Ridolfino Venuti

Spiegazione de' bassirilievi dell'urna detta d'Alessandro Severo - 1756

1756

9 Plates which represent different kind of coins. Cover on rigid parchment. Decorations and title of book drawn with ink. A full page b/w etching on first endpaper, and a second smal...

Complete title: Opera di Andrea Fulvio delle antichità della Città di Roma, & delli edificij memorabili di quella. Tradotta nuovamente di latino in lingua toscana, per Paulo dal Ross...

Convento dei Padri Eremiti di S. Agostino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of R...

Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration. On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin. Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341. This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete. Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks: Big cartouche with half-moon Big cartouche with letters “FO” and “AS” Bound and ripples on paper. In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation. Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes. Other four views are deeply inspired by Michele...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

Carlo Antonio Tavella (Milan, 1668 - Genoa, 1738) Arcadian landscape with shepherds and flock Oil on canvas, 58 x 97 cm Framed, 67 x 105 cm The canvas under consideration is insc...

FIRST and ONLY EDITION Doni, Anton Francesco Disegno del Doni; Partito in più ragionamenti, ne quali si tratta della scoltura et pittura .... Venice: Gabriel Giolito Di Ferrari, 15...

This small portrait, from an important Florentine collection, (unframed 14x10 cm.) is signed and dated on the lower edge "Io(hannes) Baptista Scarlattius Rondinelli Fecit Anno 1754."...