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Distillerie De Liqueurs E. Eppe c1898 Advert Signage

1898

Rare (8) panel/ (9) per plate framed bespoke stationary letterhead c1930s crests together with (3) preparatory sheets mounted on verso all custom framed Image Sz: 14 1/4"H x 22 1/4"...

Paper c1970s mosaic depicting a decoupage lily of the valley floral still life by BJ (signed LL) Bobby Mitchell of 345 East 57th St Sutton Pl NYC ...

Map Sz: 38 1/2"H x 55 1/2"W Frame Sz: 40"H x 57"W

Editions Albert Morance 1925 11" x 9 3/8" Lacking plate 8, 26, 30 & 36 Jean Badovici (6 January 1893 – 17 August 1956) was a French architect and ar...

Classic and rare map of the Mt. Desert Island Region of the Maine Coast c1941 by Luther S. Phillips Map Sz: 19 1/2"H x 15 1/2"W Frame Sz: 25 1/4"H x ...

SWIFT, Jonathan Limited Edition H.M. Fletcher 1971 14.5" x 10.75" This edition of the illustrations has been printed from the original plates by Harrison & Sons by Fletcher 1970...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

Claude Lorrain landscape with the God Hermes, Amor and the Muses. Richard Earlom aquatint c1817 by Lorrain, Claude le/Earlom, Richard Countryside with ...

Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...

Claude Lorrain landscape with the temptation of Saint Anthony .Richard Earlom aquatint c1817 by Lorrain, Claude le/Earlom, Richard Country...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

Crayon style colouring after Francois-Andre Vincent. The sheets are a typical example of the highly developed colour printing technique used by Gilles Demarteau and his pupil and nep...