie – A.L.S. is a Autograph Letter Signed by Filippo de Pisis to Gaetano Chiurazzi. Milan, June 3rd 1947. One page, double-side. On letterhead paper “Ne nous embarbouillons pas dans les métaphores” (Balzac). In Italian. Very good condition, with minor aging signs. Original envelope included, with lacquer wax. An affectionate greeting letter written with a rapid calligraphy written by the artist had just return to Italy with the first symptoms of an illness will lead to his death. The artist demands to his friend and Italian gallerist, Gaetano Chiurazzi (Naples,1899- Rome,1967), best-known as "Tanino", to lead him his oil on canval “Le Foglie”, exhibited at his popular gallery, “Le Vetrine di Chiurazzi”, in Via del Babbuino, Rome. De Pisis is today best-known for his cityscapes, metaphysically-inspired maritime scenes, and still lifes, especially those depicting flowers. His work has a particularly airy quality, and is laden with a sort of pathetic pleasure. This letter demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24-hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...

Edition of 131 copies including 66 original b/w and colour lithographs by Giorgio De Chirico, plus repeats on title-page and front wrapper. One of the 88 copies on papier de Chine, w...

Brutalist Abstract Nail sculpture comprised of hundreds of hand welded flat nails with a rusticated patina. Would be great as a fireplace screen, in a window sil, or on a credenza.

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

"AR 604 - Chouette" white earthenware clay owl pitcher with engobe decoration engraved by boring rod under partial brushed glaze and black patina by artist Pablo Picasso. Edition Pic...

Theo Tobiasse (French, 1927-2012) Le Petit Train qui mene au chant de la pensee" Lithograph c.1970 Bright and colorful lithograph by noted French artist. The title translates to "T...

Sublime “Stéle” mirror in glazed ceramic, crystallized glass and crackled gold by French ceramist Mithè Espelt, measuring 28.5 x 17.8 cm

L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memor...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

A fine impressionist oil painting of the boat shop by Italian American artist Antonio Cirino (1889-1983). Cirino was born in Italy and moved to the United States, attending the Rhode...

Autograph letter signed by Gino Severini to Veno Pilon. Nice, Avril 7th 1958. One double-sided page, in Italian. With some notes in pencil. Excellent condit...

Pablo Picasso (1881-1973) Visage d'homme, 1966 Red earthenware clay plaque Numbered 129/500, with 'Empreinte Originale de Picasso' and 'Madoura Plein Fe...